Author: DAVID D AUTOR BOYDEN
Publisher: Carl Fischer, L.L.C.
ISBN: 9780825827648
Category :
Languages : en
Pages : 110
Book Description
Manual of Counterpoint Based
Author: DAVID D AUTOR BOYDEN
Publisher: Carl Fischer, L.L.C.
ISBN: 9780825827648
Category :
Languages : en
Pages : 110
Book Description
Publisher: Carl Fischer, L.L.C.
ISBN: 9780825827648
Category :
Languages : en
Pages : 110
Book Description
A Manual of Sixteenth-century Contrapuntal Style
Author: Charlotte Smith
Publisher: University of Delaware Press
ISBN: 9780874133271
Category : Music
Languages : en
Pages : 162
Book Description
This volume explores the expressive power of sixteenth-century vocal polyphony, giving special emphasis to the development of aural familiarity with the style. Every element of sixteenth-century counterpoint is defined, described, and liberally illustrated, included for analysis and singing are complete compositions and movements by Palestrina, Lasso, Victoria, Byrd, Morales, and Joaquin.
Publisher: University of Delaware Press
ISBN: 9780874133271
Category : Music
Languages : en
Pages : 162
Book Description
This volume explores the expressive power of sixteenth-century vocal polyphony, giving special emphasis to the development of aural familiarity with the style. Every element of sixteenth-century counterpoint is defined, described, and liberally illustrated, included for analysis and singing are complete compositions and movements by Palestrina, Lasso, Victoria, Byrd, Morales, and Joaquin.
Counterpoint
Author: Markand Thakar
Publisher: Yale University Press
ISBN: 9780300046380
Category : Music
Languages : en
Pages : 344
Book Description
Counterpoint manuals have long been central to the music education of composers, historians, and theorists. In this book a conductor uses counterpoint exercises to aid musicians in becoming sensitive to the fundamental ingredients of good music making.
Publisher: Yale University Press
ISBN: 9780300046380
Category : Music
Languages : en
Pages : 344
Book Description
Counterpoint manuals have long been central to the music education of composers, historians, and theorists. In this book a conductor uses counterpoint exercises to aid musicians in becoming sensitive to the fundamental ingredients of good music making.
Harmony, Counterpoint, Partimento
Author: Job IJzerman
Publisher:
ISBN: 0190695005
Category : Music
Languages : en
Pages : 417
Book Description
A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: - the hardcopy text, providing essential stylistic and technical information and repertoire discussion; - an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; - an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.
Publisher:
ISBN: 0190695005
Category : Music
Languages : en
Pages : 417
Book Description
A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: - the hardcopy text, providing essential stylistic and technical information and repertoire discussion; - an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; - an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.
A Geometry of Music
Author: Dmitri Tymoczko
Publisher: OUP USA
ISBN: 0195336674
Category : Mathematics
Languages : en
Pages : 469
Book Description
In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.
Publisher: OUP USA
ISBN: 0195336674
Category : Mathematics
Languages : en
Pages : 469
Book Description
In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.
The Craft of Tonal Counterpoint
Author: Thomas Benjamin
Publisher: Routledge
ISBN: 1135946639
Category : Art
Languages : en
Pages : 429
Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1135946639
Category : Art
Languages : en
Pages : 429
Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Harmony Through Melody
Author: Charles Horton
Publisher: Rowman & Littlefield
ISBN: 1538121484
Category : Music
Languages : en
Pages : 786
Book Description
Harmony Through Melody:The Interaction of Melody, Counterpoint, and Harmony in Western Music, Second Editionoffers a robust, composition-based approach to tonal music theory, ranging from early modality to recent film and popular music. Charles Horton, David A. Byrne, and Lawrence Ritchey develop techniques and strategies for exploring the fundamental interaction of melody and counterpoint with harmony, and provide students with opportunities to creatively express what they have learned in the writing and analysis of short passages and complete pieces in historical styles. This second edition contains additional examples from the standard literature, film music, and popular song, and features new assignments involving late nineteenth-century chromatic practice. The textbook present a step-by-step method for the composition and analysis of short passages and complete pieces, with more than 1400 musical examples drawn from a variety of styles and genres, plus classroom-tested examples for study and suggested assignments at the end of each chapter. The second edition has an online companion website (textbooks.rowman.com/horton2e) featuring: A student workbook with more than 260 assignments for individual work and classroom use Audio links to 315 newly-recorded live performances of model compositions and fully realized settings An instructor’s manual with guidelines for evaluation of assignments, additional repertoire for in-class analysis and assignments, sample syllabi, and other useful information is also available. Please email [email protected] for more information.
Publisher: Rowman & Littlefield
ISBN: 1538121484
Category : Music
Languages : en
Pages : 786
Book Description
Harmony Through Melody:The Interaction of Melody, Counterpoint, and Harmony in Western Music, Second Editionoffers a robust, composition-based approach to tonal music theory, ranging from early modality to recent film and popular music. Charles Horton, David A. Byrne, and Lawrence Ritchey develop techniques and strategies for exploring the fundamental interaction of melody and counterpoint with harmony, and provide students with opportunities to creatively express what they have learned in the writing and analysis of short passages and complete pieces in historical styles. This second edition contains additional examples from the standard literature, film music, and popular song, and features new assignments involving late nineteenth-century chromatic practice. The textbook present a step-by-step method for the composition and analysis of short passages and complete pieces, with more than 1400 musical examples drawn from a variety of styles and genres, plus classroom-tested examples for study and suggested assignments at the end of each chapter. The second edition has an online companion website (textbooks.rowman.com/horton2e) featuring: A student workbook with more than 260 assignments for individual work and classroom use Audio links to 315 newly-recorded live performances of model compositions and fully realized settings An instructor’s manual with guidelines for evaluation of assignments, additional repertoire for in-class analysis and assignments, sample syllabi, and other useful information is also available. Please email [email protected] for more information.
Studies in Counterpoint
Author: Ernst Krenek
Publisher: New York : G. Schirmer
ISBN:
Category : Counterpoint
Languages : en
Pages : 56
Book Description
Publisher: New York : G. Schirmer
ISBN:
Category : Counterpoint
Languages : en
Pages : 56
Book Description
A Manual of Counterpoint Based on Sixteenth-century Practice: Text
Author: David Dodge Boyden
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 48
Book Description
A Manual of Single, Double, Triple and Quadruple Counterpoint
Author: Salomon Jadassohn
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 152
Book Description
"This manual forms an introduction to the study of single, double, triple and quadruple counterpoint in the strict style. All rules, directions, principles and observations contained in the book, are founded on the contrapuntal style of Bach, Handel, and other classic masters who followed our tonal system of major and minor keys in their writings.".
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 152
Book Description
"This manual forms an introduction to the study of single, double, triple and quadruple counterpoint in the strict style. All rules, directions, principles and observations contained in the book, are founded on the contrapuntal style of Bach, Handel, and other classic masters who followed our tonal system of major and minor keys in their writings.".