Author: Jonathan Williams
Publisher: David R. Godine Publisher
ISBN: 9781567921496
Category : Art
Languages : en
Pages : 184
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Book Description
"This is a collection of extraordinary personalities captured on film in Williams's revealing, unpretentious casually evocative photographs, and decoded through Williams's intimate, often hilarious, extended captions and essays."--BOOK JACKET.
Author: Jonathan Williams
Publisher:
ISBN: 9781891472114
Category : Authors, American
Languages : en
Pages : 24
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Book Description
Author:
Publisher: U of Nebraska Press
ISBN: 9780803277564
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
This pioneering study did much to rehabilitate Ezra Pound's reputation after a long period of critical hostility and neglect. Published in 1951, it was the first comprehensive examination of the Cantos and other major works that would strongly influence the course of contemporary poetry.
Author: Anne Dewey
Publisher: University of Iowa Press
ISBN: 1609381505
Category : Family & Relationships
Languages : en
Pages : 285
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Book Description
With friendship as an optic, the essays in this volume offer important new insights into the gender politics of the poetic avant-garde, since poetry as an institution has continued to be transformed by dramatic changes wrought by second-wave feminism, sexual liberation, and gay rights. These essays reveal the intimate social negotiations that fight, fracture, and queer the conventions of authority and community that have long constrained women poets and the gendering of poetic subjectivities. From this shared perspective, the essays collected here investigate a historically and aesthetically wide-ranging array of subjects: from Joanne Kyger and Philip Whalen's trans-Pacific friendship, to Patti Smith's grounding of her punk persona in the tension between her romantic friendships with male artists and her more professional connections to the poets of the St.
Author: William H. Davidow
Publisher: Berrett-Koehler Publishers
ISBN: 1523087625
Category : Business & Economics
Languages : en
Pages : 264
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Book Description
The coauthors of the seminal book The Virtual Corporation describe how the rise of artificial intelligence and virtual environments are ushering in an epic cultural transformation—and how we can thrive in this new era. We are at the dawn of the Autonomous Revolution, a turning point in human history as decisive as the Agricultural and Industrial Revolutions. More and more, AI-based machines are replacing human beings, and online environments are gathering our data and using it to manipulate us. This loss of human autonomy amounts to nothing less than a societal phase change, a fundamental paradigm shift. The same institutions will remain—schools, banks, churches, and corporations—but they will radically change form, obey new rules, and use new tools. William H. Davidow and Michael S. Malone go deeply into the enormous implications of these developments. They show why increases in productivity no longer translate into increases in the GDP and how zero cost, one-to-many communications have been turned into tools for cybercrime and propaganda. Many of the book's recommendations—such as using taxes to control irresponsible internet behavior and enabling people to put their data into what are essentially virtual personal information “safety deposit boxes”—are bold and visionary, but we must figure out how we will deal with these emerging challenges now, before the Autonomous Revolution overcomes us.
Author: John Rockwell
Publisher: Hal Leonard Corporation
ISBN: 9780879103675
Category : Music
Languages : en
Pages : 576
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Book Description
(Limelight). Now available in paperback, this compilation by longtime New York Times music and arts critic John Rockwell features the creme de la creme of the renowned journalist's arts criticism and commentary over the past 40 years. Taken mostly from the Times , but also including pieces from 17 other sources, such as the Los Angeles Times , The New Republic , the San Francisco Examiner , High Fidelity , Opera , and the Village Voice , these writings present Rockwell's unique vision of the arts scene over the past 40 years, with essays on classical music (including the breadth of contemporary works), rock, dance, art, film, theater, general arts topics, and reports from abroad. Rockwell's analysis includes parallels among the arts, insights from one to another, as he brilliantly communicates his aesthetic experiences to the reader.
Author: Hank Lazer
Publisher: Presses universitaires de Rouen et du Havre
ISBN:
Category : Poetry
Languages : en
Pages : 160
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Book Description
La sérénité. La paix. La tranquillité. Le souci du mouvement qui porte toute chose, quelle qu'elle soit. Voilà ce que nous dit Lazer. Voilà ce que nous dit le prophète. La sérénité, la paix, la tranquillité et le souci du mouvement qui porte toute chose quelle qu’elle soit. La sérénité, la paix, la tranquillité et le souci du mouvement qui nous porte et porte toute chose, c’est cela la poésie.
