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Author: James Hakewill
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
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Book Description
Author: James Hakewill
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
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Book Description
Author: Institute of Jamaica
Publisher:
ISBN:
Category : Jamaica
Languages : en
Pages : 274
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Book Description
Author: Great Britain. Colonial Office
Publisher:
ISBN:
Category : Jamaica
Languages : en
Pages : 844
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Book Description
Author: Christer Petley
Publisher: Oxford University Press
ISBN: 0192509365
Category : History
Languages : en
Pages : 306
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Book Description
The sugar planter Simon Taylor, who claimed ownership of over 2,248 enslaved people in Jamaica at the point of his death in 1813, was one of the wealthiest slaveholders ever to have lived in the British empire. Slavery was central to the eighteenth-century empire. Between the seventeenth and the nineteenth centuries, hundreds of thousands of enslaved people were brought from Africa to the Caribbean to toil and die within the brutal slave regime of the region, most of them destined for a life of labour on large sugar plantations. Their forced labour provided the basis for the immense fortunes of plantation owners like Taylor; it also produced wealth that poured into Britain. However, a tumultuous period that saw the American, French, and Haitian Revolutions, as well as the rise of the abolitionist movement, witnessed new attacks on slavery and challenged the power of a once-confident slaveholder elite. In White Fury, Christer Petley uses Taylor's rich and expressive letters to allow us an intimate glimpse into the aspirations and frustrations of a wealthy and powerful British slaveholder during the Age of Revolution. The letters provide a fascinating insight into the merciless machinery and unpredictable hazards of the Jamaican plantation world; into the ambitions of planters who used the great wealth they extracted from Jamaica to join the ranks of the British elite; and into the impact of wars, revolutions, and fierce political struggles that led, eventually, to the reform of the exploitative slave system that Taylor had helped build . . . and which he defended right up until the last weak scratches of his pen.
Author: Catherine Hall
Publisher: Cambridge University Press
ISBN: 1107040051
Category : Business & Economics
Languages : en
Pages : 339
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Book Description
This book puts the legacies of slavery squarely back into modern British history.
Author: Library of Congress
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 1288
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Book Description
Author: Colin Brooker
Publisher: Univ of South Carolina Press
ISBN: 1643360728
Category : Architecture
Languages : en
Pages : 318
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Book Description
Beaufort, South Carolina, is well known for its historical architecture, but perhaps none is quite as remarkable as those edifices formed by tabby, sometimes called coastal concrete, comprising a mixture of lime, sand, water, and oyster shells. Tabby itself has a storied history stretching back to Iberian, Caribbean, Spanish American, and even African roots—brought to the United States by adventurers, merchants, military engineers, planters, and the enslaved. Tabby has been preserved most abundantly in the Beaufort area and its outlying islands, (and along the Sea Islands all the way to Florida as well) with Fort Frederick in 1734 having the earliest example of a diverse group of structures, which included town houses, seawalls, planters' homes, barns, agricultural buildings, and slave quarters. Tabby's insulating properties are excellent protection from long, hot, humid, and sometimes deadly summers; and on the islands, particularly, wealthy plantation owners built grand houses for themselves and improved dwellings for enslaved workers that after two hundred-plus years still stand today. An extraordinarily hardy material, tabby has a history akin to some of the world's oldest building techniques and is referred to as "rammed earth," as well as " tapia" in Spanish, "pisé de terre" in French, and "hangtu" in Chinese. The form that tabby construction took along the Sea Islands, however, was born of necessity. Here stone and brick were rare and expensive, but the oyster shells that were used as the source for the tabby's lime base were plentiful. Today these bits of shell, often visible in the walls and forms constructed long ago, give tabby its unique and iconic appearance. Colin Brooker, architect and expert on historic restoration, has not only made an exhaustive foray into local tabby architecture and heritage; he also has made a multinational tour as well in search of tabby origins, evolution, and diffusion from the Bahamas to Morocco to Andalusia, which can be traced back as far as the tenth century. Brooker has spent more than thirty years investigating the origins of tabby, its chemistry, its engineering, and its limitations. The Shell Builders lays out a sweeping, in-depth, and fascinating investigative journey—at once archaeological, sociological, and historical—into the ways prior inhabitants used and shaped their environment in order to house and protect themselves, leaving behind an architectural legacy that is both mysterious and beautiful. Lawrence S. Rowland, a distinguished professor emeritus of history at the University of South Carolina Beaufort and past president of the South Carolina Historical Society, provides a foreword.
