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Author: Bernard Smith
Publisher: Macmillan Education AU
ISBN: 9781876832667
Category : Art
Languages : en
Pages : 488
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Book Description
Following art historian Bernard Smith's award-winning autobiographical account of his earlier life ("The Boy Adeodatus: the portrait of a lucky young bastard", first published in 1984) he now reflects on life in the 1940s. Themes recalling the period before the family departed for England in September 1948 include; courtship and marriage; forebodings of war and attitudes to Communism and Fascism; political involvement in cultural activities with artists and emigre European-trained art historians anxious to promote modern art and knowledge of art history (not taught in universities at that time) and early employment at the Art Gallery of New South Wales pioneering the arrangement of travelling exhibitions for regional centres. Smith's formative training as an art historian and critic is the important and recurring theme of this book. It encompasses his encounters at London's Courtauld and Warburg Institutes with art historians Anthony Blunt, Ernst Gombrich, Rudolf Wittkower and many others; his introduction to art historical methodologies and insights (such as Gombrich's insistence on the linkage between image and concept); and his obligatory 'grand tours' of a range of European cities and their museums, art works and architectural monuments.
Author: Bernard Smith
Publisher: Macmillan Education AU
ISBN: 9781876832667
Category : Art
Languages : en
Pages : 488
Get Book Here
Book Description
Following art historian Bernard Smith's award-winning autobiographical account of his earlier life ("The Boy Adeodatus: the portrait of a lucky young bastard", first published in 1984) he now reflects on life in the 1940s. Themes recalling the period before the family departed for England in September 1948 include; courtship and marriage; forebodings of war and attitudes to Communism and Fascism; political involvement in cultural activities with artists and emigre European-trained art historians anxious to promote modern art and knowledge of art history (not taught in universities at that time) and early employment at the Art Gallery of New South Wales pioneering the arrangement of travelling exhibitions for regional centres. Smith's formative training as an art historian and critic is the important and recurring theme of this book. It encompasses his encounters at London's Courtauld and Warburg Institutes with art historians Anthony Blunt, Ernst Gombrich, Rudolf Wittkower and many others; his introduction to art historical methodologies and insights (such as Gombrich's insistence on the linkage between image and concept); and his obligatory 'grand tours' of a range of European cities and their museums, art works and architectural monuments.
Author: Keith Roberts
Publisher: OLD EARTH BOOKS
ISBN: 9781882968398
Category : Fiction
Languages : en
Pages : 0
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Book Description
A collection of linked short stories set in a twentieth century where The Roman Catholic Church controls the western world, the Protestant Reformation never happened, the Inquisition thrives, and a tyrannical Rome maintains its power in a Dark Age by limiting knowledge, outlawing electricity, and curbing technology.
Author:
Publisher: Bloomsbury Publishing
ISBN: 1350068128
Category : Architecture
Languages : en
Pages : 299
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Book Description
Despite a European training and an early career working with Peter Behrens, a migration from Vienna to the Australian state of Queensland positioned the architect Karl Langer (1903-1969) at the very edge of both European and Australian modernism. Confronted by tropical heat and glare, the economics of affordable housing, fiercely proud and regional architectural practices, and a suspicion of the foreign, Langer moulded the European language of international modernism to the unique climatic and social conditions of tropical Australia. This book will tell Langer's story through a series of edited essays focused on key themes and projects. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, it is both an examination of an architect's work and international legacy, and also a case study in the trans-global dissemination of design ideas. Studying the architect's built and proposed work, both regional and metropolitan, the scale and reach of Langer's practice will be considered for the first time, showing how, given his continued influence on the contemporary culture of tropical design, Langer has been unjustly ignored by the historiography of both Australian and Modernist architecture to date.
