Author: Judy E. Gaughan
Publisher: University of Texas Press
ISBN: 0292721110
Category : History
Languages : en
Pages : 215
Book Description
Embarking on a unique study of Roman criminal law, Judy Gaughan has developed a novel understanding of the nature of social and political power dynamics in republican government. Revealing the significant relationship between political power and attitudes toward homicide in the Roman republic, Murder Was Not a Crime describes a legal system through which families (rather than the government) were given the power to mete out punishment for murder. With implications that could modify the most fundamental beliefs about the Roman republic, Gaughan's research maintains that Roman criminal law did not contain a specific enactment against murder, although it had done so prior to the overthrow of the monarchy. While kings felt an imperative to hold monopoly over the power to kill, Gaughan argues, the republic phase ushered in a form of decentralized government that did not see itself as vulnerable to challenge by an act of murder. And the power possessed by individual families ensured that the government would not attain the responsibility for punishing homicidal violence. Drawing on surviving Roman laws and literary sources, Murder Was Not a Crime also explores the dictator Sulla's "murder law," arguing that it lacked any government concept of murder and was instead simply a collection of earlier statutes repressing poisoning, arson, and the carrying of weapons. Reinterpreting a spectrum of scenarios, Gaughan makes new distinctions between the paternal head of household and his power over life and death, versus the power of consuls and praetors to command and kill.
Murder Was Not a Crime
Author: Judy E. Gaughan
Publisher: University of Texas Press
ISBN: 0292721110
Category : History
Languages : en
Pages : 215
Book Description
Embarking on a unique study of Roman criminal law, Judy Gaughan has developed a novel understanding of the nature of social and political power dynamics in republican government. Revealing the significant relationship between political power and attitudes toward homicide in the Roman republic, Murder Was Not a Crime describes a legal system through which families (rather than the government) were given the power to mete out punishment for murder. With implications that could modify the most fundamental beliefs about the Roman republic, Gaughan's research maintains that Roman criminal law did not contain a specific enactment against murder, although it had done so prior to the overthrow of the monarchy. While kings felt an imperative to hold monopoly over the power to kill, Gaughan argues, the republic phase ushered in a form of decentralized government that did not see itself as vulnerable to challenge by an act of murder. And the power possessed by individual families ensured that the government would not attain the responsibility for punishing homicidal violence. Drawing on surviving Roman laws and literary sources, Murder Was Not a Crime also explores the dictator Sulla's "murder law," arguing that it lacked any government concept of murder and was instead simply a collection of earlier statutes repressing poisoning, arson, and the carrying of weapons. Reinterpreting a spectrum of scenarios, Gaughan makes new distinctions between the paternal head of household and his power over life and death, versus the power of consuls and praetors to command and kill.
Publisher: University of Texas Press
ISBN: 0292721110
Category : History
Languages : en
Pages : 215
Book Description
Embarking on a unique study of Roman criminal law, Judy Gaughan has developed a novel understanding of the nature of social and political power dynamics in republican government. Revealing the significant relationship between political power and attitudes toward homicide in the Roman republic, Murder Was Not a Crime describes a legal system through which families (rather than the government) were given the power to mete out punishment for murder. With implications that could modify the most fundamental beliefs about the Roman republic, Gaughan's research maintains that Roman criminal law did not contain a specific enactment against murder, although it had done so prior to the overthrow of the monarchy. While kings felt an imperative to hold monopoly over the power to kill, Gaughan argues, the republic phase ushered in a form of decentralized government that did not see itself as vulnerable to challenge by an act of murder. And the power possessed by individual families ensured that the government would not attain the responsibility for punishing homicidal violence. Drawing on surviving Roman laws and literary sources, Murder Was Not a Crime also explores the dictator Sulla's "murder law," arguing that it lacked any government concept of murder and was instead simply a collection of earlier statutes repressing poisoning, arson, and the carrying of weapons. Reinterpreting a spectrum of scenarios, Gaughan makes new distinctions between the paternal head of household and his power over life and death, versus the power of consuls and praetors to command and kill.
