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Author: Jennifer McLerran
Publisher: University of Arizona Press
ISBN: 081654624X
Category : Art
Languages : en
Pages : 289
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Book Description
A New Deal for Navajo Weaving provides a detailed history of early to mid-twentieth-century Diné weaving projects by non-Natives who sought to improve the quality and marketability of Navajo weaving but in so doing failed to understand the cultural significance of weaving and its role in the lives of Diné women. By the 1920s the durability and market value of Diné weavings had declined dramatically. Indian welfare advocates established projects aimed at improving the materials and techniques. Private efforts served as models for federal programs instituted by New Deal administrators. Historian Jennifer McLerran details how federal officials developed programs such as the Southwest Range and Sheep Breeding Laboratory at Fort Wingate in New Mexico and the Navajo Arts and Crafts Guild. Other federal efforts included the publication of Native natural dye recipes; the publication of portfolios of weaving designs to guide artisans; and the education of consumers through the exhibition of weavings, aiding them in their purchases and cultivating an upscale market. McLerran details how government officials sought to use these programs to bring the Diné into the national economy; instead, these federal tactics were ineffective because they marginalized Navajo women and ignored the important role weaving plays in the resilience and endurance of wider Diné culture.
Author: Jennifer McLerran
Publisher: University of Arizona Press
ISBN: 081654624X
Category : Art
Languages : en
Pages : 289
Get Book Here
Book Description
A New Deal for Navajo Weaving provides a detailed history of early to mid-twentieth-century Diné weaving projects by non-Natives who sought to improve the quality and marketability of Navajo weaving but in so doing failed to understand the cultural significance of weaving and its role in the lives of Diné women. By the 1920s the durability and market value of Diné weavings had declined dramatically. Indian welfare advocates established projects aimed at improving the materials and techniques. Private efforts served as models for federal programs instituted by New Deal administrators. Historian Jennifer McLerran details how federal officials developed programs such as the Southwest Range and Sheep Breeding Laboratory at Fort Wingate in New Mexico and the Navajo Arts and Crafts Guild. Other federal efforts included the publication of Native natural dye recipes; the publication of portfolios of weaving designs to guide artisans; and the education of consumers through the exhibition of weavings, aiding them in their purchases and cultivating an upscale market. McLerran details how government officials sought to use these programs to bring the Diné into the national economy; instead, these federal tactics were ineffective because they marginalized Navajo women and ignored the important role weaving plays in the resilience and endurance of wider Diné culture.
Author: Jennifer McLerran
Publisher:
ISBN: 9780816553747
Category :
Languages : en
Pages : 0
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Book Description
A New Deal for Navajo Weaving provides a detailed history of early to mid-twentieth-century Diné weaving projects by non-Natives who sought to improve the quality and marketability of Navajo weaving but in so doing failed to understand the cultural significance of weaving and its role in the lives of Diné women. By the 1920s the durability and market value of Diné weavings had declined dramatically. Indian welfare advocates established projects aimed at improving the materials and techniques. Private efforts served as models for federal programs instituted by New Deal administrators. Historian Jennifer McLerran details how federal officials developed programs such as the Southwest Range and Sheep Breeding Laboratory at Fort Wingate in New Mexico and the Navajo Arts and Crafts Guild. Other federal efforts included the publication of Native natural dye recipes; the publication of portfolios of weaving designs to guide artisans; and the education of consumers through the exhibition of weavings, aiding them in their purchases and cultivating an upscale market. McLerran details how government officials sought to use these programs to bring the Diné into the national economy; instead, these federal tactics were ineffective because they marginalized Navajo women and ignored the important role weaving plays in the resilience and endurance of wider Diné culture.
Author: Jennifer McLerran
Publisher: University of Arizona Press
ISBN: 0816519528
Category : Art
Languages : en
Pages : 312
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Book Description
Available for the first time in paperback!
Author: Roseann Sandoval Willink
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 144
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Book Description
Profiles a West Bengali caste specializing in producing painted narrative scrolls and performing songs to accompany their unrolling.
