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Author: Jerome Christensen
Publisher: JHU Press
ISBN: 9780801879036
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
US period drama starring Christina Ricci as an air stewardess working for Pan American Airways in the 1960s at the dawn of the jet engine and mass public air travel. Joining Head Stewardess Maggie (Ricci) on the Pan Am flight crew are Laura (Margot Robbie), an inexperienced stewardess Maggie takes under her wing, and the relentless charmer Ted (Michael Mosley). The episodes are: 'Pilot', 'We'll Always Have Paris', 'Ich Bin Ein Berliner', 'Eastern Exposure', 'One Coin in a Fountain', 'The Genuine Article', 'Truth Or Dare', 'Unscheduled Departure', 'Kiss Kiss Bang Bang', 'Secrets and Lies', 'Diplomatic Relations', 'New Frontiers', 'Romance Languages' and '1964'.
Author: Jerome Christensen
Publisher: JHU Press
ISBN: 9780801879036
Category : Literary Criticism
Languages : en
Pages : 262
Get Book Here
Book Description
US period drama starring Christina Ricci as an air stewardess working for Pan American Airways in the 1960s at the dawn of the jet engine and mass public air travel. Joining Head Stewardess Maggie (Ricci) on the Pan Am flight crew are Laura (Margot Robbie), an inexperienced stewardess Maggie takes under her wing, and the relentless charmer Ted (Michael Mosley). The episodes are: 'Pilot', 'We'll Always Have Paris', 'Ich Bin Ein Berliner', 'Eastern Exposure', 'One Coin in a Fountain', 'The Genuine Article', 'Truth Or Dare', 'Unscheduled Departure', 'Kiss Kiss Bang Bang', 'Secrets and Lies', 'Diplomatic Relations', 'New Frontiers', 'Romance Languages' and '1964'.
Author: Carmen Casaliggi
Publisher: Routledge
ISBN: 1317609352
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
The Romantic period coincided with revolutionary transformations of traditional political and human rights discourses, as well as witnessing rapid advances in technology and a primitivist return to nature. As a broad global movement, Romanticism strongly impacted on the literature and arts of the late eighteenth and early nineteenth centuries in ways that are still being debated and negotiated today. Examining the poetry, fiction, non-fiction, drama, and the arts of the period, this book considers: Important propositions and landmark ideas in the Romantic period; Key debates and critical approaches to Romantic studies; New and revisionary approaches to Romantic literature and art; The ways in which Romantic writing interacts with broader trends in history, politics, and aesthetics; European and Global Romanticism; The legacies of Romanticism in the twentieth and twenty-first centuries. Containing useful, reader-friendly features such as explanatory case studies, chapter summaries, and suggestions for further reading, this clear and engaging book is an invaluable resource for anyone who intends to study and research the complexity and diversity of the Romantic period, as well as the historical conditions which produced it.
Author: Sarah MacKenzie Zimmerman
Publisher: SUNY Press
ISBN: 9780791441091
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Arguing against a persistent view of Romantic lyricism as an inherently introspective mode, this book examines how Charlotte Smith, William Wordsworth, and John Clare recognized end employed the mode's immense capacity for engaging reading audiences in reflections both personal and social. Zimmerman focuses new attention on the Romantic lyric's audiences - not the silent, passive auditor of canonical paradigms, but historical readers and critics who can tell us more than we have asked about the mode's rhetorical possibilities. She situates poems within the specific circumstances of their production and consumption, including the aftermath in England of the French Revolution, rural poverty, the processes of parliamentary enclosure, the biographical contours of poet's careers, and the myriad exchanges among poets, patrons, publishers, critics, and readers in the literary marketplace.
