Author: Adrian Wilson
Publisher:
ISBN: 9780520051942
Category : Architecture
Languages : en
Pages : 229
Book Description
The Speculum Humanae Salvationis or "Mirror of Human Salvation," is the only medieval work that exists in illuminated manuscripts, in blockbook editions of the mid-fifteenth century, and in sixteen later incunabula. The authors have provided lavishly illustrated accounts of the manuscripts and included reproductions of all 116 woodcuts of the blockbooks, accompanied by a description of the typography and production and an interpretation of each scene. The Speculum Humanae Salvationis or "Mirror of Human Salvation," is the only medieval work that exists in illuminated manuscripts, in blockbook editions of the mid-fifteenth century, and in sixteen later incunabula. The authors have provided lavishly illustrated accounts of the manuscripts and included reproductions of all 116 woodcuts of the blockbooks, accompanied by a description of the typography and production and an interpretation of each scene.
A Medieval Mirror
Author: Adrian Wilson
Publisher:
ISBN: 9780520051942
Category : Architecture
Languages : en
Pages : 229
Book Description
The Speculum Humanae Salvationis or "Mirror of Human Salvation," is the only medieval work that exists in illuminated manuscripts, in blockbook editions of the mid-fifteenth century, and in sixteen later incunabula. The authors have provided lavishly illustrated accounts of the manuscripts and included reproductions of all 116 woodcuts of the blockbooks, accompanied by a description of the typography and production and an interpretation of each scene. The Speculum Humanae Salvationis or "Mirror of Human Salvation," is the only medieval work that exists in illuminated manuscripts, in blockbook editions of the mid-fifteenth century, and in sixteen later incunabula. The authors have provided lavishly illustrated accounts of the manuscripts and included reproductions of all 116 woodcuts of the blockbooks, accompanied by a description of the typography and production and an interpretation of each scene.
Publisher:
ISBN: 9780520051942
Category : Architecture
Languages : en
Pages : 229
Book Description
The Speculum Humanae Salvationis or "Mirror of Human Salvation," is the only medieval work that exists in illuminated manuscripts, in blockbook editions of the mid-fifteenth century, and in sixteen later incunabula. The authors have provided lavishly illustrated accounts of the manuscripts and included reproductions of all 116 woodcuts of the blockbooks, accompanied by a description of the typography and production and an interpretation of each scene. The Speculum Humanae Salvationis or "Mirror of Human Salvation," is the only medieval work that exists in illuminated manuscripts, in blockbook editions of the mid-fifteenth century, and in sixteen later incunabula. The authors have provided lavishly illustrated accounts of the manuscripts and included reproductions of all 116 woodcuts of the blockbooks, accompanied by a description of the typography and production and an interpretation of each scene.
A Distant Mirror
Author: Barbara W. Tuchman
Publisher: Random House Trade Paperbacks
ISBN: 0345349571
Category : History
Languages : en
Pages : 738
Book Description
A “marvelous history”* of medieval Europe, from the bubonic plague and the Papal Schism to the Hundred Years’ War, by the Pulitzer Prize–winning author of The Guns of August *Lawrence Wright, author of The End of October, in The Wall Street Journal The fourteenth century reflects two contradictory images: on the one hand, a glittering age of crusades, cathedrals, and chivalry; on the other, a world plunged into chaos and spiritual agony. In this revelatory work, Barbara W. Tuchman examines not only the great rhythms of history but the grain and texture of domestic life: what childhood was like; what marriage meant; how money, taxes, and war dominated the lives of serf, noble, and clergy alike. Granting her subjects their loyalties, treacheries, and guilty passions, Tuchman re-creates the lives of proud cardinals, university scholars, grocers and clerks, saints and mystics, lawyers and mercenaries, and, dominating all, the knight—in all his valor and “furious follies,” a “terrible worm in an iron cocoon.” Praise for A Distant Mirror “Beautifully written, careful and thorough in its scholarship . . . What Ms. Tuchman does superbly is to tell how it was. . . . No one has ever done this better.”—The New York Review of Books “A beautiful, extraordinary book . . . Tuchman at the top of her powers . . . She has done nothing finer.”—The Wall Street Journal “Wise, witty, and wonderful . . . a great book, in a great historical tradition.”—Commentary
Publisher: Random House Trade Paperbacks
ISBN: 0345349571
Category : History
Languages : en
Pages : 738
Book Description