Author: Jennifer McLerran
Publisher: University of Arizona Press
ISBN: 0816550379
Category : History
Languages : en
Pages : 312
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Book Description
As the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets. In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and crafts. And by unraveling the complex ways in which commodification was negotiated and the roles that producers, consumers, and New Deal administrators played in that process, she sheds new light on native art’s commodity status and the artist’s position as colonial subject. In this first book to address the ways in which New Deal Indian policy specifically advanced commodification and colonization, McLerran reviews its multi-pronged effort to improve the market for Indian art through the Indian Arts and Crafts Board, arts and crafts cooperatives, murals, museum exhibits, and Civilian Conservation Corps projects. Presenting nationwide case studies that demonstrate transcultural dynamics of production and reception, she argues for viewing Indian art as a commodity, as part of the national economy, and as part of national political trends and reform efforts. McLerran marks the contributions of key individuals, from John Collier and Rene d’Harnoncourt to Navajo artist Gerald Nailor, whose mural in the Navajo Nation Council House conveyed distinctly different messages to outsiders and tribal members. Featuring dozens of illustrations, A New Deal for Native Art offers a new look at the complexities of folk art “revivals” as it opens a new window on the Indian New Deal.
Author: Colleen O'Neill
Publisher: University Press of Kansas
ISBN: 0700618945
Category : History
Languages : en
Pages : 254
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Book Description
The Dine have been a pastoral people for as long as they can remember; but when livestock reductions in the New Deal era forced many into the labor market, some scholars felt that Navajo culture would inevitably decline. Although they lost a great deal with the waning of their sheep-centered economy, Colleen O'Neill argues that Navajo culture persisted. O'Neill's book challenges the conventional notion that the introduction of market capitalism necessarily leads to the destruction of native cultural values. She shows instead that contact with new markets provided the Navajos with ways to diversify their household-based survival strategies. Through adapting to new kinds of work, Navajos actually participated in the "reworking of modernity" in their region, weaving an alternate, culturally specific history of capitalist development. O'Neill chronicles a history of Navajo labor that illuminates how cultural practices and values influenced what it meant to work for wages or to produce commodities for the marketplace. Through accounts of Navajo coal miners, weavers, and those who left the reservation in search of wage work, she explores the tension between making a living the Navajo way and "working elsewhere." Focusing on the period between the 1930s and the early 1970s-a time when Navajos saw a dramatic transformation of their economy—O'Neill shows that Navajo cultural values were flexible enough to accommodate economic change. She also examines the development of a Navajo working class after 1950, when corporate development of Navajo mineral resources created new sources of wage work and allowed former migrant workers to remain on the reservation. Focusing on the household rather than the workplace, O'Neill shows how the Navajo home serves as a site of cultural negotiation and a source for affirming identity. Her depiction of weaving particularly demonstrates the role of women as cultural arbitrators, providing mothers with cultural power that kept them at the center of what constituted "Navajo-ness." Ultimately, Working the Navajo Way offers a new way to think about Navajo history, shows the essential resilience of Navajo lifeways, and argues for a more dynamic understanding of Native American culture overall.
Author: Joe Ben Wheat
Publisher: University of Arizona Press
ISBN: 9780816523047
Category : Art
Languages : en
Pages : 480
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Book Description
A history and description of southwestern textiles along with a catalog of Pueblo, Navajo, Mexican, and Spanish American blankets, ponchos, and sarapes.
Author: Cécile R. Ganteaume
Publisher: Smithsonian Institution
ISBN: 1588347567
Category : Art
Languages : en
Pages : 273
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Book Description
The first book dedicated to the contemporary Diné artist, featuring 80 stunning tapestries and essays exploring her life and legacy. Discover the unique weaving traditions of the Navajo Nation in this joyous celebration of Indigenous art and history. A fifth-generation weaver, DY Begay’s transformative tapestries reflect her family tradition, her Diné identity, and the natural beauty of the Navajo Nation reservation where she grew up. The first book devoted to Begay's career, Sublime Light reveals the evolution of her work with 80 gorgeous tapestries created between 1965 and 2022. To fully reveal her life and influences, the book draws on Begay’s journals, family photographs, and imagery from the Tselani, Arizona landscape that inspires her work. Begay first learned to weave watching her mother and grandmother process wool from the family sheep herd using tools made by male relatives and working at their looms. Over the years, she pushed her creativity and began combining her ancestral weaving techniques with modern design, as well as blending colors historically used in Navajo weaving with unconventional dyes made from fungi, food, and non-native flowers. Much of Begay’s deeply personal work pays homage to Navajo land— its red-streaked cliffs, indigo sunrises, dreamy desert tones—as well as her extraordinary lineage. On every page, Sublime Light enchants.