Author: Sean Pryor
Publisher: Routledge
ISBN: 1317000757
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Emphasizing the interplay of aesthetic forms and religious modes, Sean Pryor's ambitious study takes up the endlessly reiterated longing for paradise that features throughout the works of W. B. Yeats and Ezra Pound. Yeats and Pound define poetry in terms of paradise and paradise in terms of poetry, Pryor suggests, and these complex interconnections fundamentally shape the development of their art. Even as he maps the shared influences and intellectual interests of Yeats and Pound, and highlights those moments when their poetic theories converge, Pryor's discussion of their poems' profound formal and conceptual differences uncovers the distinctive ways each writer imagines the divine, the good, the beautiful, or the satisfaction of desire. Throughout his study, Pryor argues that Yeats and Pound reconceive the quest for paradise as a quest for a new kind of poetry, a journey that Pryor traces by analysing unpublished manuscript drafts and newly published drafts that have received little attention. For Yeats and Pound, the journey towards a paradisal poetic becomes a never-ending quest, at once self-defeating and self-fulfilling - a formulation that has implications not only for the work of these two poets but for the study of modernist literature.
Author: Jeffery Beam
Publisher: Easton Studio Press LLC
ISBN: 1632260883
Category : Poetry
Languages : en
Pages : 666
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Book Description
Jonathan Williams’ work of more than half a century is such that no one activity or identity takes primacy over any other—he was the seminal small press publisher of The Jargon Society; a poet of considerable stature; book designer; editor; photographer; legendary correspondent; literary, art, and photography critic and collector; early collector and proselytizer of visionary folk art; cultural anthropologist and Juvenalian critic; curmudgeon; happy gardener; resolute walker; and keen and adroit raconteur and gourmand. Williams’ refined decorum and speech, and his sartorial style, contrasted sharply, yet pleasingly, with his delight in the bawdy, with his incisive humor and social criticism, and his confidently experimental, masterful poems and prose. His interests raised “the common to grace,” while paying “close attention to the earthy.” At the forefront of the Modernist avant-garde—yet possessing a deep appreciation of the traditional—Williams celebrated, rescued, and preserved those things he described as, “more and more away from the High Art of the city,” settling “for what I could unearth and respect in the tall grass.” Subject to much indifference—despite being celebrated as publisher and poet—he nurtured the nascent careers of hundreds of emerging or neglected poets, writers, artists, and photographers. Recognizing this, Buckminster Fuller once called him “our Johnny Appleseed”, Guy Davenport described him as a “kind of polytechnic institute,” while Hugh Kenner hailed Jargon as “the Custodian of Snowflakes” and Williams as “the truffle-hound of American poetry.” Lesser known for his extraordinary letters and essays, and his photography and art collecting, he is never only a poet or photographer, an essayist or publisher. This book of essays, images, and shouts aims to bring new eyes and contexts to his influence and talent as poet and publisher, but also heighten appreciation for the other facets of his life and art. One might call Williams’ life a poetics of gathering, and this book a first harvest.
Author: Bill Alves
Publisher: Indiana University Press
ISBN: 0253026431
Category : Biography & Autobiography
Languages : en
Pages : 603
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Book Description
A biography on the legendary gay American composer of contemporary classical music. American composer Lou Harrison (1917–2003) is perhaps best known for challenging the traditional musical establishment along with his contemporaries and close colleagues: composers John Cage, Aaron Copland, Virgil Thomson, and Leonard Bernstein; Living Theater founder, Judith Malina; and choreographer, Merce Cunningham. Today, musicians from Bang on a Can to Björk are indebted to the cultural hybrids Harrison pioneered half a century ago. His explorations of new tonalities at a time when the rest of the avant-garde considered such interests heretical set the stage for minimalism and musical post-modernism. His propulsive rhythms and ground-breaking use of percussion have inspired choreographers from Merce Cunningham to Mark Morris, and he is considered the godfather of the so-called “world music” phenomenon that has invigorated Western music with global sounds over the past two decades. In this biography, authors Bill Alves and Brett Campbell trace Harrison’s life and career from the diverse streets of San Francisco, where he studied with music experimentalist Henry Cowell and Austrian composer Arnold Schoenberg, and where he discovered his love for all things non-traditional (Beat poetry, parties, and men); to the competitive performance industry in New York, where he subsequently launched his career as a composer, conducted Charles Ives’s Third Symphony at Carnegie Hall (winning the elder composer a Pulitzer Prize), and experienced a devastating mental breakdown; to the experimental arts institution of Black Mountain College where he was involved in the first “happenings” with Cage, Cunningham, and others; and finally, back to California, where he would become a strong voice in human rights and environmental campaigns and compose some of the most eclectic pieces of his career. “Lou Harrison’s avuncular personality and tuneful music coaxed affectionate regard from all who knew him, and that affection is evident on every page of Alves and Campbell’s new biography. Eminently readable, it puts Harrison at the center of American music: he knew everyone important and was in touch with everybody, from mentors like Henry Cowell and Arnold Schoenberg and Charles Ives and Harry Partch and Virgil Thomson to peers like John Cage to students like Janice Giteck and Paul Dresher. He was larger than life in person, and now he is larger than life in history as well.” —Kyle Gann, author of Charles Ives’s Concord: Essays After a Sonata
