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Author: Kate Dimitrova
Publisher: Brepols Publishers
ISBN: 9782503536767
Category : Church vestments
Languages : en
Pages : 0
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Book Description
Kate Dimitrova et Margaret Goehring: Introduction. --Textiles in context (David Ganz: Pictorial textiles and their performance : the star mantle of Henry II. --Warren T. Woodfin: Orthodox liturgical textiles and clerical self-referentiality. --Henry Schilb: The epitaphioi of Stephen the Great. --Christiane Elster: Liturgical textiles as papal donations in late medieval Italy. --Stefanie Seeberg: Monument in linen : a thirteenth-century embroidered catafalque cover for the members of the beata stirps of saint Elizabeth of Hungary. --Kristin Böse: Cultures re-shaped : textiles from the castilian royal tombs in Santa María de Las Huelgas in Burgos). --The represented textile as sign (Catherine Walden: "So lyvely in cullers and gilting" : vestments on episcopal tomb effigies in England. --Evelin Wetter: Material evidence, theological requirements and medial transformation : "textile strategies" in the court art of Charles IV. --Jennifer E. Courts: Weaving legitimacy : the Jouvenel des Ursins family and the construction of nobility in fifteenth-century France. --Yuko Kadoi: Textiles in the great mongol Shahnama : a new approach to ilkhanid dress).
Author: Kate Dimitrova
Publisher: Brepols Publishers
ISBN: 9782503536767
Category : Church vestments
Languages : en
Pages : 0
Get Book Here
Book Description
Kate Dimitrova et Margaret Goehring: Introduction. --Textiles in context (David Ganz: Pictorial textiles and their performance : the star mantle of Henry II. --Warren T. Woodfin: Orthodox liturgical textiles and clerical self-referentiality. --Henry Schilb: The epitaphioi of Stephen the Great. --Christiane Elster: Liturgical textiles as papal donations in late medieval Italy. --Stefanie Seeberg: Monument in linen : a thirteenth-century embroidered catafalque cover for the members of the beata stirps of saint Elizabeth of Hungary. --Kristin Böse: Cultures re-shaped : textiles from the castilian royal tombs in Santa María de Las Huelgas in Burgos). --The represented textile as sign (Catherine Walden: "So lyvely in cullers and gilting" : vestments on episcopal tomb effigies in England. --Evelin Wetter: Material evidence, theological requirements and medial transformation : "textile strategies" in the court art of Charles IV. --Jennifer E. Courts: Weaving legitimacy : the Jouvenel des Ursins family and the construction of nobility in fifteenth-century France. --Yuko Kadoi: Textiles in the great mongol Shahnama : a new approach to ilkhanid dress).
Author: Kevin Hart
Publisher: University of Chicago Press
ISBN: 0226318117
Category : Philosophy
Languages : en
Pages : 313
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Book Description
Publisher Description
Author: Madeline Harrison Caviness
Publisher: University of Pennsylvania Press
ISBN: 9780812235999
Category : Art
Languages : en
Pages : 260
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Book Description
For Caviness, an awareness of historical context places pressure upon contemporary theories like that of the "male gaze," changing their shapes and creating even richer dialogues with the past."--BOOK JACKET.
Author: James F. Burke
Publisher: Penn State Press
ISBN: 0271072385
Category : Literary Criticism
Languages : en
Pages : 148
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Book Description
The plot of the late-medieval Spanish work Celestina (1499) centers on the ill-fated love of Calisto and Melibea and the fascinating character of their intermediary, Celestina. In this ground-breaking rereading of the play, James F. Burke offers a new interpretation of the characters' actions by analyzing medieval theories of perception that would have influenced the composition of Celestina. Drawing upon a variety of texts and thinkers—including the medieval theories of Thomas Aquinas, the Renaissance treatises of Marsilio Ficino, the classical philosophy of Aristotle, and the modern psychology of Jacques Lacan—Burke relates ancient and medieval theories of sensory functions to modern understandings. He demonstrates that modern concepts of "the gaze" have their premodern analogy in the idea of an all-encompassing sensory field, both visual and auditory, that surrounded and enveloped each individual. Touching on medieval theories of the "evil eye," the sonic sphere, and "the banquet of the senses," Burke offers a new perspective on the use and manipulation of sensory input by the characters of Celestina. This book will be welcomed not only by students of Spanish literature but also by those interested in new ways of approaching medieval and Renaissance texts.
Author: Eleanor Janega
Publisher: Icon Books
ISBN: 1785785923
Category : Comics & Graphic Novels
Languages : en
Pages : 236
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Book Description
A unique, illustrated book that will change the way you see medieval history The Middle Ages: A Graphic History busts the myth of the 'Dark Ages', shedding light on the medieval period's present-day relevance in a unique illustrated style. This history takes us through the rise and fall of empires, papacies, caliphates and kingdoms; through the violence and death of the Crusades, Viking raids, the Hundred Years War and the Plague; to the curious practices of monks, martyrs and iconoclasts. We'll see how the foundations of the modern West were established, influencing our art, cultures, religious practices and ways of thinking. And we'll explore the lives of those seen as 'Other' - women, Jews, homosexuals, lepers, sex workers and heretics. Join historian Eleanor Janega and illustrator Neil Max Emmanuel on a romp across continents and kingdoms as we discover the Middle Ages to be a time of huge change, inquiry and development - not unlike our own.
