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Author: Dugald Sutherland MacColl
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Author: Dugald Sutherland MacColl
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Author: Susan Dick
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773562079
Category : Literary Criticism
Languages : en
Pages : 528
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Book Description
Ellmann's sensitivity to what it meant to be an artist shaped his work from the outset: "The life of an artist ... differs from the lives of other persons in that its events are becoming artistic sources even as they command his present attention. Instead of allowing each day, pushed back by the next, to lapse into imprecise memory, he shapes again the experiences which have shaped him." Richard Ellmann died in 1987. His life and work have touched the lives of many. Some of the essays in this collection commemorate Richard Ellmann and his committment to Twentieth Century literature: most provide a continuing investigation of the Twentieth Century literature to which he devoted his carrer. Contributors include: Alison Armstrong, Daniel Albright, Christopher Butler, Carol Cantrell, Jonathan Culler, Elizabeth Butler Cullingford, Andonis Decavelles, Rupin Desai, Susan Dick, Terence Diggory, Terry Eagleton, Rosita Fanto, Charles Feidelson, James Flannery, Charles Huttar, Bruce Johnson, John Kelleher, Brendan Kennelly, Frank Kermode, Declan Kiberd, Peter Kuch, Bruce Johnson, James Laughlin, A. Walton Litz, Dominic Manganiello, Ellsworth Mason, Christie McDonald, Dougald McMillan, Sean O'Mordha, Vivian Mercier, Mary T. Reynolds, William K. Robertson, Joseph Ronsley, S.P. Rosenbaum, Ann Saddlemyer, Sylvan Schendler, Daniel Schneider, Fritz Senn, Jon Stallworthy, Lonnie Weatherby, Thomas Whitaker, and Elaine Yarosky.
Author: Peter C. Sutton
Publisher:
ISBN:
Category : Delft school of art
Languages : en
Pages : 244
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Author: P. T. A. Swillens
Publisher:
ISBN:
Category : Delft (Netherlands)
Languages : en
Pages : 312
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Author: Frank Wynne
Publisher: Bloomsbury Publishing USA
ISBN: 1608196550
Category : Art
Languages : en
Pages : 300
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Book Description
Frank Wynne's remarkable book tells the story of Han van Meegeren, a paranoid, drug-addicted, second-rate painter whose Vermeer forgeries made him a secret superstar of the art world. During van Meegeren's heyday as a forger of Vermeers, he earned the equivalent of fifty million dollars, the acclaim of the world's press, and the satisfaction of swindling Hermann Göring himself, trading the Nazi commander one of his forgeries in exchange for the return of hundreds of looted Dutch paintings. But he was undone by his very success, thriving so noticeably during World War II that when it ended, he was arrested as a Nazi collaborator. His only defense was to admit that he himself had painted the Old Masters that had passed through his hands-a confession the public refused to believe, until, in a huge media event, the courts staged the public painting of what would be van Meegeren's last "Vermeer." I Was Vermeer is a gripping real-life mystery that exposes the life and techniques of the consummate art forger; the fascinating work of the experts who try to track down the fakes; and the collusion and ego in the art establishment that, even today, allow forgery to thrive. Wry, amoral, and plotted like a thriller, it is the first major book in forty years on this astonishing episode in history. Frank Wynne is a writer and award-winning literary translator. Born in Ireland, he has lived and worked in Dublin, Paris, Amsterdam, London, and Buenos Aires, and currently lives in San José, Costa Rica. He has translated more than a dozen novels, among them the works of Michel Houellebecq, Frédéric Beigbeder, Pierre Mérot, and Ahmadou Kourouma. A journalist and broadcaster, he has written for the Sunday Times, the Independent, the Irish Times, Melody Maker, and Time Out.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 528
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Book Description
Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.
Author: Marjorie E. Wieseman
Publisher: Yale University Press
ISBN: 9780300178999
Category : Art
Languages : en
Pages : 227
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Book Description
A visually stunning and seductive book that celebrates the mysterious and enigmatic world created by Vermeer in some of the best-loved and most characteristic works from late in his career.
