Author: Anya Peterson Royce
Publisher: Rowman Altamira
ISBN: 0759115656
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
Anya Peterson Royce turns the anthropological gaze on the performing arts, attempting to find broad commonalities in performance, art, and artists across space, time, and culture. She asks general questions as to the nature of artistic interpretation, the differences between virtuosity and artistry, and how artists interplay with audience, aesthetics, and style. To support her case, she examines artists as diverse as Fokine and the Ballets Russes, Tewa Indian dancers, 17th century commedia dell'arte, Japanese kabuki and butoh, Zapotec shamans, and the mime of Marcel Marceau, adding her own observations as a professional dancer in the classical ballet tradition. Royce also points to the recent move toward collaboration across artistic genres as evidence of the universality of aesthetics. Her analysis leads to a better understanding of artistic interpretation, artist-audience relationships, and the artistic imagination as cross-cultural phenomena. Over 29 black and white photographs and drawings illustrate the wide range of Royce's cross-cultural approach. Her well-crafted volume will be of great interest to anthropologists, arts researchers, and students of cultural studies and performing arts.
Author: Roger Pfingston
Publisher: Pudding House Publications
ISBN: 9781589981836
Category : Poetry
Languages : en
Pages : 44
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 404
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 548
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Book Description
Author: Mary Dezember
Publisher:
ISBN:
Category :
Languages : en
Pages : 720
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Book Description
Author: Jenny Kander
Publisher: Indiana Historical Society
ISBN: 9780871952929
Category : American poetry
Languages : en
Pages : 0
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Book Description
A collection of the best from Hoosier poets from the days of James Whitcomb Riley and Jessamyn West to such contemporary masters of the craft as former Indiana Poet Laureate Norbert Krapf, Jared Carter, Etheridge Knight, and Mary Ellen Solt. As Kander and Greer not in the preface of "And Know this Place: Poetry of Indiana:" "Our central criterion for selection was quality of writing, and we chose those poems which cover the spectrum of experience in both place and time, in setting from city streets to wilderness tracks, covering the state from Goshen in the north to Floye's Knobs by the Ohio River, and from Gessie on the Illinois line to Cottage Grove a hundred and fifty miles east."
Author: Bronislava Volková
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 238
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Book Description
A bilingual (Czech/English) book of existential poetry healing civilizational issues of violence, racism and sexism. Contains 8 color collages by author. English part edited by Carl Bulkin and Clarice Cloutier. Preface about bilingual writing by Bronislava Volková, afterword by Maria Banerjee-N¿mcová.
Author: Robin M. Vogelzang
Publisher:
ISBN:
Category :
Languages : en
Pages : 154
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Author: Chris Million
Publisher:
ISBN:
Category :
Languages : en
Pages : 158
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Book Description
Author: Danielle C. Skeehan
Publisher: JHU Press
ISBN: 1421439697
Category : History
Languages : en
Pages : 201
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Book Description
Revealing the entangled lives of texts and textiles in the early modern Atlantic world. "Textiles are the books that the colony was not able to burn."—Asociación Femenina para el Desarrollo de Sacatepéquez (AFEDES) A history of the book in the Americas, across deep time, would reveal the origins of a literary tradition woven rather than written. It is in what Danielle Skeehan calls material texts that a people's history and culture is preserved, in their embroidery, their needlework, and their woven cloth. In defining textiles as a form of cultural writing, The Fabric of Empire challenges long-held ideas about authorship, textuality, and the making of books. It is impossible to separate text from textiles in the early modern Atlantic: novels, newspapers, broadsides, and pamphlets were printed on paper made from household rags. Yet the untethering of text from textile served a colonial agenda to define authorship as reflected in ink and paper and the pen as an instrument wielded by learned men and women. Skeehan explains that the colonial definition of the book, and what constituted writing and authorship, left colonial regimes blind to nonalphabetic forms of media that preserved cultural knowledge, history, and lived experience. This book shifts how we look at cultural objects such as books and fabric and provides a material and literary history of resistance among the globally dispossessed. Each chapter examines the manufacture and global circulation of a particular type of cloth alongside the complex print networks that ensured the circulation of these textiles, promoted their production, petitioned for or served to curtail the rights of textile workers, facilitated the exchange of textiles for human lives, and were, in turn, printed and written on surfaces manufactured from broken-down linen and cotton fibers. Bringing together methods and materials traditionally belonging to literary studies, book history, and material culture studies, The Fabric of Empire provides a new model for thinking about the different media, languages, literacies, and textualities in the early Atlantic world.
