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Author: Albert Maysles
Publisher: Steidl
ISBN:
Category : Performing Arts
Languages : en
Pages : 386
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Book Description
"This book is the first comprehensive monograph on the revolutionary filmmaking team that set the standards of contemporary documentary filmmaking. With Albert behind the camera and David on sound, the Maysles brothers were pivotal to the creation of the American Direct Cinema movement of the 1950s and 60s. The recent discovery of reels of original film negative, hours of outtake material, numerous photographs, production notes and personal and business correspondance is the occasion for this retrospective publication."--BOOK JACKET.
Author: Albert Maysles
Publisher: Steidl
ISBN:
Category : Performing Arts
Languages : en
Pages : 386
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Book Description
"This book is the first comprehensive monograph on the revolutionary filmmaking team that set the standards of contemporary documentary filmmaking. With Albert behind the camera and David on sound, the Maysles brothers were pivotal to the creation of the American Direct Cinema movement of the 1950s and 60s. The recent discovery of reels of original film negative, hours of outtake material, numerous photographs, production notes and personal and business correspondance is the occasion for this retrospective publication."--BOOK JACKET.
Author: Joe McElhaney
Publisher: University of Illinois Press
ISBN: 0252091884
Category : Performing Arts
Languages : en
Pages : 227
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Book Description
Albert Maysles has created some of the most influential documentaries of the postwar period. Such films as Salesman,Gimme Shelter, and Grey Gardens continue to generate intense debate about the ethics and aesthetics of the documentary form. In this in-depth study, Joe McElhaney offers a novel understanding of the historical relevance of Maysles. By closely focusing on Maysles's expressive use of his camera, particularly in relation to the filming of the human figure, this book situates Maysles's films within not only documentary film history but film history in general, arguing for their broad-ranging importance to both narrative film and documentary cinema. Complete with an engaging interview with Maysles and a detailed comparison of the variant releases of his documentary on the Beatles (What's Happening: The Beatles in the U.S.A. and The Beatles: The First U.S. Visit), this work is a pivotal study of a significant filmmaker.
Author: J.M. Tyree
Publisher: Bloomsbury Publishing
ISBN: 1838717927
Category : Performing Arts
Languages : en
Pages : 104
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Book Description
Selected by the Library of Congress as one of the most significant American films ever made, Salesman (1966–9) is a landmark in non-fiction cinema, equivalent in its impact and influence to Truman Capote's 'non-fiction novel' In Cold Blood. The film follows a team of travelling Bible salesmen on the road in Massachusetts, Chicago, and Florida, where the American dream of self-reliant entrepreneurship goes badly wrong for protagonist Paul Brennan. Long acknowledged as a high-water mark of the 'direct cinema' movement, this ruefully comic and quietly devastating film was the first masterpiece of Albert Maysles, David Maysles and Charlotte Zwerin, the trio who would go on to produce The Rolling Stones documentary, Gimme Shelter (1970). Based on the premise that films drawn from ordinary life could compete with Hollywood extravaganzas, Salesman was critical in shaping 'the documentary feature'. A novel cinema-going experience for its time, the film was independently produced, designed for theatrical release and presented without voiceover narration, interviews, or talking heads. Working with innovative handheld equipment, and experimenting with eclectic methods and a collaborative ethos, the Maysles brothers and Zwerin produced a carefully-orchestrated narrative drama fashioned from unexpected episodes. J. M. Tyree suggests that Salesman can be understood as a case study of non-fiction cinema, raising perennial questions about reality and performance. His analysis provides an historical and cultural context for the film, considering its place in world cinema and its critical representations of dearly-held national myths. The style of Salesman still makes other documentaries look static and immobile, while the film's allegiances to everyday subjects and working people indelibly marked the cinema. Tyree's insightful study also includes an exclusive exchange with Albert Maysles about the film.
Author: Betsy A. McLane
Publisher: Bloomsbury Publishing USA
ISBN: 1501385135
Category : Performing Arts
Languages : en
Pages : 470
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Book Description
A New History of Documentary Film includes new research that offers a fresh way to understand how the field began and grew. Retaining the original edition's core structure, there is added emphasis of the interplay among various approaches to documentaries and the people who made them. This edition also clearly explains the ways that interactions among the shifting forces of economics, technology, and artistry shape the form. New to this edition: - An additional chapter that brings the story of English language documentary to the present day - Increased coverage of women and people of color in documentary production - Streaming - Black Lives Matter - Animated documentaries - List of documentary filmmakers, organized chronologically by the years of their activity in the field
Author: Keith Beattie
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 236
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Book Description
Interviews with the brothers who created the cinéma vérité style of documentary filmmaking and the films Salesman, Gimme Shelter, and Grey Gardens
Author: Gail Buckland
Publisher: Knopf
ISBN: 0307270165
Category : Photography
Languages : en
Pages : 337
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Book Description
More than two hundred spectacular photographs, sensual, luminous, frenzied, true, from 1955 to the present, that catch and define the energy, intoxication, rebellion, and magic of rock and roll; the first book to explore the photographs and the photographers who captured rock’s message of freedom and personal reinvention—and to examine the effect of their pictures on the musicians, the fans, and the culture itself. The only music photographers whose names are well known are those who themselves have become celebrities. But many of the images that have shaped our consciousness and desire were made by photographers whose names are unfamiliar. Here are Elvis in 1956—not yet mythic but beautiful, tender, vulnerable, sexy, photographed by Alfred Wertheimer . . . Bob Dylan and his girlfriend on a snowy Greenwich Village street, by Don Hunstein . . . John Lennon in a sleeveless New York City T-shirt, by Bob Gruen . . . Jimi Hendrix, by Gered Mankowitz, a photograph that became a poster and was hung on the walls of millions of bedrooms and college dorms . . . For the first time, the work of these talented men and women is brought into the pantheon; we see the musicians they photographed and how the images gave rock and roll its visual identity. To bring together these images, Gail Buckland, acclaimed photographic editor, curator, and scholar, looked through the archives of one hundred photographers, selecting pictures not on the basis of the usual suspects, but on the power of the images themselves, often picking an image a photographer didn’t even remember he or she had taken. Buckland writes about the photographers, their influences, their relationships with their subjects, how they took the images, how they saw what they saw and captured what they captured: the spirit and essence of rock. A revelation of an art form whose iconic images changed the world as we knew it.
