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Author: Arthur Waley
Publisher:
ISBN: 9781927077504
Category :
Languages : en
Pages : 0
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Book Description
This splendid collection of Chinese poetry, accompanied by delightful introductory and descriptive essays, spans more than 1000 years. It brings to life the timeless poetry of many of the well known Chinese poets that have lived throughout the ages. Arthur Waley is the most famous Sinologist who has done most in bringing Chinese poetry to the fore of Western public. Hence, no matter what, Waley's historical importance cannot be overestimated. And he is a competent all-round translator too, as this fine anthology demonstrates, one who has an uncanny ear of transforming Chinese rhythms and rhymes into naturalized English metrics. First published in 1919, this is the book that first alerted the West to the richness and variety of Chinese literature. Arthur Waley (1889-1966), a shy reclusive scholar, was one of the earliest champions of Asian literature in the English-speaking world. A Hundred and Seventy Chinese Poems has often been cited as an outstanding source for those who enjoy Chinese Poetry.
Author: Arthur Waley
Publisher:
ISBN: 9781927077504
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
This splendid collection of Chinese poetry, accompanied by delightful introductory and descriptive essays, spans more than 1000 years. It brings to life the timeless poetry of many of the well known Chinese poets that have lived throughout the ages. Arthur Waley is the most famous Sinologist who has done most in bringing Chinese poetry to the fore of Western public. Hence, no matter what, Waley's historical importance cannot be overestimated. And he is a competent all-round translator too, as this fine anthology demonstrates, one who has an uncanny ear of transforming Chinese rhythms and rhymes into naturalized English metrics. First published in 1919, this is the book that first alerted the West to the richness and variety of Chinese literature. Arthur Waley (1889-1966), a shy reclusive scholar, was one of the earliest champions of Asian literature in the English-speaking world. A Hundred and Seventy Chinese Poems has often been cited as an outstanding source for those who enjoy Chinese Poetry.
Author: Various
Publisher: CONSTABLE AND COMPANY LTD.
ISBN:
Category :
Languages : en
Pages : 268
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Book Description
A Hundred And Seventy Chinese Poems Certain elements are found, but in varying degree, in all human speech. It is difficult to conceive of a language in which rhyme, stress-accent, and tone-accent would not to some extent occur. In all languages some vowel-sounds are shorter than others and, in certain cases, two consecutive words begin with the same sound. Other such characteristics could be enumerated, but for the purposes of poetry it is these elements which man has principally exploited. English poetry has used chiefly rhyme, stress, and alliteration. It is doubtful if tone has ever played a part; a conscious use has sporadically been made of quantity. Poetry naturally utilizes the most marked and definite characteristics of the language in which it is written. Such characteristics are used consciously by the poet; but less important elements also play their part, often only in a negative way. Thus the Japanese actually avoid rhyme; the Greeks did not exploit it, but seem to have tolerated it when it occurred accidentally. The expedients consciously used by the Chinese before the sixth century were rhyme and length of line. A third element, inherent in the language, was not exploited before that date, but must always have been a factor in instinctive considerations of euphony. This element was “tone.” Chinese prosody distinguishes between two tones, a “flat” and a “deflected.” In the first the syllable is enunciated in a level manner: the voice neither rises nor sinks. In the second, it (1) rises, (2) sinks, (3) is abruptly arrested. These varieties make up the Four Tones of Classical Chinese. The “deflected” tones are distinctly more emphatic, and so have a faint analogy to our stressed syllables. They are also, in an even more remote way, analogous to the long vowels of Latin prosody. A line ending with a “level” has consequently to some extent the effect of a “feminine ending.” Certain causes, which I need not specify here, led to an increasing importance of “tone” in the Chinese language from the fifth century onwards. It was natural that this change should be reflected in Chinese prosody. A certain Shēn Yo (a.d. 441-513) first propounded the laws of tone-succession in poetry. From that time till the eighth century the Lü-shih or “strictly regulated poem” gradually evolved. But poets continued (and continue till to-day), side by side with their lü-shih, to write in the old metre which disregards tone, calling such poemsKu shih, “old poems.” Previous European statements about Chinese prosody should be accepted with great caution. Writers have attempted to define the lü-shih with far too great precision.
Author: Arthur Waley
Publisher:
ISBN:
Category : Chinese poetry
Languages : en
Pages : 250
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Book Description
Author:
Publisher:
ISBN:
Category : Chinese poetry
Languages : en
Pages : 186
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Book Description
Author: David Hinton
Publisher: Macmillan + ORM
ISBN: 1466873221
Category : Poetry
Languages : en
Pages : 597
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Book Description
“A magisterial book” of nearly five hundred poems from some of history’s greatest Chinese poets, translated and edited by a renowned poet and scholar (New Republic). The Chinese poetic tradition is the largest and longest continuous tradition in world literature. This rich and far-reaching anthology of nearly five hundred poems provides a comprehensive account of its first three millennia (1500 BCE to 1200 CE), the period during which virtually all its landmark developments took place. Unlike earlier anthologies of Chinese poetry, Hinton’s book focuses on a relatively small number of poets, providing selections that are large enough to re-create each as a fully realized and unique voice. New introductions to each poet’s work provide a readable history, told for the first time as a series of poetic innovations forged by a series of master poets. “David Hinton has . . . lured into English a new manner of hearing the great poets of that long glory of China’s classical age. His achievement is another echo of the original, and a gift to our language.” —W. S. Merwin
Author: Arthur Waley
Publisher:
ISBN:
Category : Chinese poetry
Languages : en
Pages : 156
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Book Description
Author:
Publisher:
ISBN:
Category : Chinese poetry
Languages : en
Pages : 54
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Book Description
Author: Juyi Bai
Publisher:
ISBN:
Category : Chinese poetry
Languages : en
Pages : 192
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Book Description
Author: Arthur Waley
Publisher:
ISBN: 9780048950215
Category : Chinese poetry
Languages : en
Pages : 220
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Book Description
Poems from: The book of songs - 170 Chinese poems - More transalations - The temple.
Author: Jeffrey Yang
Publisher: New Directions Publishing
ISBN: 9780811219198
Category : Poetry
Languages : en
Pages : 212
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Book Description
An anthology of poetry that traces the history of poetry's changing relationship to nature, featuring the work of over 140 poets.