Author: Sandra Slater
Publisher: Univ of South Carolina Press
ISBN: 1643363697
Category : Social Science
Languages : en
Pages : 218
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Book Description
Groundbreaking historical scholarship on the complex attitudes toward gender and sexual roles in Native American culture, with a new preface and supplemental bibliography Prior to the arrival of Europeans in the New World, Native Americans across the continent had developed richly complex attitudes and forms of expression concerning gender and sexual roles. The role of the "berdache," a man living as a woman or a woman living as a man in native societies, has received recent scholarly attention but represents just one of many such occurrences of alternative gender identification in these cultures. Editors Sandra Slater and Fay A. Yarbrough have brought together scholars who explore the historical implications of these variations in the meanings of gender, sexuality, and marriage among indigenous communities in North America. Essays that span from the colonial period through the nineteenth century illustrate how these aspects of Native American life were altered through interactions with Europeans. Organized chronologically, Gender and Sexuality in Indigenous North America, 1400–1850 probes gender identification, labor roles, and political authority within Native American societies. The essays are linked by overarching examinations of how Europeans manipulated native ideas about gender for their own ends and how indigenous people responded to European attempts to impose gendered cultural practices at odds with established traditions. Many of the essays also address how indigenous people made meaning of gender and how these meanings developed over time within their own communities. Several contributors also consider sexual practice as a mode of cultural articulation, as well as a vehicle for the expression of gender roles. Representing groundbreaking scholarship in the field of Native American studies, these insightful discussions of gender, sexuality, and identity advance our understanding of cultural traditions and clashes that continue to resonate in native communities today as well as in the larger societies those communities exist within.
Author: Carol Williams
Publisher: University of Illinois Press
ISBN: 0252037154
Category : Business & Economics
Languages : en
Pages : 323
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Book Description
Cover -- Title Page -- Copyright Page -- CONTENTS -- List of Illustrations -- Preface Marlene Brant Castellano -- Acknowledgments -- Introduction Carol Williams -- 1. Aboriginal Women and Work across the 49th Parallel: Historical Antecedents and New Challenges Joa -- 2. Making a Living: Anishinaabe Women in Michigan's Changing Economy Alice Littlefield -- 3. Procuring Passage: Southern Australian Aboriginal Women and the Early Maritime Industry of Sealin -- 4. The Contours of Agency: Women's Work, Race, and Queensland's Indentured Labor Trade Tracey Baniva -- 5. From "Superabundance" to Dependency: Women Agriculturalists and the Negotiation of Colonialism a- -- 6. "We Were Real Skookum Women": The shishalh Economy and the Logging Industry on the Pacific Northw -- 7. Unraveling the Narratives of Nostalgia: Navajo Weavers and Globalization Kathy M'Closkey -- 8. Labor and Leisure in the "Enchanted Summer Land": Anishinaabe Women's Work and the Growth of Wisc -- 9. Nimble Fingers and Strong Backs: First Nations and Métis Women in Fur Trade and Rural Economies S -- 10. Northfork Mono Women's Agricultural Work, "Productive Coexistence," and Social Well-Being in tha -- 11. Diverted Mothering among American Indian Domestic Servants, 1920-1940 Margaret D. Jacobs -- 12. Charity or Industry? American Indian Women and Work Relief in the New Deal Era Colleen O'Neill -- 13. "An Indian Teacher among Indians": Native Women As Federal Employees Cathleen D. Cahill -- 14. "Assaulting the Ears of Government": The Indian Homemakers' Clubs and the Maori Women's Welfare -- 15. Politically Purposeful Work: Ojibwe Women's Labor and Leadership in Postwar Minneapolis Brenda J -- 16. Maori Sovereignty, Black Feminism, and the New Zealand Trade Union Movement Cybèle Locke -- 17. Beading Lesson Beth H. Piatote -- Contributors -- Index.
