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Author: Vivian Salmon
Publisher: John Benjamins Publishing
ISBN: 9027245169
Category : Drama
Languages : en
Pages : 546
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Book Description
In recent years the language of Shakespearean drama has been described in a number of publications intended mainly for the undergraduate student or general reader, but the studies in academic journals to which they refer are not always easily accessible even though they are of great interest to the general reader and essential for the specialist. The purpose of this collection is therefore to bring together some of the most valuable of these studies which, in discussing various aspects of the language of the early 17th century as exemplified in Shakespearean drama, provide the reader with deeper insights into the meaning of Shakespearean text, often by reference to the social, literary and linguistic context of the time.
Author: Vivian Salmon
Publisher: John Benjamins Publishing
ISBN: 9027245169
Category : Drama
Languages : en
Pages : 546
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Book Description
In recent years the language of Shakespearean drama has been described in a number of publications intended mainly for the undergraduate student or general reader, but the studies in academic journals to which they refer are not always easily accessible even though they are of great interest to the general reader and essential for the specialist. The purpose of this collection is therefore to bring together some of the most valuable of these studies which, in discussing various aspects of the language of the early 17th century as exemplified in Shakespearean drama, provide the reader with deeper insights into the meaning of Shakespearean text, often by reference to the social, literary and linguistic context of the time.
Author: Frank Kermode
Publisher: Macmillan
ISBN: 0374527741
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
In this magnum opus, Britain's most distinguished scholar of 16th-century and 17th-century literature restores Shakespeare's poetic language to its rightful primacy.
Author: William Shakespeare
Publisher: HarperCollins
ISBN: 1443441554
Category : Drama
Languages : en
Pages : 104
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Book Description
Among the most enduring poetry of all time, William Shakespeare’s 154 sonnets address such eternal themes as love, beauty, honesty, and the passage of time. Written primarily in four-line stanzas and iambic pentameter, Shakespeare’s sonnets are now recognized as marking the beginning of modern love poetry. The sonnets have been translated into all major written languages and are frequently used at romantic celebrations. Known as “The Bard of Avon,” William Shakespeare is arguably the greatest English-language writer known. Enormously popular during his life, Shakespeare’s works continue to resonate more than three centuries after his death, as has his influence on theatre and literature. Shakespeare’s innovative use of character, language, and experimentation with romance as tragedy served as a foundation for later playwrights and dramatists, and some of his most famous lines of dialogue have become part of everyday speech. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Author: BRADD. SHORE
Publisher: Routledge
ISBN: 9781032017174
Category :
Languages : en
Pages : 296
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Book Description
This book provides a bridge between Shakespeare Studies and classical social theory, opening up readings of Shakespeare to a new audience outside of literary studies and the humanities. Shakespeare has long been known as a 'great thinker' and this book reads his plays through the lens of an anthropologist, revealing new connections between Shakespeare's plays and the lives we now lead. Close readings of a selection of frequently studied plays - Hamlet, The Winter's Tale, Romeo and Juliet, A Midsummer Night's Dream, Julius Caesar and King Lear - engage with the plays in detail while connecting them with some of the biggest questions we all ask ourselves, about love, friendship, ritual, language, human interactions and the world around us. The plays are examined through various social theories including performance theory, cognitive theory, semiotics, exchange theory and structuralism. The book concludes with a consideration of how "the new astronomy" of his day and developments in optics changed the very idea of "perspective," and shaped Shakespeare's approach to embedding social theory in his dramatic texts. This accessible and engaging book will appeal to those approaching Shakespeare from outside literary studies, but will also be valuable to literature students approaching Shakespeare for the first time, or looking for a new angle on the plays.
Author: Lukas Erne
Publisher: Cambridge University Press
ISBN: 110735532X
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. Examining the evidence from early published playbooks, Erne argues that Shakespeare wrote many of his plays with a readership in mind and that these 'literary' texts would have been abridged for the stage because they were too long for performance. The variant early texts of Romeo and Juliet, Henry V and Hamlet are shown to reveal important insights into the different media for which Shakespeare designed his plays. This revised and updated edition includes a new and substantial preface that reviews and intervenes in the controversy the study has triggered and lists reviews, articles and books which respond to or build on the first edition.