A “marvelous history”* of medieval Europe, from the bubonic plague and the Papal Schism to the Hundred Years’ War, by the Pulitzer Prize–winning author of The Guns of August *Lawrence Wright, author of The End of October, in The Wall Street Journal The fourteenth century reflects two contradictory images: on the one hand, a glittering age of crusades, cathedrals, and chivalry; on the other, a world plunged into chaos and spiritual agony. In this revelatory work, Barbara W. Tuchman examines not only the great rhythms of history but the grain and texture of domestic life: what childhood was like; what marriage meant; how money, taxes, and war dominated the lives of serf, noble, and clergy alike. Granting her subjects their loyalties, treacheries, and guilty passions, Tuchman re-creates the lives of proud cardinals, university scholars, grocers and clerks, saints and mystics, lawyers and mercenaries, and, dominating all, the knight—in all his valor and “furious follies,” a “terrible worm in an iron cocoon.” Praise for A Distant Mirror “Beautifully written, careful and thorough in its scholarship . . . What Ms. Tuchman does superbly is to tell how it was. . . . No one has ever done this better.”—The New York Review of Books “A beautiful, extraordinary book . . . Tuchman at the top of her powers . . . She has done nothing finer.”—The Wall Street Journal “Wise, witty, and wonderful . . . a great book, in a great historical tradition.”—Commentary
The Mirror of the Medieval
Author: K. Patrick Fazioli
Publisher: Berghahn Books
ISBN: 1785335456
Category : History
Languages : en
Pages : 208
Book Description
Since its invention by Renaissance humanists, the myth of the “Middle Ages” has held a uniquely important place in the Western historical imagination. Whether envisioned as an era of lost simplicity or a barbaric nightmare, the medieval past has always served as a mirror for modernity. This book gives an eye-opening account of the ways various political and intellectual projects—from nationalism to the discipline of anthropology—have appropriated the Middle Ages for their own ends. Deploying an interdisciplinary toolkit, author K. Patrick Fazioli grounds his analysis in contemporary struggles over power and identity in the Eastern Alps, while also considering the broader implications for scholarly research and public memory.
Publisher: Berghahn Books
ISBN: 1785335456
Category : History
Languages : en
Pages : 208
Book Description
Since its invention by Renaissance humanists, the myth of the “Middle Ages” has held a uniquely important place in the Western historical imagination. Whether envisioned as an era of lost simplicity or a barbaric nightmare, the medieval past has always served as a mirror for modernity. This book gives an eye-opening account of the ways various political and intellectual projects—from nationalism to the discipline of anthropology—have appropriated the Middle Ages for their own ends. Deploying an interdisciplinary toolkit, author K. Patrick Fazioli grounds his analysis in contemporary struggles over power and identity in the Eastern Alps, while also considering the broader implications for scholarly research and public memory.
The Mirror in Medieval and Early Modern Culture
Author: Nancy M. Frelick
Publisher: Brepols Publishers
ISBN: 9782503564548
Category : Mirrors
Languages : en
Pages : 0
Book Description
Mirrors have always fascinated humankind. They collapse ordinary distinctions, making visible what is normally invisible, and promising access to hidden realities. Yet, these liminal objects also point to the limitations of human perception, knowledge, and wisdom. In this interdisciplinary volume, specialists in medieval and early modern science, cultural and political history, as well as art history, philosophy, and literature come together to explore the intersections between material and metaphysical mirrors in Europe and the Islamic world. During the time periods studied here, various technologies were transforming the looking glass as an optical device, scientific instrument, and aesthetic object, making it clearer and more readily available, though it remained a rare and precious commodity. While technical innovations spawned new discoveries and ways of seeing, belief systems were slower to change, as expressed in the natural sciences, mystical writings, literature, and visual culture. Mirror metaphors based on analogies established in the ancient world still retained significant power and authority, perhaps especially when related to Aristotelian science, the medieval speculum tradition, religious iconography, secular imagery, Renaissance Neoplatonism, or spectacular Baroque engineering, artistry, and self-fashioning. Mirror effects created through myths, metaphors, rhetorical strategies, or other devices could invite self-contemplation and evoke abstract or paradoxical concepts. Whether faithful or deforming, specular reflections often turn out to be ambivalent and contradictory: sometimes sources of illusion, sometimes reflections of divine truth, mirrors compel us to question the very nature of representation.