Author: Andrew Cole
Publisher: Duke University Press
ISBN: 0822392542
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
This collection of essays argues that any valid theory of the modern should—indeed must—reckon with the medieval. Offering a much-needed correction to theorists such as Hans Blumenberg, who in his Legitimacy of the Modern Age describes the "modern age" as a complete departure from the Middle Ages, these essays forcefully show that thinkers from Adorno to Žižek have repeatedly drawn from medieval sources to theorize modernity. To forget the medieval, or to discount its continued effect on contemporary thought, is to neglect the responsibilities of periodization. In The Legitimacy of the Middle Ages, modernists and medievalists, as well as scholars specializing in eighteenth-, nineteenth-, and twentieth-century comparative literature, offer a new history of theory and philosophy through essays on secularization and periodization, Marx’s (medieval) theory of commodity fetishism, Heidegger’s scholasticism, and Adorno’s nominalist aesthetics. One essay illustrates the workings of medieval mysticism in the writing of Freud’s most famous patient, Daniel Paul Schreber, author of Memoirs of My Nervous Illness (1903). Another looks at Michael Hardt and Antonio Negri’s Empire, a theoretical synthesis whose conscientious medievalism was the subject of much polemic in the post-9/11 era, a time in which premodernity itself was perceived as a threat to western values. The collection concludes with an afterword by Fredric Jameson, a theorist of postmodernism who has engaged with the medieval throughout his career. Contributors: Charles D. Blanton, Andrew Cole, Kathleen Davis, Michael Hardt, Bruce Holsinger, Fredric Jameson, Ethan Knapp, Erin Labbie, Jed Rasula, D. Vance Smith, Michael Uebel
Author: Raphaèle Preisinger
Publisher:
ISBN: 9782503581538
Category :
Languages : en
Pages : 275
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Book Description
Over the last two decades the historiography of medieval art has been defined by two seemingly contradictory trends: a focus on questions of visuality, and more recently an emphasis on materiality. The latter, which has encouraged multi-sensorial approaches to medieval art, has come to be perceived as a counterpoint to the study of visuality as defined in ocularcentric terms. Bringing together specialists from different areas of art history, this book grapples with this dialectic and poses new avenues for reconciling these two opposing tendencies. The essays in this volume demonstrate the necessity of returning to questions of visuality, taking into account the insights gained from the 'material turn'. They highlight conceptions of vision that attribute a haptic quality to the act of seeing and draw on bodily perception to shed new light on visuality in the Middle Ages.
Author: S. Biernoff
Publisher: Springer
ISBN: 0230508359
Category : History
Languages : en
Pages : 251
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Book Description
This book breaks new ground by bringing postmodern writings on vision and embodiment into dialogue with medieval texts and images: an interdisciplinary strategy that illuminates and complicates both cultures. This is an invaluable reference work for anyone interested in the history and theory of visuality, and it is essential reading for scholars of art, science or spirituality in the medieval period.
Author: Annette Kern-Stähler
Publisher: Narr Francke Attempto Verlag
ISBN: 382339326X
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
This volume explores practices of secrecy and surveillance in medieval and early modern England. The ten contributions by Swiss and international scholars (including Paul Strohm, Sylvia Tomasch, Karma Lochrie, and Richard Wilson) address in particular the intersections of secrecy and surveillance with gender and identity, public and private spheres, religious practices, and power structures. Covering a wide range of English literary texts from Old English riddles to medieval romances, the Book of Margery Kempe, and the plays and poems of Shakespeare, these essays seek to contribute to our understanding of the practices of secrecy, exclusion, and disclosure as well as to the much-needed historicisation of Surveillance Studies called for in the opening article by Sylvia Tomasch. ---
Author: Sarah Künzler
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110455870
Category : Literary Criticism
Languages : en
Pages : 460
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Book Description
Bodies and their role in cultural discourse have been a constant focus in the humanities and social sciences in recent years, but comparatively few studies exist about Old Norse-Icelandic or early Irish literature. This study aims to redress this imbalance and presents carefully contextualised close readings of medieval texts. The chapters focus on the role of bodies in mediality discourse in various contexts: that of identity in relation to ideas about self and other, of inscribed and marked skin and of natural bodily matters such as defecation, urination and menstruation. By carefully discussing the sources in their cultural contexts, it becomes apparent that medieval Scandinavian and early Irish texts present their very own ideas about bodies and their role in structuring the narrated worlds of the texts. The study presents one of the first systematic examinations of bodies in these two literary traditions in terms of body criticism and emphasises the ingenuity and complexity of medieval texts.