Author: Henry Augustin Beers
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 446
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Book Description
Author: Frederick Burwick
Publisher: John Wiley & Sons
ISBN: 1119044359
Category : Literary Criticism
Languages : en
Pages : 543
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Book Description
Historical Narrative Offers Introduction to Romanticism by Placing Key Figures in Overall Social Context Going beyond the general literary survey, A History of Romantic Literature examines the literatures of sensibility and intensity as well as the aesthetic dimensions of horror and terror, sublimity and ecstasy, by providing a richly integrated account of shared themes, interests, innovations, rivalries and disputes among the writers of the late eighteenth and early nineteenth centuries. Drawing from the assemblage theory, Prof. Burwick maintains that the literature of the period is inseparable from prevailing economic conditions and ongoing political and religious turmoil, as well as developments in physics, astronomy, music and art. Thus, rather than deal with authors as if they worked in isolation from society, he identifies and describes their interactions with their communities and with one another, as well as their responses to current events. By connecting seemingly scattered and random events such as the bank crisis of 1825, he weaves the coincidental into a coherent narrative of the networking that informed the rise and progress of Romanticism. Notable features of the book include: A strong narrative structure divided into four major chronological periods: Revolution, 1789-1798; Napoleonic Wars, 1799-1815; Riots, 1815-1820; Reform, 1821-1832 Thorough coverage of major and minor figures and institutions of the Romantic movement (including Mary Wollstonecraft, Elizabeth Montague and the Bluestockings, Lord Byron, John Keats, Letitia Elizabeth Landon etc.) Emphasis on the influence of social networks among authors, such as informal dinners and teas, clubs, salons and more formal institutions With its extensive coverage and insightful analysis set within a lively historical narrative, History of Romantic Literature is highly recommended for courses on British Romanticism at both undergraduate and post-graduate levels. It will also prove a highly useful reference for advanced scholars pursuing their own research.
Author: Tim Blanning
Publisher: Modern Library
ISBN: 0679605002
Category : History
Languages : en
Pages : 282
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Book Description
“A splendidly pithy and provocative introduction to the culture of Romanticism.”—The Sunday Times “[Tim Blanning is] in a particularly good position to speak of the arrival of Romanticism on the Euorpean scene, and he does so with a verve, a breadth, and an authority that exceed every expectation.”—National Review From the preeminent historian of Europe in the eighteenth and nineteenth centuries comes a superb, concise account of a cultural upheaval that still shapes sensibilities today. A rebellion against the rationality of the Enlightenment, Romanticism was a profound shift in expression that altered the arts and ushered in modernity, even as it championed a return to the intuitive and the primitive. Tim Blanning describes its beginnings in Rousseau’s novel La Nouvelle Héloïse, which placed the artistic creator at the center of aesthetic activity, and reveals how Goethe, Goya, Berlioz, and others began experimenting with themes of artistic madness, the role of sex as a psychological force, and the use of dreamlike imagery. Whether unearthing the origins of “sex appeal” or the celebration of accessible storytelling, The Romantic Revolution is a bold and brilliant introduction to an essential time whose influence would far outlast its age. “Anyone with an interest in cultural history will revel in the book’s range and insights. Specialists will savor the anecdotes, casual readers will enjoy the introduction to rich and exciting material. Brilliant artistic output during a time of transformative upheaval never gets old, and this book shows us why.”—The Washington Times “It’s a pleasure to read a relatively concise piece of scholarship of so high a caliber, especially expressed as well as in this fine book.”—Library Journal
Author: Henry Augustin Beers
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 478
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Book Description
Author: Warren Breckman
Publisher: Hackett Publishing
ISBN: 1624664113
Category : History
Languages : en
Pages : 235
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Book Description
"The introductory essay is superb, the best short introduction to Romanticism I know. It is comprehensive, covering both the wide range of spheres that Romanticism affected--literature, philosophy, art, music, politics, nationalism--and the broad spectrum of European countries in which it was an influential cultural current. It offers a distinctive, unified interpretation of Romanticism that nonetheless does justice to the complexities of Romantic ideas." --Gerald Izenberg, Washington University in St. Louis
Author: Michael Ferber
Publisher: Oxford University Press
ISBN: 019956891X
Category : Art
Languages : en
Pages : 169
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Book Description
The only short introduction to Romanticism that incorporates not only the English but the Continental movements, and not only literature but music, art, religion, and philosophy.-publisher description.
Author: Sophie Thomas
Publisher: Routledge
ISBN: 1135899304
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
This book investigates the productive crosscurrents between visual culture and literary texts in the Romantic period, focusing on the construction and manipulation of the visual, the impact of new visual media on the literary and historical imagination, and on fragments and ruins as occupying the shifting border between the visible and the invisible. It examines a broad selection of instances that reflect debates over how seeing should itself be viewed: instances, from Daguerre's Diorama, to the staging of Coleridge's play Remorse, to the figure of the Medusa in Shelley's poetry and at the Phantasmagoria, in which the very act of seeing is represented or dramatized. In reconsidering literary engagements with the expanding visual field, this study argues that the popular culture of Regency Britain reflected not just emergent and highly capitalized forms of mass entertainment, but also a lively interest in the aesthetic and conceptual dimensions of looking. What is commonly thought to be the Romantic resistance to the visible gives way to a generative fascination with the visual and its imaginative--even spectacular--possibilities.
