Architecture in Nineteenth-Century Photographs PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Architecture in Nineteenth-Century Photographs PDF full book. Access full book title Architecture in Nineteenth-Century Photographs by Micheline Nilsen. Download full books in PDF and EPUB format.
Author: Micheline Nilsen
Publisher: Routledge
ISBN: 135157597X
Category : Travel
Languages : en
Pages : 330
Get Book Here
Book Description
Revealing that nineteenth-century photography goes beyond the functional to reflect the aesthetic, intellectual, and cultural concerns of the time, this study proposes that each photographic image of architecture be studied both as a primary visual document and an object of aesthetic inquiry. This multi-faceted approach drives Architecture in Nineteenth-Century Photographs: Essays on Reading a Collection. Despite three decades of post-colonial, post-structuralist and gender-conscious criticism, the study of architectural photography continues to privilege technical virtuosity. This volume offers a thematic exploration of the material, and a socio-historical examination that allows consideration of questions that have not been addressed comprehensively before in a single publication. Themes include exoticism and "armchair tourism"; the absence of women from architectural photography; the role of photographs as commodities; vernacular architecture and the picturesque; and historic preservation, urban renewal, and nationalism. Micheline Nilsen analyzes photographs from France and England?the two countries where photography was invented?and from around the world, representing a corpus of over 10,000 photographs from the Janos Scholz Collection of Nineteenth-Century Photographs of the Snite Museum of Art at the University of Notre Dame.
Author: Giles, Zeny
Publisher: Giles
ISBN: 9781911282907
Category : Photography
Languages : en
Pages :
Get Book Here
Book Description
Author: Charles Lamb
Publisher:
ISBN: 9780268102456
Category : Education
Languages : en
Pages : 175
Get Book Here
Book Description
This year marks the 175th anniversary of the founding of the University of Notre Dame. To celebrate this milestone, Charles Lamb and Elizabeth Hogan, both photograph archivists for the University, have chosen 175 images that illustrate the evolution of campus culture and its physical environment. Important pieces of Notre Dame's rich history are highlighted, along with depictions of everyday life on the beautiful campus. Each image is accompanied by a caption explaining why it is historically and artistically significant. Lamb and Hogan have taken care to find images that have not been featured in previous pictorial collections; even longtime and diehard Notre Dame fans will find new and unexpected images here. From a photo of a baseball game in 1888 on Brownson Field, to one of iconic chemistry professor Emil T. Hofman strolling with his students in 1983, to the photo of the spontaneous mass held on South Quad on September 11, 2001, and with a foreword by current University President Rev. John I. Jenkins, C.S.C., the treasures found in Notre Dame at 175 will fascinate and engage the entire Notre Dame family of students, faculty, staff, alumni, and fans, as well as amateur and professional photographers, historians, and art historians.
Author: Thomas J. Schlereth
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 282
Get Book Here
Book Description
Author: Richard Eldridge
Publisher: Oxford University Press
ISBN: 0190847360
Category : History
Languages : en
Pages : 257
Get Book Here
Book Description
Human subjects are both formed by historical inheritances and capable of active criticism. Insisting on this fact, Kant and Benjamin each develop powerful, systematic, but sharply opposed accounts of human powers and interests in freedom. A persistent constitutive tension between Kantian and Benjaminan ideals is woven through human life. By examining the two philosophers through this volume, Richard Eldridge attempts to make better sense of the commitment forming, commitment revising, anxious, reflective and acculturated human subjects we are.
Author: Diarmuid Costello
Publisher: Routledge
ISBN: 1351970844
Category : Philosophy
Languages : en
Pages : 166
Get Book Here
Book Description
What is photography? Is it a source of knowledge or an art? Many have said the former because it records the world automatically, others the latter because it expresses human subjectivity. Can photography be both or must we choose? In On Photography: A Philosophical Inquiry, Diarmuid Costello examines these fascinating questions and more, drawing on images by Alfred Stieglitz, Berenice Abbott, Paul Strand, Lee Friedlander, James Welling, and Wolfgang Tillmans, among others, and the writings of Elizabeth Eastlake, Peter Henry Emerson, Edward Weston, Siegfried Kracauer, André Bazin, and Stanley Cavell. This sets the scene for the contemporary stand-off between "sceptical" and "non-sceptical" Orthodoxy in the work of Roger Scruton and Kendall Walton, and a New Theory of Photography taking its cue from László Moholy-Nagy and Patrick Maynard. Written in a clear and engaging style, On Photography is essential reading for anyone interested in the philosophy of photography, aesthetics, art, and visual studies.
Author: Lawrence Cunningham
Publisher:
ISBN: 9780268037352
Category : Chapels
Languages : en
Pages : 0
Get Book Here
Book Description
The Chapels of Notre Dame celebrates the university's unique identity as a Catholic academic community, depicting photographs of the chapels located throughout Notre Dame's campus.