Murder and the Muse
Author: Alexei Bayer
Publisher:
ISBN: 9781880100493
Category :
Languages : en
Pages :
Book Description
KGB Chief Yuri Andropov himself has tapped Senior Detective Matyushkin to solve a brazen jewel heist from Picasso's wife at the posh Metropole Hotel. But when the case bleeds over into murder, machinations, and international intrigue, dredging up long-forgotten histories from the Civil War, not everyone is eager to see where the clues might lead. Yet Matyushkin - as relentless and gut-driven as ever - won't be stopped, even if it means taking on his partner, the KGB, and a ghost from decades past. In this third installment in the Matyushkin Case Files, Bayer is in top form, painting a vivid picture not just of life in 1960s Moscow, but of connected events half a century before, when the Soviet regime was being twisted and shaped by war and revolution. A page-turning mystery rich in historical detail and compelling characters.
Publisher:
ISBN: 9781880100493
Category :
Languages : en
Pages :
Book Description
KGB Chief Yuri Andropov himself has tapped Senior Detective Matyushkin to solve a brazen jewel heist from Picasso's wife at the posh Metropole Hotel. But when the case bleeds over into murder, machinations, and international intrigue, dredging up long-forgotten histories from the Civil War, not everyone is eager to see where the clues might lead. Yet Matyushkin - as relentless and gut-driven as ever - won't be stopped, even if it means taking on his partner, the KGB, and a ghost from decades past. In this third installment in the Matyushkin Case Files, Bayer is in top form, painting a vivid picture not just of life in 1960s Moscow, but of connected events half a century before, when the Soviet regime was being twisted and shaped by war and revolution. A page-turning mystery rich in historical detail and compelling characters.
The Complete Concordance to Shakspeare
Author: Mary Cowden Clarke
Publisher:
ISBN:
Category :
Languages : en
Pages : 888
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 888
Book Description
The Complete Concordance to SHakspere
Author: Mary Cowden Clarke
Publisher:
ISBN:
Category :
Languages : en
Pages : 882
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 882
Book Description
The Complete Concordance to Shakespeare
Author: Mary Cowden Clarke
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 880
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 880
Book Description
Murder after Death
Author: Richard Sugg
Publisher: Cornell University Press
ISBN: 1501729977
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
Just as museum exhibits of plastinated corpses, television dramas about forensics, and books about the eventual fate of human remains provoke interest and generate ethical debates today, anatomy was a topic of fascination-and autopsies a spectator pastime-in England from the mid-Elizabethan era through the outbreak of civil war. Rather than regard such preoccupations as purely macabre, Richard Sugg sees them as precursors of a profoundly new scientific and cultural discourse. Tracing the influence of continental anatomy on English literature across the period, Sugg begins his exploration with the essentially sacralizing aspects of dissection—as expressed, for instance, in the search for the anatomical repository of the soul—before detailing ways in which science and religion diverged from and eventually opposed each other. In charting this transition, Sugg draws his evidence from the fine detail of literary language, moving from sermons to plays, medical textbooks to sonnets, and from sensational short tales to Thomas Nashe's proto-novel The Unfortunate Traveller. As Sugg shows, the study of anatomy first offered to positively revitalize many areas of religious rhetoric. In time, however, the rising forces of early scientific enquiry transformed the body into an increasingly alien and secular entity. Within this evolution the author finds a remarkably rich, subtle, and unstable set of attitudes, with different forms of violence, different versions of the interior body, and implicit social, religious, and psychological stances variously cooperating or competing for supremacy.
Publisher: Cornell University Press
ISBN: 1501729977
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
Just as museum exhibits of plastinated corpses, television dramas about forensics, and books about the eventual fate of human remains provoke interest and generate ethical debates today, anatomy was a topic of fascination-and autopsies a spectator pastime-in England from the mid-Elizabethan era through the outbreak of civil war. Rather than regard such preoccupations as purely macabre, Richard Sugg sees them as precursors of a profoundly new scientific and cultural discourse. Tracing the influence of continental anatomy on English literature across the period, Sugg begins his exploration with the essentially sacralizing aspects of dissection—as expressed, for instance, in the search for the anatomical repository of the soul—before detailing ways in which science and religion diverged from and eventually opposed each other. In charting this transition, Sugg draws his evidence from the fine detail of literary language, moving from sermons to plays, medical textbooks to sonnets, and from sensational short tales to Thomas Nashe's proto-novel The Unfortunate Traveller. As Sugg shows, the study of anatomy first offered to positively revitalize many areas of religious rhetoric. In time, however, the rising forces of early scientific enquiry transformed the body into an increasingly alien and secular entity. Within this evolution the author finds a remarkably rich, subtle, and unstable set of attitudes, with different forms of violence, different versions of the interior body, and implicit social, religious, and psychological stances variously cooperating or competing for supremacy.
