Author: Wendy Ann Mehne
Publisher:
ISBN:
Category :
Languages : en
Pages : 714
Book Description
A Research Performance Edition of Johann Sebastian Bach's Acknowledged Flute Sonatas
Author: Wendy Ann Mehne
Publisher:
ISBN:
Category :
Languages : en
Pages : 714
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 714
Book Description
Dissertation Abstracts International
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 522
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 522
Book Description
Traverso
Author: Ardal Powell
Publisher: Folkers Flute Company, Limited.
ISBN:
Category : Music
Languages : en
Pages : 218
Book Description
Photographic reprints of quarterly newsletters, with original pagings.
Publisher: Folkers Flute Company, Limited.
ISBN:
Category : Music
Languages : en
Pages : 218
Book Description
Photographic reprints of quarterly newsletters, with original pagings.
Sonata in G Minor, BWV 1020
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457485077
Category : Music
Languages : en
Pages : 32
Book Description
A Flute solo with Piano Accompaniment composed by Johann Sebastian Bach.
Publisher: Alfred Music
ISBN: 9781457485077
Category : Music
Languages : en
Pages : 32
Book Description
A Flute solo with Piano Accompaniment composed by Johann Sebastian Bach.
Notes for Flutists
Author: Dr. Kyle Dzapo
Publisher: Oxford University Press
ISBN: 0190610654
Category : Music
Languages : en
Pages : 289
Book Description
Notes for Flutists: A Guide to the Repertoire offers important historical and analytical information about three dozen of the best-known pieces written for the instrument. Its contextual and theoretical insights make it an essential resource for professional, amateur, and student flutists. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and informative analyses to help flutists gain a more complete understanding of J. S. Bach's Sonata in B minor, Reinecke's Undine Sonata, Fauré's Fantaisie, Hindemith's Sonata for Flute and Piano, Copland's Duo for Flute and Piano, and 30 other masterpieces. Offering a faithful and comprehensive guide to understanding the contexts in which the repertoire was composed, Notes for Flutists details in clear, chronological order flute repertoire from Telemann, Mozart, and Enescu to Prokofiev, Poulenc, and Muczynski. Kyle Dzapo includes biographical information on each composer and highlights history's impact on the creation and performance of important works for flute. Intended as a starting point for connecting performance studies with scholarship, Dr. Dzapo's analysis will help flutists gain a more complete picture of a given work. Its valuable insights make it essential to musicians preparing and presenting programs, and its detailed historical information about the work and composer will encourage readers to explore other works in a similarly analytical way. Covering concertos, chamber pieces, and works for solo flute, Kyle Dzapo presents Notes for Flutists, an indispensable handbook for students and professionals alike.
Publisher: Oxford University Press
ISBN: 0190610654
Category : Music
Languages : en
Pages : 289
Book Description
Notes for Flutists: A Guide to the Repertoire offers important historical and analytical information about three dozen of the best-known pieces written for the instrument. Its contextual and theoretical insights make it an essential resource for professional, amateur, and student flutists. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and informative analyses to help flutists gain a more complete understanding of J. S. Bach's Sonata in B minor, Reinecke's Undine Sonata, Fauré's Fantaisie, Hindemith's Sonata for Flute and Piano, Copland's Duo for Flute and Piano, and 30 other masterpieces. Offering a faithful and comprehensive guide to understanding the contexts in which the repertoire was composed, Notes for Flutists details in clear, chronological order flute repertoire from Telemann, Mozart, and Enescu to Prokofiev, Poulenc, and Muczynski. Kyle Dzapo includes biographical information on each composer and highlights history's impact on the creation and performance of important works for flute. Intended as a starting point for connecting performance studies with scholarship, Dr. Dzapo's analysis will help flutists gain a more complete picture of a given work. Its valuable insights make it essential to musicians preparing and presenting programs, and its detailed historical information about the work and composer will encourage readers to explore other works in a similarly analytical way. Covering concertos, chamber pieces, and works for solo flute, Kyle Dzapo presents Notes for Flutists, an indispensable handbook for students and professionals alike.
Baroque Music
Author: Peter Walls
Publisher: Routledge
ISBN: 1351574728
Category : History
Languages : en
Pages : 588
Book Description
Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.
Publisher: Routledge
ISBN: 1351574728
Category : History
Languages : en
Pages : 588
Book Description
Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.
Bach Studies 2
Author: Don O. Franklin
Publisher: Cambridge University Press
ISBN: 9780521470674
Category : Music
Languages : en
Pages : 258
Book Description
This 1995 volume presents twelve essays by internationally distinguished Bach scholars, covering a broad range of issues in this field.
Publisher: Cambridge University Press
ISBN: 9780521470674
Category : Music
Languages : en
Pages : 258
Book Description
This 1995 volume presents twelve essays by internationally distinguished Bach scholars, covering a broad range of issues in this field.
The Flutist Quarterly
Author:
Publisher:
ISBN:
Category : Flute
Languages : en
Pages : 366
Book Description
Publisher:
ISBN:
Category : Flute
Languages : en
Pages : 366
Book Description
Understanding Music
Author: N. Alan Clark
Publisher:
ISBN: 9781940771335
Category : Education
Languages : en
Pages : 316
Book Description
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
Publisher:
ISBN: 9781940771335
Category : Education
Languages : en
Pages : 316
Book Description
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
Collected Thoughts on Teaching and Learning, Creativity, and Horn Performance
Author: Douglas Hill
Publisher: Alfred Music Publishing
ISBN: 9780757906855
Category : Music
Languages : en
Pages : 222
Book Description
Douglas Hill is professor of music and horn at the University of Wisconsin at Madison as well as a past President of the International Horn Society, and a respected teacher and clinician. The 27 chapters of Collected Thoughts cover topics ranging from getting started to preparing for college and professional auditions, and include other subjects such as composing and improvising. There are seven chapters on repertoire that include reviews of music and texts that are the most comprehensive of any horn (or other instrumental) text to date. The process of learning and teaching is extremely insightful for everyone, from the serious student to the most experienced instructor. This book is a must for anyone interested in the horn. It is invaluable!!
Publisher: Alfred Music Publishing
ISBN: 9780757906855
Category : Music
Languages : en
Pages : 222
Book Description
Douglas Hill is professor of music and horn at the University of Wisconsin at Madison as well as a past President of the International Horn Society, and a respected teacher and clinician. The 27 chapters of Collected Thoughts cover topics ranging from getting started to preparing for college and professional auditions, and include other subjects such as composing and improvising. There are seven chapters on repertoire that include reviews of music and texts that are the most comprehensive of any horn (or other instrumental) text to date. The process of learning and teaching is extremely insightful for everyone, from the serious student to the most experienced instructor. This book is a must for anyone interested in the horn. It is invaluable!!