Author: Walter Newkirk
Publisher: AuthorHouse
ISBN: 1434374491
Category : Eccentrics and eccentricities
Languages : en
Pages : 94
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Book Description
A Warrior-Adventurer's Book of Campfire Verse is a fun volume of poetry (free verse, 2,3,and 4 liners, and limited essays) that is filled with adventurous stories in poetic form that will delight both young and old alike. Each poem has an element of truth and moral content. This volume is formatted in very easy to read text. This book has verse about TacomaWashington, war, everyday living, Sasquatch, Unicorns, and real life issues. Truth is stranger than fact.
Author:
Publisher:
ISBN:
Category : Dressmaking
Languages : en
Pages : 816
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Book Description
Author: Jonathan B. Vogels
Publisher: SIU Press
ISBN: 0809386011
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
Boldly signifying the cultural issues of the 1960s and 1970s in groundbreaking pieces such as Grey Gardens, Gimme Shelter, and Showman, filmmakers and brothers David and Albert Maysles used an approach to documentary film that involved spontaneous observation of naturally occurring events. With no rehearsed footage and no preconceived plots, their revolutionary work eschewed the authoritative voice-over narrator, didactic scripts, and the traditional problem-and-solution format used by the majority of their predecessors in the genre and duly influenced subsequent directors in both fiction and nonfiction film. Their collaboration from 1962 until David’s death in 1987 wrought thirteen major works in which the brothers critiqued the concept of celebrity with unglamorous footage of iconic figures, explored how commercialism hinders communication, and questioned the possibility of seeing anything clearly in a world abounding with both real and constructed images. Jonathan B. Vogels outlines how the Maysles brothers blended a unique amalgam of direct cinema characteristics, a modern humanist aesthetic, and a collaborative working process that included other directors and editors. Looking at the films as both shapers and reflections of American culture, he points out that the works offer insights into a wide range of contemporary topics including materialism, celebrity, modern art, and the American family. In addition to describing the changes in technology that made direct cinema possible, Vogels provides careful, scene-by-scene analyses that allow for a consideration of the Maysles brothers’ films as films, a tactic not frequently employed in nonfiction film studies.
Author: Rebekah Maysles
Publisher: Free News Press
ISBN: 9780977652365
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
One of the strangest and subtlest films ever made, the Maysles Brothers' 1975 documentary Grey Gardens today boasts as devoted a following as One Flew Over the Cuckoo's Nest or Harold and Maude. Shot at Grey Gardens, the dilapidated East Hamptons mansion of "Big Edie" and "Little Edie" Beale, aunt and cousin to Jackie Onassis, this classic of cinema verite tracks the Beales' eccentric and sequestered lives - which consist mostly of doing nothing, but with a mesmerizing zest and volubility. Little Edie's magical aphorisms ("Raccoons and cats become a little bit boring," she sighs towards the end of the film, "I mean for too long a time") are gems of unwitting camp, and between her observations, her costumes, the incredibly bizarre mother daughter tensions, the cats, raccoons and the beautiful ruins of Grey Gardens itself, "doing nothing" amounts to everything; indeed, it amounts to a tragicomedy of enormous emotional punch. This eclectic volume offers a myriad of collaged illustrations, photographs, film stills, production notes and other archival materials alongside transcripts of the Beales' own stories and conversations edited from unreleased Grey Gardens sound recordings. Structured to mirror the Maysles' own approach to the world of the Beales, it closely resembles the enchanting clutter of the mansion, a self-contained world littered with mementos and telling ephemera. It also reproduces unpublished photographs by both Albert and David Maysles. With an introduction by Albert Maysles, drawings and illustrations by Albert's daughter, Rebekah Maysles and an appendix with the full transcript of Grey Gardens, as well as an audio CD of sound recordings capturing the Beales at their best, this book is the essential companion to the film and a beautiful testimony to its legacy. The 60-minute CD that comes with the book contains conversations with the Beales and their friends, songs and poetry recited by the two Edies and audio of the Beales during and after watching the film for the first time.