Publisher: Brepols Publishers
ISBN: 9782503564548
Category : Mirrors
Languages : en
Pages : 0
Book Description
Mirrors have always fascinated humankind. They collapse ordinary distinctions, making visible what is normally invisible, and promising access to hidden realities. Yet, these liminal objects also point to the limitations of human perception, knowledge, and wisdom. In this interdisciplinary volume, specialists in medieval and early modern science, cultural and political history, as well as art history, philosophy, and literature come together to explore the intersections between material and metaphysical mirrors in Europe and the Islamic world. During the time periods studied here, various technologies were transforming the looking glass as an optical device, scientific instrument, and aesthetic object, making it clearer and more readily available, though it remained a rare and precious commodity. While technical innovations spawned new discoveries and ways of seeing, belief systems were slower to change, as expressed in the natural sciences, mystical writings, literature, and visual culture. Mirror metaphors based on analogies established in the ancient world still retained significant power and authority, perhaps especially when related to Aristotelian science, the medieval speculum tradition, religious iconography, secular imagery, Renaissance Neoplatonism, or spectacular Baroque engineering, artistry, and self-fashioning. Mirror effects created through myths, metaphors, rhetorical strategies, or other devices could invite self-contemplation and evoke abstract or paradoxical concepts. Whether faithful or deforming, specular reflections often turn out to be ambivalent and contradictory: sometimes sources of illusion, sometimes reflections of divine truth, mirrors compel us to question the very nature of representation.
Mirror in Parchment
Author: Michael Camille
Publisher: University of Chicago Press
ISBN: 9780226092409
Category : Art
Languages : en
Pages : 420
Book Description
What is the status of visual evidence in history? Can we actually see the past through images? Where are the traces of previous lives deposited? Michael Camille addresses these important questions in Mirror in Parchment, a lively, searching study of one medieval manuscript, its patron, producers, and historical progeny. The richly illuminated Luttrell Psalter was created for the English nobleman Sir Geoffrey Luttrell (1276-1345). Inexpensive mechanical illustration has since disseminated the book's images to a much wider audience; hence the Psalter's representations of manorial life have come to profoundly shape our modern idea of what medieval English people, high and low, looked like at work and at play. Alongside such supposedly truthful representations, the Psalter presents myriad images of fantastic monsters and beasts. These patently false images have largely been disparaged or ignored by modern historians and art historians alike, for they challenge the credibility of those pictures in the Luttrell Psalter that we wish to see as real. In the conviction that medieval images were not generally intended to reflect daily life but rather to shape a new reality, Michael Camille analyzes the Psalter's famous pictures as representations of the world, imagined and real, of its original patron. Addressed are late medieval chivalric ideals, physical sites of power, and the boundaries of Sir Geoffrey's imagined community, wherein agricultural laborers and fabulous monsters play a similar ideological role. The Luttrell Psalter thus emerges as a complex social document of the world as its patron hoped and feared it might be.
Publisher: University of Chicago Press
ISBN: 9780226092409
Category : Art
Languages : en
Pages : 420
Book Description
What is the status of visual evidence in history? Can we actually see the past through images? Where are the traces of previous lives deposited? Michael Camille addresses these important questions in Mirror in Parchment, a lively, searching study of one medieval manuscript, its patron, producers, and historical progeny. The richly illuminated Luttrell Psalter was created for the English nobleman Sir Geoffrey Luttrell (1276-1345). Inexpensive mechanical illustration has since disseminated the book's images to a much wider audience; hence the Psalter's representations of manorial life have come to profoundly shape our modern idea of what medieval English people, high and low, looked like at work and at play. Alongside such supposedly truthful representations, the Psalter presents myriad images of fantastic monsters and beasts. These patently false images have largely been disparaged or ignored by modern historians and art historians alike, for they challenge the credibility of those pictures in the Luttrell Psalter that we wish to see as real. In the conviction that medieval images were not generally intended to reflect daily life but rather to shape a new reality, Michael Camille analyzes the Psalter's famous pictures as representations of the world, imagined and real, of its original patron. Addressed are late medieval chivalric ideals, physical sites of power, and the boundaries of Sir Geoffrey's imagined community, wherein agricultural laborers and fabulous monsters play a similar ideological role. The Luttrell Psalter thus emerges as a complex social document of the world as its patron hoped and feared it might be.
