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Author: Bernard Leach
Publisher:
ISBN:
Category : Art populaire
Languages : en
Pages : 258
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Book Description
Author: Bernard Leach
Publisher:
ISBN:
Category : Art populaire
Languages : en
Pages : 258
Get Book Here
Book Description
Author: Bernard Leach
Publisher:
ISBN:
Category :
Languages : en
Pages : 246
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Book Description
Author: Bernard Leach
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 246
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Book Description
Author: Caroline Whyman
Publisher: University of Pennsylvania Press
ISBN: 9780812233001
Category : Art
Languages : en
Pages : 120
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Book Description
A practical introduction to every aspect of handling and firing this unique clay. Discusses preparation, storage, and reclamation, and techniques for handbuilding and modeling, molding, and decoration. Other topics covered include kiln packing and firing, and the coloring, mixing, and application of glazes, lusters, and enamels. Illustrated with color and bandw photos. Annotation copyright by Book News, Inc., Portland, OR
Author: Jozef Rogala
Publisher: Routledge
ISBN: 1136639233
Category : Social Science
Languages : en
Pages : 306
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Book Description
Provides an invaluable and very accessible addition to existing biographic sources and references, not least because of the supporting biographies of major writers and the historical and cultural notes provided.
Author: Kim Brandt
Publisher: Duke University Press
ISBN: 9780822340003
Category : Art
Languages : en
Pages : 324
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Book Description
A Study of the Weatherhead East Asian Institute, Columbia University Kingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan became both a modern nation and an imperial world power. Kim Brandt’s account of the mingei movement locates its origins in colonial Korea, where middle-class Japanese artists and collectors discovered that imperialism offered them special opportunities to amass art objects and gain social, cultural, and even political influence. Later, mingei enthusiasts worked with (and against) other groups—such as state officials, fascist ideologues, rival folk art organizations, local artisans, newspaper and magazine editors, and department store managers—to promote their own vision of beautiful prosperity for Japan, Asia, and indeed the world. In tracing the history of mingei activism, Brandt considers not only Yanagi Muneyoshi, Hamada Shōji, Kawai Kanjirō, and other well-known leaders of the folk art movement but also the often overlooked networks of provincial intellectuals, craftspeople, marketers, and shoppers who were just as important to its success. The result of their collective efforts, she makes clear, was the transformation of a once-obscure category of pre-industrial rural artifacts into an icon of modern national style.
Author: Henry Glassie
Publisher: Indiana University Press
ISBN: 0253048893
Category : Art
Languages : en
Pages : 353
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Book Description
DANIEL JOHNSTON, raised on a farm in Randolph County, returned from Thailand with a new way to make monumental pots. Back home in North Carolina, he built a log shop and a whale of a kiln for wood-firing. Then he set out to create beautiful pots, grand in scale, graceful in form, and burned bright in a blend of ash and salt. With mastery achieved and apprentices to teach, Daniel Johnston turned his brain to massive installations. First, he made a hundred large jars and lined them along the rough road that runs past his shop and kiln. Next, he arranged curving clusters of big pots inside pine frames, slatted like corn cribs, to separate them from the slick interiors of four fine galleries in succession. Then, in concluding the second phase of his professional career, Daniel Johnston built an open-air installation on the grounds around the North Carolina Museum of Art, where 178 handmade, wood-fired columns march across a slope in a straight line, 350 feet in length, that dips and lifts with the heave while the tops of the pots maintain a level horizon. In 2000, when he was still Mark Hewitt's apprentice, Daniel Johnston met Henry Glassie, who has done fieldwork on ceramic traditions in the United States, Brazil, Italy, Turkey, Bangladesh, China, and Japan. Over the years, during a steady stream of intimate interviews, Glassie gathered the understanding that enabled him to compose this portrait of Daniel Johnston, a young artist who makes great pots in the eastern Piedmont of North Carolina.
Author: John Carroll
Publisher: Tuttle Publishing
ISBN: 1462914608
Category : Travel
Languages : en
Pages : 206
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Book Description
Featuring over 140 stunning photographs, this Japan travel pictorial captures all the beauty and high culture of Japan. Japan has fascinated foreign visitors and observers for centuries. Although Columbus did not find fables Zipang and its troves of gold he sought, countless sojourners in Japan — ranging from 16th century missionaries to 20th century backpackers with a yen for Zen — have had eye opening encounters with this land of contrasts. Physically one of the most beautiful countries in the world, and a civilization in its own right, Japan remains something of an enigma to outsiders. Futuristic visions seem to bloom effortlessly from time-honored traditions. This compelling photographic study by one of the world’s leading photographers will take you from country roads to the skyscrapers of its amoebae-like megacities, from meditation-inducing rock gardens to the other-worldly frenzy of communal festivals. Through initiation into their psychology, mores, and religious and artistic sentiments, you’ll learn something of what it means to be Japanese
Author: Susan Peterson
Publisher: Bloomsbury Publishing
ISBN: 1789942276
Category : Art
Languages : en
Pages : 398
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Book Description
An in-depth portrait of the life and work of Shoji Hamada, one of the key figures behind the development of studio pottery in the 20th century, and the legacy he left. Shoji Hamada was one of the seminal figures in 20th century ceramics. Along with the British potter Bernard Leach, he was instrumental in the development of the international Studio Pottery movement in the early 1900s. Their dramatic influences are still felt today, particularly in the United States and Great Britain. Hamada, also a major figure in Japan's folk art revival, was designated a 'Living National Treasure' by the Japanese government in 1955 and awarded the Order of Culture in 1968. Shoji Hamada is an ebullient and fascinating portrait of a great potter, tracing his place in the ceramic tradition and revealing a keen perception of his energetic lifestyle, dazzling work cycle, and intriguing specifics about the firing of his kilns. The text and over 200 new colour photographs from Peterson's stay at Hamada's compound in 1970 present a wealth of detail about techniques and processes. Equally important are the author's insights depicting Hamada's bequest to us: one whose life was concentrated toward the perpetuation and achievement of fundamental, unchanging and universal values and goals. In this completely re-designed and updated version of her classic book, Susan Peterson brings together the East-West connection personified by Hamada and Leach. In a completely new concluding chapter, she assesses Hamada's ongoing legacy to the world of studio pottery. This is an authoritative account of one of the towering figures in the ceramics world by one of the first people to welcome him to America in the early 1950s. The book is a must for anyone interested in the evolvement of hand pottery and the dynamics of ceramics in general.
Author: William Shurtleff; Akiko Aoyagi
Publisher: Soyinfo Center
ISBN: 1928914764
Category :
Languages : en
Pages : 1726
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Book Description
The world's most comprehensive, well documented, and well illustrated book on this subject. With extensive index. 333 color photographs and illustrations. Free of charge in digital PDF format on Google Books.