Author: Thomas E. Blantz
Publisher:
ISBN: 9780268108212
Category : Education
Languages : en
Pages : 760
Get Book Here
Book Description
Thomas Blantz's monumental The University of Notre Dame: A History tells the story of the renowned Catholic university's growth and development from a primitive grade school and high school founded in 1842 by the Congregation of Holy Cross in the wilds of northern Indiana to the acclaimed undergraduate and research institution it became by the early twenty-first century. It's growth was not always smooth--slowed at times by wars, financial challenges, fires, and illnesses. It is the story both of a successful institution and the men and women who made it so: Father Edward Sorin, C.S.C., the twenty-eight-year-old French priest and visionary founder; Father William Corby, C.S.C., later two-term Notre Dame president, who gave absolution to the soldiers of the Irish Brigade at the Battle of Gettysburg; the hundreds of Holy Cross brothers, sisters, and priests whose faithful service in classrooms, student residence halls, and across campus kept the university progressing through difficult years; a dedicated lay faculty teaching too many classes for too few dollars to assure the University would survive; Knute Rockne, a successful chemistry teacher but an even more successful football coach, elevating Notre Dame to national athletic prominence; Father Theodore M. Hesburgh, C.S.C., president for thirty-five years; and 325 undergraduate young women who were first to enter Notre Dame in 1972, among thousands of others. Blantz captures the strong connections that exist between Notre Dame's founding and early life and today's University. Alumni, faculty, students, friends of the University, and fans of the Fighting Irish will want to own this indispensable, definitive history of one of America's leading universities. Simultaneously detailed and documented yet lively and interesting, The University of Notre Dame: A History is the most complete and up-to-date history of the University available.
Author: Micheline Nilsen
Publisher: Routledge
ISBN: 135157597X
Category : Travel
Languages : en
Pages : 330
Get Book Here
Book Description
Revealing that nineteenth-century photography goes beyond the functional to reflect the aesthetic, intellectual, and cultural concerns of the time, this study proposes that each photographic image of architecture be studied both as a primary visual document and an object of aesthetic inquiry. This multi-faceted approach drives Architecture in Nineteenth-Century Photographs: Essays on Reading a Collection. Despite three decades of post-colonial, post-structuralist and gender-conscious criticism, the study of architectural photography continues to privilege technical virtuosity. This volume offers a thematic exploration of the material, and a socio-historical examination that allows consideration of questions that have not been addressed comprehensively before in a single publication. Themes include exoticism and "armchair tourism"; the absence of women from architectural photography; the role of photographs as commodities; vernacular architecture and the picturesque; and historic preservation, urban renewal, and nationalism. Micheline Nilsen analyzes photographs from France and England?the two countries where photography was invented?and from around the world, representing a corpus of over 10,000 photographs from the Janos Scholz Collection of Nineteenth-Century Photographs of the Snite Museum of Art at the University of Notre Dame.
Author: Anne McCauley
Publisher: Yale University Press
ISBN: 0300229089
Category : Photography
Languages : en
Pages : 409
Get Book Here
Book Description
Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography Clarence H. White (1871–1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White’s contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar “modernism” to paint a more nuanced picture of American culture in the Progressive era. Clarence H. White and His World begins with the artist’s early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life. White’s involvement with the Photo-Secession and his move to New York in 1906 mark a shift in his production, as it grew to encompass commercial portraiture and an increasing commitment to teaching, which ultimately led him to establish the first institutions in America to combine instruction in both technical and aesthetic aspects of photography. The book also incorporates new formal and scientific analysis of White’s work and techniques, a complete exhibition record, and many unpublished illustrations of the moody outdoor scenes and quiet images of domestic life for which he was revered.
Author: Tim Satterthwaite
Publisher: Bloomsbury Publishing
ISBN: 1350278653
Category : Photography
Languages : en
Pages : 265
Get Book Here
Book Description
In the late nineteenth and early twentieth century, ideals of technological progress and mass consumerism shaped the print cultures of countries across the globe. Magazines in Europe, the USA, Latin America, and Asia inflected a shared internationalism and technological optimism. But there were equally powerful countervailing influences, of patriotic or insurgent nationalism, and of traditionalism, that promoted cultural differentiation. In their editorials, images, and advertisements magazines embodied the tensions between these domestic imperatives and the forces of global modernity. Magazines and Modern Identities explores how these tensions played out in the magazine cultures of ten different countries, describing how publications drew on, resisted, and informed the ideals and visual forms of global modernism. Chapters take in the magazines of Australia, Europe and North America, as well as China, The Soviet Turkic states, and Mexico. With contributions from leading international scholars, the book considers the pioneering developments in European and North American periodicals in the modernist period, whilst expanding the field of enquiry to take in the vibrant magazine cultures of east Asia and Latin America. The construction of these magazines' modern ideals was a complex, dialectical process: in dialogue with international modernism, but equally responsive to their local cultures, and the beliefs and expectations of their readers. Magazines and Modern Identities captures the diversity of these ideals, in periodicals that both embraced and criticised the globalised culture of the technological era.