Author: Richard DiPrima
Publisher:
ISBN: 9780615411156
Category :
Languages : en
Pages : 854
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Book Description
Author s Note: This book is intended to help the actor or intelligent reader master the forms of Shakespeare s language. Anyone who acts Shakespeare s plays well must have a confident feel for the language of his plays. Anyone who reads his plays well must be a Shakespearean actor deep inside his or her mind! It has been my honor, as founder and director of The Young Shakespeare Players, to direct thousands of actors in full-length Shakespeare roles. My experience with these players -- from age 7 to 80, with most between 13 and 18 -- has helped tell me what the serious Shakespeare actor or reader must grasp. Our young actors always quickly understood that they needed to start to make Shakespeare s language their own. They always especially emphasized the resonance of his words, and their precise and evocative beauty. I find inadequacies in published works on understanding and using Shakespeare s language. Some are overly simplified, or even wrong-headed. Some are excellent, but simply do not go far enough. They tend, for example, to take an element of Shakespeare s writing craft (say, his use of verse rhythm or antitheses), explain its meaning briefly, give a few examples, and move quickly on. Often, the actor/reader leaves with too little experience to apply this knowledge the next time the element crops up. We need, instead, a way for the serious actor or reader to immerse in the key elements of Shakespeare s text, so that each becomes familiar and instantly recognizable. And so, we developed the RISARA model, which is the basis of this book. The RISARA model RISARA is an acronym for six major ways in which Shakespeare shaped and varied the language of his plays: R - Rhythm and stress. Shakespeare wrote most of the lines in his plays in verse -- language formed into expected rhythm patterns and line lengths. Then he regularly broke the rules of his own verse form. The R in RISARA leads the actor/reader to ask: Does the rhythm vary from the regular pattern or normal line length? If so, why? Can this variation help us more clearly understand the meaning? I - Imagery. Shakespeare's movie cameras and special effects were he words, spoken by the actors; and his screens were the ears and minds of the audience. What pictures do Shakespeare s words evoke? How does the imagery help define the emotions and characterizations in his plays? S - Sound. In Shakespeare s time, language was more important for how it sounded than for how it looked on a page. Does the sound of Shakespeare s words add to the feeling of the passage being read? How does the actor/reader use it to enhance the meaning? A - Antitheses. Shakespeare used no figure of speech to greater effect than antithesis -- the formal contrast set up to sharpen and guide the thinking of character and audience alike. In any passage, does Shakespeare emphasize his meaning by comparing antithetical words or ideas? Do such comparisons need special emphasis to bring out the meaning? R - Repetition. Schoolchildren in Shakespeare s time were thoroughly trained in rhetoric and formal figures of repetition. Shakespeare often used these to strengthen a passage by repeating certain sounds, or words, or whole phrases. We need to ask: How did he use repetition in this passage? How does the repetition enhance the mood or character or image? A - Architecture. Shakespeare built a kind of architecture into his words in other ways -- from changes of direction in speeches, to phrasing of individual verse lines, to shifts between prose and verse, and much more. How do these architectural elements add to the meaning or feelings of the scene, or speech, or passage? What can the actor/reader do to emphasize these architectural features?"
Author: Rainer Schulze
Publisher: Gunter Narr Verlag
ISBN: 9783823349396
Category : Language Arts & Disciplines
Languages : en
Pages : 338
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Book Description
Author: Ben Crystal
Publisher: Icon Books Ltd
ISBN: 178578031X
Category : Drama
Languages : en
Pages : 195
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Book Description
Actor, producer and director Ben Crystal revisits his acclaimed book on Shakespeare for the 400th anniversary of his death, updating and adding three new chapters. Shakespeare on Toast knocks the stuffing from the staid old myth of the Bard, revealing the man and his plays for what they really are: modern, thrilling, uplifting drama. The bright words and colourful characters of the greatest hack writer are brought brilliantly to life, sweeping cobwebs from the Bard – his language, his life, his world, his sounds, his craft. Crystal reveals man and work as relevant, accessible and alive – and, astonishingly, finds Shakespeare's own voice amid the poetry. Whether you're studying Shakespeare for the first time or you've never set foot near one of his plays but have always wanted to, this book smashes down the walls that have been built up around this untouchable literary figure. Told in five fascinating Acts, this is quick, easy and good for you. Just like beans on toast.
Author: Emma Smith
Publisher: Vintage
ISBN: 1524748552
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.
Author: Claire McEachern
Publisher: Cambridge University Press
ISBN: 110701977X
Category : Drama
Languages : en
Pages : 325
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Book Description
This updated Companion has been fully revised and includes an extensively overhauled bibliography and four new chapters by leading scholars.