The Middle English "Mirror"
Author: Robert de Gretham
Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 620
Book Description
An anonymous Middle English translation of Robert's middle-13th-century Anglo-Norman Miroir, or Les Evangiles des Domnees . It is a collection of 60 prose sermons for Sundays and various saints days throughout the liturgical year. Blumreich (English, Grand Valley State U., Michigan) introduces the t
Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 620
Book Description
An anonymous Middle English translation of Robert's middle-13th-century Anglo-Norman Miroir, or Les Evangiles des Domnees . It is a collection of 60 prose sermons for Sundays and various saints days throughout the liturgical year. Blumreich (English, Grand Valley State U., Michigan) introduces the t
Mirror of the Medieval World
Author: Barbara Drake Boehm
Publisher: Metropolitan Museum of Art
ISBN: 0870997858
Category : Art
Languages : en
Pages : 294
Book Description
The publication of this comprehensive catalogue celebrates the distinguished career of William D. Wixom at the Metropolitan. Highlighted in these pages are more than three hundred purchases and gifts, the great majority of which have been on view but many of which have remained unpublished until now. -- Metropolitan Museum of Art website.
Publisher: Metropolitan Museum of Art
ISBN: 0870997858
Category : Art
Languages : en
Pages : 294
Book Description
The publication of this comprehensive catalogue celebrates the distinguished career of William D. Wixom at the Metropolitan. Highlighted in these pages are more than three hundred purchases and gifts, the great majority of which have been on view but many of which have remained unpublished until now. -- Metropolitan Museum of Art website.
A Lancastrian Mirror for Princes
Author: Rosemarie McGerr
Publisher: Indiana University Press
ISBN: 0253356415
Category : History
Languages : en
Pages : 312
Book Description
The Yale New statutes manuscript and medieval English statute books : similarities and differences -- Royal portraits and royal arms : the iconography of the Yale New statutes manuscript -- The Queen and the Lancastrian cause : the Yale New statutes manuscript and Margaret of Anjou -- Educating the prince : the Yale New statutes manuscript and Lancastrian mirrors for princes -- "Grace be our guide" : the cultural significance of a medieval law book.
Publisher: Indiana University Press
ISBN: 0253356415
Category : History
Languages : en
Pages : 312
Book Description
The Yale New statutes manuscript and medieval English statute books : similarities and differences -- Royal portraits and royal arms : the iconography of the Yale New statutes manuscript -- The Queen and the Lancastrian cause : the Yale New statutes manuscript and Margaret of Anjou -- Educating the prince : the Yale New statutes manuscript and Lancastrian mirrors for princes -- "Grace be our guide" : the cultural significance of a medieval law book.
The Mirror
Author: Sabine Melchoir-Bonnet
Publisher: Routledge
ISBN: 113668753X
Category : History
Languages : en
Pages : 321
Book Description
This engaging and witty cultural history traces the evolution of the mirror from antiquity to the present day, illustrating its journey from wondrous object to ordinary trinket. With its earliest invention, the mirror allowed us to gaze upon ourselves, bestowing a power both fascinating and terrifying.
Publisher: Routledge
ISBN: 113668753X
Category : History
Languages : en
Pages : 321
Book Description
This engaging and witty cultural history traces the evolution of the mirror from antiquity to the present day, illustrating its journey from wondrous object to ordinary trinket. With its earliest invention, the mirror allowed us to gaze upon ourselves, bestowing a power both fascinating and terrifying.
The Medieval Reception of the Shāhnāma as a Mirror for Princes
Author: Nasrin Askari
Publisher: BRILL
ISBN: 9004307915
Category : History
Languages : en
Pages : 409
Book Description
Nasrin Askari explores the medieval reception of Firdausī’s Shāhnāma, or Book of Kings (completed in 1010 CE) as a mirror for princes. Through her examination of a wide range of medieval sources, Askari demonstrates that Firdausī’s oeuvre was primarily understood as a book of wisdom and advice for kings and courtly elites. In order to illustrate the ways in which the Shāhnāma functions as a mirror for princes, Askari analyses the account about Ardashīr, the founder of the Sasanian dynasty, as an ideal king in the Shāhnāma. Within this context, she explains why the idea of the union of kingship and religion, a major topic in almost all medieval Persian mirrors for princes, has often been attributed to Ardashīr.
Publisher: BRILL
ISBN: 9004307915
Category : History
Languages : en
Pages : 409
Book Description
Nasrin Askari explores the medieval reception of Firdausī’s Shāhnāma, or Book of Kings (completed in 1010 CE) as a mirror for princes. Through her examination of a wide range of medieval sources, Askari demonstrates that Firdausī’s oeuvre was primarily understood as a book of wisdom and advice for kings and courtly elites. In order to illustrate the ways in which the Shāhnāma functions as a mirror for princes, Askari analyses the account about Ardashīr, the founder of the Sasanian dynasty, as an ideal king in the Shāhnāma. Within this context, she explains why the idea of the union of kingship and religion, a major topic in almost all medieval Persian mirrors for princes, has often been attributed to Ardashīr.