Murder and Masculinity
Author: Rebecca E. Biron
Publisher: Vanderbilt University Press
ISBN: 9780826513472
Category : Latin American fiction
Languages : en
Pages : 196
Book Description
Rebecca Biron breaks new ground in this study of masculinity, violence, and the strategic construction of collective political identities in twentieth-century Latin American fiction. By engaging current sociological, psychoanalytic, and feminist theories, Murder and Masculinity analyzes the cliche of proving virility through violence against women. Biron develops her argument through close readings of five works: Jorge Luis Borges's "La intrusa," Armonia Somer's "El despojo," Clarice Lispector's A Maca no Escuro, Manuel Puig's The Buenos Aires Affair, and Reinaldo Arenas's El Asalto. Although men murdering women is often interpreted as nothing more than machista misogyny, Biron argues that the five narratives addressed in this book show that healed masculinities are essential to the achievement of cultural identity and political autonomy in Latin America. The introduction to this study deftly situates Biron's work in relation to previous theoretical arguments on the social and political dimensions of Latin American writing. The five subsequent chapters offer superb analyses of the individual texts. Like their male protagonists who experiment with the psychological and legal extremes of gender division, these narratives risk nonconformity to the laws of genre in their quest for liberation from violent social and literary conventions. In combining elements of detective stories, crime narratives, psychological case studies, and magical or grotesque realism, they offer metafictional commentary on a network of discourses that confuses images of masculinity, national identity, and political autonomy in postcolonial Latin America.
Publisher: Vanderbilt University Press
ISBN: 9780826513472
Category : Latin American fiction
Languages : en
Pages : 196
Book Description
Rebecca Biron breaks new ground in this study of masculinity, violence, and the strategic construction of collective political identities in twentieth-century Latin American fiction. By engaging current sociological, psychoanalytic, and feminist theories, Murder and Masculinity analyzes the cliche of proving virility through violence against women. Biron develops her argument through close readings of five works: Jorge Luis Borges's "La intrusa," Armonia Somer's "El despojo," Clarice Lispector's A Maca no Escuro, Manuel Puig's The Buenos Aires Affair, and Reinaldo Arenas's El Asalto. Although men murdering women is often interpreted as nothing more than machista misogyny, Biron argues that the five narratives addressed in this book show that healed masculinities are essential to the achievement of cultural identity and political autonomy in Latin America. The introduction to this study deftly situates Biron's work in relation to previous theoretical arguments on the social and political dimensions of Latin American writing. The five subsequent chapters offer superb analyses of the individual texts. Like their male protagonists who experiment with the psychological and legal extremes of gender division, these narratives risk nonconformity to the laws of genre in their quest for liberation from violent social and literary conventions. In combining elements of detective stories, crime narratives, psychological case studies, and magical or grotesque realism, they offer metafictional commentary on a network of discourses that confuses images of masculinity, national identity, and political autonomy in postcolonial Latin America.
The Complete Concordance to Shakespeare
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 904
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 904
Book Description
The Complete Concordance to Shakespere: Being a Verbal Index to All the Passages in the Dramatic Works of the Poet
Author: Hary-Cowden Clarke
Publisher:
ISBN:
Category :
Languages : en
Pages : 864
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 864
Book Description
The Complete Concordance to Shakspere: Being a Verval Index to All the Passages in the Dramatic Works of the Poet. (New Ed.)
Author: Mary-Cowden Clarke
Publisher:
ISBN:
Category :
Languages : en
Pages : 880
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 880
Book Description