Author: Benjamin Binstock
Publisher: Routledge
ISBN: 1136087060
Category : Art
Languages : en
Pages : 459
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Book Description
Johannes Vermeer, one of the greatest Dutch painters and for some the single greatest painter of all, produced a remarkably small corpus of work. In Vermeer's Family Secrets, Benjamin Binstock revolutionizes how we think about Vermeer's work and life. Vermeer, The Sphinx of Delft, is famously a mystery in art: despite the common claim that little is known of his biography, there is actually an abundance of fascinating information about Vermeer’s life that Binstock brings to bear on Vermeer’s art for the first time; he also offers new interpretations of several key documents pertaining to Vermeer that have been misunderstood. Lavishly illustrated with more than 180 black and white images and more than sixty color plates, the book also includes a remarkable color two-page spread that presents the entirety of Vermeer's oeuvre arranged in chronological order in 1/20 scale, demonstrating his gradual formal and conceptual development. No book on Vermeer has ever done this kind of visual comparison of his complete output. Like Poe's purloined letter, Vermeer's secrets are sometimes out in the open where everyone can see them. Benjamin Binstock shows us where to look. Piecing together evidence, the tools of art history, and his own intuitive skills, he gives us for the first time a history of Vermeer's work in light of Vermeer's life. On almost every page of Vermeer's Family Secrets, there is a perception or an adjustment that rethinks what we know about Vermeer, his oeuvre, Dutch painting, and Western Art. Perhaps the most arresting revelation of Vermeer's Family Secrets is the final one: in response to inconsistencies in technique, materials, and artistic level, Binstock posits that several of the paintings accepted as canonical works by Vermeer, are in fact not by Vermeer at all but by his eldest daughter, Maria. How he argues this is one of the book's many pleasures.
Author: Jane Jelley
Publisher: Oxford University Press
ISBN: 0192506900
Category : Art
Languages : en
Pages : 369
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Book Description
Johannes Vermeer's luminous paintings are loved and admired around the world, yet we do not understand how they were made. We see sunlit spaces; the glimmer of satin, silver, and linen; we see the softness of a hand on a lute string or letter. We recognise the distilled impression of a moment of time; and we feel it to be real. We might hope for some answers from the experts, but they are confounded too. Even with the modern technology available, they do not know why there is no evidence of any preliminary drawing; why there are shifts in focus; and why his pictures are unusually blurred. Some wonder if he might possibly have used a camera obscura to capture what he saw before him. The few traces Vermeer has left behind tell us little: there are no letters or diaries; and no reports of him at work. Jane Jelley has taken a new path in this detective story. A painter herself, she has worked with the materials of his time: the cochineal insect and lapis lazuli; the sheep bones, soot, earth, and rust. She shows us how painters made their pictures layer by layer; she investigates old secrets; and hears travellers' tales. She explores how Vermeer could have used a lens in the creation of his masterpieces. The clues were there all along. After all this time, now we can unlock the studio door, and catch a glimpse of Vermeer inside, painting light.
Author: John Michael Montias
Publisher: Princeton University Press
ISBN: 0691188599
Category : Art
Languages : en
Pages : 477
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Book Description
This book is not only a fascinating biography of one of the greatest painters of the seventeenth century but also a social history of the colorful extended family to which he belonged and of the town life of the period. It explores a series of distinct worlds: Delft's Small-Cattle Market, where Vermeer's paternal family settled early in the century; the milieu of shady businessmen in Amsterdam that recruited Vermeer's grandfather to counterfeit coins; the artists, military contractors, and Protestant burghers who frequented the inn of Vermeer's father in Delft's Great Market Square; and the quiet, distinguished "Papists Corner" in which Vermeer, after marrying into a high-born Catholic family, retired to practice his art, while retaining ties with wealthy Protestant patrons. The relationship of Vermeer to his principal patron is one of many original discoveries in the book.