Author: Simon Pierse
Publisher: Routledge
ISBN: 1351574965
Category : Art
Languages : en
Pages : 315
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Book Description
Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain in the two decades following the end of World War II and preceding the 'Swinging Sixties'. In a transitional period of decolonization in Britain, Australian painting was briefly seized upon as a dynamic and reinvigorating force in contemporary art, and a group of Australian artists settled in London where they held centre stage with group and solo exhibitions in the capital's most prestigious galleries. The book traces the key influences of Sir Kenneth Clark, Bernard Smith and Bryan Robertson in their various (and varying) roles as patrons, ideologues, and entrepreneurs for Australian art, as well as the self-definition and interaction of the artists themselves. Simon Pierse interweaves multiple issues of the period into a cohesive historical narrative, including the mechanics of the British art world, the limited and frustrating cultural scene of 1950s Australia, and the conservative influence of Australian government bodies. Publishing for the first time archival material, letters, and photographs previously unavailable to scholars either in Britain or Australia, this book demonstrates how the work of expatriate Australian artists living in London constructed a distinct vision of Australian identity for a foreign market.
Author: Doug Munro
Publisher: University of Hawaii Press
ISBN: 9780824829421
Category : History
Languages : en
Pages : 284
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Book Description
Texts and Contexts is concerned with the development of Pacific Islands history as a specialization in its own right. Specifically, this volume examines the foundational texts that pioneered and consolidated the new subdiscipline and served as the building blocks and stepping stone for further developments in the field. Thirty-five texts, all of which represent defining points in the development of Pacific Islands historiography, are examined. Much more than retrospective appraisals of the foundational texts, the individual chapters consider a text or complimentary texts within the context of the time of writing and gauge what ongoing influence they exerted. In some cases they suggest how a particular text has been superseded by subsequent work that breaks new conceptual ground in the ongoing process of revisionism. Contributors: Chris Ballard on Gavin Souter; Ivan Brady on Greg Dening; I. C. Campbell on Norma McArthur; Bronwen Douglas and Doug Munro on H. E. Maude and Dorothy Shineberg; Michael Goldsmith on Marshall Sahlins; David Hanlon on Francis X. Hezel; K. R. Howe on Andrew Sharp and David Lewis; Brij V.Lal on K. L. Gillion and Peter Corris; Hugh Laracy on Niel Gunson and Ta‘unga; Lamont Lindstrom on Peter Worsley and Peter Lawrence; Doug Munro on Douglas L. Oliver, R. P. Gilson, J. W. Davidson, and K. R. Howe; Vincent O’Malley on Keith Sinclair and Alan Ward; Jon Osorio on Ralph Kuykendall and Gavan Daws; Tom Ryan on Bernard Smith; Jane Samson on W. P. Morrell and Deryck Scarr; Francis West on Francis West and Gavan Daws; Glyndwr Williams on O. H. K. Spate.
Author: Robert Dixon
Publisher: Sydney University Press
ISBN: 1920898891
Category : Art
Languages : en
Pages : 334
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Book Description
Australian and international modernity from the late 19th to the mid-20th century inspires research in many fields of cultural endeavour: architecture, fine arts, design, cinema, theatre, and music; in urban studies, literary history and Aboriginal studies. Impact of the Modern brings together examples of this new interdisciplinary work on modern Australian culture by 21 leading scholars. Their writings reveal an original account of 'modernising' Australia as dynamic and creative in many art forms, and interactively linked with international processes and ideas. The essays in Impact of the Modern were presented as papers at the conference, 'Australian Vernacular Modernities', convened by the editors at the University of Queensland in 2006. Plenary papers by Jill Julius Matthews and Angela Woollacott signal the book's focus on the erotic and gendered spaces, and on popular aspects of modernity. They provide the central focus of the material, through such vital and dynamic categories as the 'modern', the 'erotic' and the 'primitive'. As essential components of the historical processes of innovation and modernisation, these central questions of gender and public sociality are taken up in diverse ways in the other chapters, forming a varied and exciting study of a range of creative Australian engagements with modern international life and popular culture.
