A Register of the Presidents, Fellows, Demies, Instructors in Grammar and in Music, Chaplains, Clerks, Choristers, and Other Members of Saint Mary Magdalen College in the University of Oxford, from the Foundation of the College to the Present Time: Chaplains, clerks, and organists PDF Download
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Author: Magdalen College (University of Oxford)
Publisher:
ISBN:
Category : Oxford (England)
Languages : en
Pages : 636
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Author: John Rouse Bloxam
Publisher:
ISBN:
Category :
Languages : en
Pages : 620
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Book Description
Author: Magdalen College (University of Oxford)
Publisher:
ISBN:
Category : Oxford (England)
Languages : en
Pages : 258
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Book Description
Author: Magdalen College (University of Oxford)
Publisher:
ISBN:
Category :
Languages : en
Pages : 256
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Book Description
Author: Magdalen College (University of Oxford)
Publisher:
ISBN:
Category : Oxford (England)
Languages : en
Pages : 330
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Book Description
Author: John Rouse Bloxam
Publisher:
ISBN:
Category : Oxford (England)
Languages : en
Pages : 306
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Book Description
Author: Magdalen College (University of Oxford)
Publisher:
ISBN:
Category :
Languages : en
Pages : 210
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Book Description
Author: John Rouse Bloxam
Publisher:
ISBN:
Category : Oxford (England)
Languages : en
Pages : 378
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Book Description
Author: Sarah J. Hodder
Publisher: John Hunt Publishing
ISBN: 1789049032
Category : Biography & Autobiography
Languages : en
Pages : 149
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Book Description
Cecily Bonville-Grey was one of the richest women of her time, inheriting the Harington and Bonville fortunes as a young child. In 1474, at the age of fifteen, she married Thomas Grey, the eldest son of Elizabeth Woodville from her first marriage to Sir John Grey. When Thomas was created Marquis of Dorset a year later, Cecily became the Marchioness of Dorset alongside him. During her lifetime she was connected to many of the fifteenth and sixteenth century personalities that we read about today. Her stepfather was William, Lord Hastings, her mother-in-law Elizabeth Woodville, the White Queen. Her mother was a daughter of the great Neville family and her uncle was the Earl of Warwick, also known as the ‘kingmaker’ having assisted his cousin, Edward IV, in his path to the throne. Her second husband was a son of the ancient Stafford family and Lady Jane Grey was a direct descendant of hers. During the Wars of the Roses and the emergence of the new Tudor dynasty, Cecily was witness to many of the events that unfolded and her own story is intertwined with many of these events. Yet she remains relatively unknown. This is Cecily’s story.
Author:
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ISBN:
Category :
Languages : en
Pages : 1344
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Author: Timothy Day
Publisher: Penguin UK
ISBN: 0241352193
Category : Music
Languages : en
Pages : 367
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Book Description
The sound of the choir of King's College, Cambridge - its voices perfectly blended, its emotions restrained, its impact sublime - has become famous all over the world, and for many, the distillation of a particular kind of Englishness. This is especially so at Christmas time, with the broadcast of the Festival of Nine Lessons and Carols, whose centenary is celebrated this year. How did this small band of men and boys in a famous fenland town in England come to sing in the extraordinary way they did in the twentieth and early twenty-first centuries? It has been widely assumed that the King's style essentially continues an English choral tradition inherited directly from the Middle Ages. In this original and illuminating book, Timothy Day shows that this could hardly be further from the truth. Until the 1930s, the singing at King's was full of high Victorian emotionalism, like that at many other English choral foundations well into the twentieth century. The choir's modern sound was brought about by two intertwined revolutions, one social and one musical. From 1928, singing with the trebles in place of the old lay clerks, the choir was fully made up of choral scholars - college men, reading for a degree. Under two exceptional directors of music - Boris Ord from 1929 and David Willcocks from 1958 - the style was transformed and the choir broadcast and recorded until it became the epitome of English choral singing, setting the benchmark for all other choral foundations either to imitate or to react against. Its style has now been taken over and adapted by classical performers who sing both sacred and secular music in secular settings all over the world with a precision inspired by the King's tradition. I Saw Eternity the Other Night investigates the timbres of voices, the enunciation of words, the use of vibrato. But the singing of all human beings, in whatever style, always reflects in profound and subtle ways their preoccupations and attitudes to life. These are the underlying themes explored by this book.
