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Author: Katharine Everett Gilbert
Publisher:
ISBN:
Category :
Languages : en
Pages : 613
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Book Description
Author: Katharine Everett Gilbert
Publisher:
ISBN:
Category :
Languages : en
Pages : 613
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Book Description
Author: Milady
Publisher: Delmar
ISBN: 9781111307059
Category : Beauty culture
Languages : en
Pages : 768
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Book Description
MILADY STANDARD ESTHETICS FUNDAMENTALS, 11E International Edition is the essential source for basic esthetics training. This new edition builds upon Milady's strong tradition of providing students and instructors with the best beauty and wellness education tools for their future.The rapidly expanding field of esthetics has taken a dramatic leap forward in the past decade, and this up-to-date text plays a critical role in creating a strong foundation for the esthetics student. Focusing on introductory topics, including history and opportunities in skin care, anatomy and physiology, and infection control and disorders, it lays the groundwork for the future professional to build their knowledge.The reader can then explore the practical skills of a skin care professional, introducing them to the treatment environment, basic facial treatments, hair removal, and the technology likely to be performed in the salon or spa setting.
Author: Bernard Bosanquet
Publisher: London : G. Allen & Unwin
ISBN:
Category : Philosophy
Languages : en
Pages : 532
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Book Description
Author: Katharine Everett Gilbert
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 644
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Book Description
Author: Teresa Riordan
Publisher: Broadway
ISBN:
Category : Design
Languages : en
Pages : 370
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Book Description
Examines some of the early inventions and innovations used by women in their quest for beauty including bustles and brassieres, makeup to enhance the eyes and lips, treatments for the body and hair, and ways to flatter the hips and derriere.
Author: Carl Dahlhaus
Publisher: Cambridge University Press
ISBN: 9780521280075
Category : Music
Languages : en
Pages : 132
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Book Description
An account of developments in the aesthetics of music from the mid-eighteenth century onwards.
Author: W. Tatarkiewicz
Publisher: Springer Science & Business Media
ISBN: 9400988052
Category : Philosophy
Languages : en
Pages : 396
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Book Description
The history of aesthetics, like the histories of other sciences, may be treated in a two-fold manner: as the history of the men who created the field of study, or as the history of the questions that have been raised and resolved in the course of its pursuit. The earlier History of Aesthetics (3 volumes, 1960-68, English-language edition 1970-74) by the author of the present book was a history of men, of writers and artists who in centuries past have spoken up concerning beauty and art, form and crea tivity. The present book returns to the same subject, but treats it in a different way: as the history of aesthetic questions, concepts, theories. The matter of the two books, the previous and the present, is in part the same; but only in part: for the earlier book ended with the 17th century, while the present one brings the subject up to our own times. And from the 18th century to the 20th much happened in aesthetics; it was only in that period that aesthetics achieved recognition as a separate science, received a name of its own, and produced theories that early scholars and artists had never dreamed of.
Author: Clement Greenberg
Publisher: Oxford University Press
ISBN: 0198031904
Category : Art
Languages : en
Pages : 251
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Book Description
Thanks to his unsurpassed eye and his fearless willingness to take a stand, Clement Greenberg (1909 1994) became one of the giants of 20th century art criticism a writer who set the terms of critical discourse from the moment he burst onto the scene with his seminal essays Avant Garde and Kitsch (1939) and Towards a Newer Laocoon (1940). In this work, which gathers previously uncollected essays and a series of seminars delivered at Bennington in 1971, Greenberg provides his most expansive statement of his views on taste and quality in art, arguing for an esthetic that flies in the face of current art world fashions. Greenberg insists despite the attempts from Marcel Duchamp onwards to escape the jurisdiction of taste by producing an art so disjunctive that it cannot be judged that taste is inexorable. He argues that standards of quality in art, the artist's responsibility to seek out the hardest demands of a medium, and the critic's responsibility to discriminate, are essential conditions for great art. The obsession with innovation the epidemic of newness leads, in Greenbergs view, to the boringness of so much avant garde art. He discusses the interplay of expectation and surprise in aesthetic experience, and the exalted consciousness produced by great art. Homemade Esthetics allows us particularly in the transcribed seminar sessions, never before published to watch the critics mind at work, defending (and at times reconsidering) his theories. His views, often controversial, are the record of a lifetime of looking at and thinking about art as intensely as anyone ever has.
Author: Richard Kostelanetz
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 484
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Book Description
How are we to understand, define, and critically evaluate the function, origin, and types of art and establish criteria for describing a work as "superior?" While such esthetic questions are unchanging, the answers vary markedly from decade to decade and even year to year, depending upon the prevailing opinion of critics, artists, and the public. Esthetics Contemporary has been revised and updated to include fourteen new selections from many of the most respected authorities on literature, dance, the visual arts, theatre, music, cinema, and architecture. Kostelanetz captures the rich diversity of our changing views of art while at the same time discloses its variegated influence on the contemporary art scene. Esthetics withers if compelled to remain within the stultifying confines of rigid theories. The experiential dimension of esthetic requires that it change if trends and breakthroughs in the arts are to be appreciated fully. Esthetics can ill afford to ignore the fluid reality of creative forces - that intimate and interpenetrating relationship between the esthetic theory of a particular period and the arts that dominate. Featured in this volume are discussions of the future of music, minimalist tendencies in dance, conceptual art, theatre esthetics, de-architecturalization, art as internal technology, the esthetics of the avant-garde, modernism and postmodernism, photography and esthetics, video art, radio drama, affirmation of space-time forces, criticism of imaginative writing, a structural-informational approach to cinema, phenomenal art, and much more. The first edition of Esthetics Contemporary distinguished itself as a pioneering volume that gave new meaning and clearer understanding to the often misunderstood world of contemporary art. This revised edition with its many new selections will continue that fine tradition into the next decade and beyond.
Author: Alun Munslow
Publisher: Routledge
ISBN: 1000734196
Category : History
Languages : en
Pages : 301
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Book Description
This book offers an understanding and analysis of the aesthetics of historying through the specific concepts and process of the fabricated, factitious, factional, factious, factitive, factive, factualist, fictitious, fictive and the figurative. These concepts create the(ir) connection(s) between "the past" and ‘history" hitherto rethink the nature of "the historical past." There are many different available ‘forms’ of histories that shape the minds of historians when they deploy their historical imaginations through "the past(s) via their preferred history creations." For every historian and every history reader, there is a different experience of "the history past aesthetic."