Author: CharmaineA. Nelson
Publisher: Routledge
ISBN: 1351548522
Category : Art
Languages : en
Pages : 526
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Book Description
Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica is among the first Slavery Studies books - and the first in Art History - to juxtapose temperate and tropical slavery. Charmaine A. Nelson explores the central role of geography and its racialized representation as landscape art in imperial conquest. One could easily assume that nineteenth-century Montreal and Jamaica were worlds apart, but through her astute examination of marine landscape art, the author re-connects these two significant British island colonies, sites of colonial ports with profound economic and military value. Through an analysis of prints, illustrated travel books, and maps, the author exposes the fallacy of their disconnection, arguing instead that the separation of these colonies was a retroactive fabrication designed in part to rid Canada of its deeply colonial history as an integral part of Britain's global trading network which enriched the motherland through extensive trade in crops produced by enslaved workers on tropical plantations. The first study to explore James Hakewill's Jamaican landscapes and William Clark's Antiguan genre studies in depth, it also examines the Montreal landscapes of artists including Thomas Davies, Robert Sproule, George Heriot and James Duncan. Breaking new ground, Nelson reveals how gender and race mediated the aesthetic and scientific access of such - mainly white, male - artists. She analyzes this moment of deep political crisis for British slave owners (between the end of the slave trade in 1807 and complete abolition in 1833) who employed visual culture to imagine spaces free of conflict and to alleviate their pervasive anxiety about slave resistance. Nelson explores how vision and cartographic knowledge translated into authority, which allowed colonizers to 'civilize' the terrains of the so-called New World, while belying the oppression of slavery and indigenous displacement.
Author: Ana Lucia Araujo
Publisher: Cambridge Scholars Publishing
ISBN: 1443810681
Category : Social Science
Languages : en
Pages : 290
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Book Description
This book focusses on the several forms of reconstructing the slave past in the present. The recent emergence of the memory of slavery allows those who are or who claim to be descendents of slaves to legitimize their demand for recognition and for reparations for past wrongs. Some reparation claims encompass financial compensation, but very often they express the need for memorialization through public commemoration, museums, and monuments. In some contexts, presentification of the slave past has helped governments and the descendants of former masters and slave merchants to formulate public apologies. For some, expressing repentance is not only a means to erase guilt but also a way to gain political prestige. The authors analyse different aspects of the recent phenomenon of memorializing slavery, especially the practices employed to stage the slave past in both public and private spaces. The essays present memory and oblivion as part of the same process; they discuss reconstructions of the past in the present at different public and private levels through historiography, photography, exhibitions, monuments, memorials, collective and individual discourses, cyberspace, religion and performance. By offering a comparative perspective on the United States and West Africa, as well as on Western Europe, South America, and the Caribbean, the chapters offer new possibilities to explore the resurgence of the memory of slavery as a transnational movement in our contemporary world.
Author: Vincent Brown
Publisher: Harvard University Press
ISBN: 0674298551
Category : History
Languages : en
Pages : 369
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Book Description
Winner of the Merle Curti Award Winner of the James A. Rawley Prize Winner of the Louis Gottschalk Prize Longlisted for the Cundill Prize “Vincent Brown makes the dead talk. With his deep learning and powerful historical imagination, he calls upon the departed to explain the living. The Reaper’s Garden stretches the historical canvas and forces readers to think afresh. It is a major contribution to the history of Atlantic slavery.”—Ira Berlin From the author of Tacky’s Revolt, a landmark study of life and death in colonial Jamaica at the zenith of the British slave empire. What did people make of death in the world of Atlantic slavery? In The Reaper’s Garden, Vincent Brown asks this question about Jamaica, the staggeringly profitable hub of the British Empire in America—and a human catastrophe. Popularly known as the grave of the Europeans, it was just as deadly for Africans and their descendants. Yet among the survivors, the dead remained both a vital presence and a social force. In this compelling and evocative story of a world in flux, Brown shows that death was as generative as it was destructive. From the eighteenth-century zenith of British colonial slavery to its demise in the 1830s, the Grim Reaper cultivated essential aspects of social life in Jamaica—belonging and status, dreams for the future, and commemorations of the past. Surveying a haunted landscape, Brown unfolds the letters of anxious colonists; listens in on wakes, eulogies, and solemn incantations; peers into crypts and coffins, and finds the very spirit of human struggle in slavery. Masters and enslaved, fortune seekers and spiritual healers, rebels and rulers, all summoned the dead to further their desires and ambitions. In this turbulent transatlantic world, Brown argues, “mortuary politics” played a consequential role in determining the course of history. Insightful and powerfully affecting, The Reaper’s Garden promises to enrich our understanding of the ways that death shaped political life in the world of Atlantic slavery and beyond.
