Author: Rodney Edgecombe
Publisher: Cambridge Scholars Publishing
ISBN: 1443884057
Category : Literary Criticism
Languages : en
Pages : 499
Book Description
Beddoes poses a peculiar problem for critics and scholars who wish to redress the marginal position that he occupies in the Romantic canon – a problem seemingly unique to him, and created in part by his misconception of his own strengths as a writer. An extremely good poet who, had things turned out differently, might have functioned as a missing link between Keats and Tennyson, he fatally divided his attention between verse and medicine, a discipline that by his own admission (made in the poem composed for Zoë King) served to wither his creative gift. This fission of energy was bad enough, but more damaging still was his misconception of metier, for whatever mental resources remained to Beddoes after gruelling days in the classroom he invested in writing an unstageable drama instead of in his primary gift for lyric verse. Whereas the Beddoes revival that has been gathering momentum in recent years has centred on Death's Jest-Book, the play onto which the poet directed – some might say ‘misdirected’ – so much of his creative energy, this study focuses wholly on his lyric and narrative verse, much of which has received short critical shrift. It follows the sequence of poems set out in the Donner edition, and focuses on their verbal richness and inventiveness as they unspool upon the page.
A Reader's Guide to the Narrative and Lyric Poetry of Thomas Lovell Beddoes
Author: Rodney Edgecombe
Publisher: Cambridge Scholars Publishing
ISBN: 1443884057
Category : Literary Criticism
Languages : en
Pages : 499
Book Description
Beddoes poses a peculiar problem for critics and scholars who wish to redress the marginal position that he occupies in the Romantic canon – a problem seemingly unique to him, and created in part by his misconception of his own strengths as a writer. An extremely good poet who, had things turned out differently, might have functioned as a missing link between Keats and Tennyson, he fatally divided his attention between verse and medicine, a discipline that by his own admission (made in the poem composed for Zoë King) served to wither his creative gift. This fission of energy was bad enough, but more damaging still was his misconception of metier, for whatever mental resources remained to Beddoes after gruelling days in the classroom he invested in writing an unstageable drama instead of in his primary gift for lyric verse. Whereas the Beddoes revival that has been gathering momentum in recent years has centred on Death's Jest-Book, the play onto which the poet directed – some might say ‘misdirected’ – so much of his creative energy, this study focuses wholly on his lyric and narrative verse, much of which has received short critical shrift. It follows the sequence of poems set out in the Donner edition, and focuses on their verbal richness and inventiveness as they unspool upon the page.
Publisher: Cambridge Scholars Publishing
ISBN: 1443884057
Category : Literary Criticism
Languages : en
Pages : 499
Book Description
Beddoes poses a peculiar problem for critics and scholars who wish to redress the marginal position that he occupies in the Romantic canon – a problem seemingly unique to him, and created in part by his misconception of his own strengths as a writer. An extremely good poet who, had things turned out differently, might have functioned as a missing link between Keats and Tennyson, he fatally divided his attention between verse and medicine, a discipline that by his own admission (made in the poem composed for Zoë King) served to wither his creative gift. This fission of energy was bad enough, but more damaging still was his misconception of metier, for whatever mental resources remained to Beddoes after gruelling days in the classroom he invested in writing an unstageable drama instead of in his primary gift for lyric verse. Whereas the Beddoes revival that has been gathering momentum in recent years has centred on Death's Jest-Book, the play onto which the poet directed – some might say ‘misdirected’ – so much of his creative energy, this study focuses wholly on his lyric and narrative verse, much of which has received short critical shrift. It follows the sequence of poems set out in the Donner edition, and focuses on their verbal richness and inventiveness as they unspool upon the page.
Album Verses and Romantic Literary Culture
Author: Samantha Matthews
Publisher: Oxford University Press
ISBN: 0192599852
Category : Literary Criticism
Languages : en
Pages : 439
Book Description
'Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.
Publisher: Oxford University Press
ISBN: 0192599852
Category : Literary Criticism
Languages : en
Pages : 439
Book Description
'Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.
Review Notes and Study Guide to the Romantic Poets
Author: Grover Cronin
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 98
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 98
Book Description
New York Times Saturday Book Review Supplement
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 582
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 582
Book Description
The New York Times Book Review
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 768
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 768
Book Description
The Nation
Author:
Publisher:
ISBN:
Category : Current events
Languages : en
Pages : 550
Book Description
Publisher:
ISBN:
Category : Current events
Languages : en
Pages : 550
Book Description
Books
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 772
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 772
Book Description
The Nation
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3382817861
Category : Fiction
Languages : en
Pages : 422
Book Description
Reprint of the original, first published in 1873. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Publisher: BoD – Books on Demand
ISBN: 3382817861
Category : Fiction
Languages : en
Pages : 422
Book Description
Reprint of the original, first published in 1873. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Other Traditions
Author: John Ashbery
Publisher: Harvard University Press
ISBN: 0674971191
Category : Literary Criticism
Languages : en
Pages : 188
Book Description
One of the greatest living poets in English here explores the work of six writers he often finds himself reading "in order to get started" when writing, poets he turns to as "a poetic jump-start for times when the batteries have run down." Among those whom John Ashbery reads at such times are John Clare, Thomas Lovell Beddoes, Raymond Roussel, John Wheelwright, Laura Riding, and David Schubert. Less familiar than some, under Ashbery's scrutiny these poets emerge as the powerful but private and somewhat wild voices whose eccentricity has kept them from the mainstream--and whose vision merits Ashbery's efforts, and our own, to read them well. Deeply interesting in themselves, Ashbery's reflections on these poets of "another tradition" are equally intriguing for what they tell us about Ashbery's own way of reading, writing, and thinking. With its indirect clues to his work and its generous and infectious appreciation of a remarkable group of poets, this book conveys the passion, delight, curiosity, and insight that underlie the art and craft of poetry for writer and reader alike. Even as it invites us to discover the work of poets in Ashbery's other tradition, it reminds us of Ashbery's essential place in our own.
Publisher: Harvard University Press
ISBN: 0674971191
Category : Literary Criticism
Languages : en
Pages : 188
Book Description
One of the greatest living poets in English here explores the work of six writers he often finds himself reading "in order to get started" when writing, poets he turns to as "a poetic jump-start for times when the batteries have run down." Among those whom John Ashbery reads at such times are John Clare, Thomas Lovell Beddoes, Raymond Roussel, John Wheelwright, Laura Riding, and David Schubert. Less familiar than some, under Ashbery's scrutiny these poets emerge as the powerful but private and somewhat wild voices whose eccentricity has kept them from the mainstream--and whose vision merits Ashbery's efforts, and our own, to read them well. Deeply interesting in themselves, Ashbery's reflections on these poets of "another tradition" are equally intriguing for what they tell us about Ashbery's own way of reading, writing, and thinking. With its indirect clues to his work and its generous and infectious appreciation of a remarkable group of poets, this book conveys the passion, delight, curiosity, and insight that underlie the art and craft of poetry for writer and reader alike. Even as it invites us to discover the work of poets in Ashbery's other tradition, it reminds us of Ashbery's essential place in our own.
Subject Guide to Reprints
Author:
Publisher:
ISBN:
Category : Reprints (Publications)
Languages : en
Pages : 436
Book Description
Publisher:
ISBN:
Category : Reprints (Publications)
Languages : en
Pages : 436
Book Description