Author: Kathleen Davidson
Publisher: Bloomsbury Publishing USA
ISBN: 1501352792
Category : Art
Languages : en
Pages : 353
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Book Description
How did scientists, artists, designers, manufacturers and amateur enthusiasts experience and value the sea and its products? Examining the commoditization of the ocean world during the nineteenth century, this book demonstrates how the transaction of oceanic objects inspired a multifaceted material discourse stemming from scientific exploration, colonial expansion, industrialization, and the rise of middle-class leisure. From the seashore to the seabed, marine organisms and environments, made tangible through processing and representational technologies, captivated practitioners and audiences. Combining essays and case studies by scholars, curators, and scientists, Sea Currents investigates the collecting and display, illustration and ornamentation, and trade and consumption of marine flora and fauna, analysing their material, aesthetic and commercial dimensions. Traversing global art history, the history of science, empire studies, anthropology, ecocriticism and material culture, this book surveys the currency of marine matter embedded in the economies and ecologies of a modernizing ocean world.
Author: Philip Mendes
Publisher: Springer
ISBN: 1137556390
Category : Social Science
Languages : en
Pages : 458
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Book Description
This book challenges and revises existing ways of thinking about leaving care policy, practice and research at regional, national and international levels. Bringing together contributors from fifteen countries, it covers a range of topical policy and practice issues within national, international or comparative contexts. These include youth justice, disability, access to higher education, the role of advocacy groups, ethical challenges and cultural factors. In doing so it demonstrates that, whilst young people are universally a vulnerable group, there are vast differences in their experiences of out-of-home care and transitions from care, and their shorter and longer-term outcomes. Equally, there are significant variations between jurisdictions in terms of the legislative, policy and practice supports and opportunities made available to them. This significant edited collection is essential reading for all those who work with young people from care, including social workers, counsellors, and youth and community practitioners, as well as for students and scholars of child welfare.
Author: José Antonio González Zarandona
Publisher: University of Pennsylvania Press
ISBN: 0812251563
Category : Social Science
Languages : en
Pages : 312
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Book Description
A fascinating case study of the archaeological site at Murujuga, Australia Located in the Dampier Archipelago of Western Australia, Murujuga is the single largest archaeological site in the world. It contains an estimated one million petroglyphs, or rock art motifs, produced by the Indigenous Australians who have historically inhabited the archipelago. To date, there has been no comprehensive survey of the site's petroglyphs or those who created them. Since the 1960s, regional mining interests have caused significant damage to this site, destroying an estimated 5 to 25 percent of the petroglyphs in Murujuga. Today, Murujuga holds the unenviable status of being one of the most endangered archaeological sites in the world. José Antonio González Zarandona provides a full postcolonial analysis of Murujuga as well as a geographic and archaeological overview of the site, its ethnohistory, and its considerable significance to Indigenous groups, before examining the colonial mistreatment of Murujuga from the seventeenth century to the present. Drawing on a range of postcolonial perspectives, Zarandona reads the assaults on the rock art of Murujuga as instances of what he terms "landscape iconoclasm": the destruction of art and landscapes central to group identity in pursuit of ideological, political, and economic dominance. Viewed through the lens of landscape iconoclasm, the destruction of Murujuga can be understood as not only the result of economic pressures but also as a means of reinforcing—through neglect, abandonment, fragmentation, and even certain practices of heritage preservation—the colonial legacy in Western Australia. Murujuga provides a case study through which to examine, and begin to reject, archaeology's global entanglement with colonial intervention and the politics of heritage preservation.
Author: Bernard Smith
Publisher: Macmillan Education AU
ISBN: 9781876832339
Category : Art
Languages : en
Pages : 148
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Book Description
In this well-illustrated book Professor Bernard Smith, who is often referred to as the father of art history in Australia, condenses the arguments presented in an earlier publication Modernisms History, 1998) into a very accessible and helpful text will prove useful for students and arts-interested readers. He begins by listing and carefully explaining those terms which frequently occur in arts literature dealing with the modern period and then goes on to show that modernism has become an historical period with its art forms both 'institutionalised' and 'globalised'. Now an historical entity, art historys basic tools can be employed to explain and describe it. They include an investigation of the periods 'style', use of 'form' and attitudes to meaning. In his defence of art historys traditions and methodologies he argues that the period that encompasses modernism in the arts might now be known as The Formalesque .
