Author: Lauri Ramey
Publisher: Cambridge University Press
ISBN: 1107035473
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
Offers a critical history of African American poetry from the transatlantic slave trade to present day hip-hop.
A History of African American Poetry
Author: Lauri Ramey
Publisher: Cambridge University Press
ISBN: 1107035473
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
Offers a critical history of African American poetry from the transatlantic slave trade to present day hip-hop.
Publisher: Cambridge University Press
ISBN: 1107035473
Category : Literary Criticism
Languages : en
Pages : 283
Book Description
Offers a critical history of African American poetry from the transatlantic slave trade to present day hip-hop.
The Vintage Book of African American Poetry
Author: Michael S. Harper
Publisher: Vintage
ISBN: 030776513X
Category : Poetry
Languages : en
Pages : 450
Book Description
In The Vintage Book of African American Poetry, editors Michael S. Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets. From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka. Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself. Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry.
Publisher: Vintage
ISBN: 030776513X
Category : Poetry
Languages : en
Pages : 450
Book Description
In The Vintage Book of African American Poetry, editors Michael S. Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets. From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka. Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself. Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry.
Slave Songs and the Birth of African American Poetry
Author: L. Ramey
Publisher: Springer
ISBN: 0230610161
Category : Literary Criticism
Languages : en
Pages : 210
Book Description
In this insightful and provocative volume, Rameyreveals spirituals and slave songs to be a crucial element in American literature. This book shows slave songs'intrinsic value as lyric poetry, sheds light on their roots and originality, anddraws new conclusions on anart form long considereda touchstone of cultural imagination.
Publisher: Springer
ISBN: 0230610161
Category : Literary Criticism
Languages : en
Pages : 210
Book Description
In this insightful and provocative volume, Rameyreveals spirituals and slave songs to be a crucial element in American literature. This book shows slave songs'intrinsic value as lyric poetry, sheds light on their roots and originality, anddraws new conclusions on anart form long considereda touchstone of cultural imagination.
Black Nature
Author: Camille T. Dungy
Publisher: University of Georgia Press
ISBN: 0820334316
Category : Poetry
Languages : en
Pages : 426
Book Description
Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication.
Publisher: University of Georgia Press
ISBN: 0820334316
Category : Poetry
Languages : en
Pages : 426
Book Description
Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication.
I, Too, Sing America
Author: Catherine Clinton
Publisher: Houghton Mifflin Harcourt
ISBN: 9780395895993
Category : Juvenile Nonfiction
Languages : en
Pages : 132
Book Description
A collection of poems by African-American writers, including Lucy Terry, Gwendolyn Bennett, and Alice Walker.
Publisher: Houghton Mifflin Harcourt
ISBN: 9780395895993
Category : Juvenile Nonfiction
Languages : en
Pages : 132
Book Description
A collection of poems by African-American writers, including Lucy Terry, Gwendolyn Bennett, and Alice Walker.
The African American Sonnet
Author: Timo Müller
Publisher: Univ. Press of Mississippi
ISBN: 1496817842
Category : Literary Criticism
Languages : en
Pages : 188
Book Description
Some of the best known African American poems are sonnets: Claude McKay's "If We Must Die," Countee Cullen's "Yet Do I Marvel," Gwendolyn Brooks's "First fight. Then fiddle." Yet few readers realize that these poems are part of a rich tradition that formed after the Civil War and comprises more than a thousand sonnets by African American poets. Paul Laurence Dunbar, Jean Toomer, Langston Hughes, Margaret Walker, and Rita Dove all wrote sonnets. Based on extensive archival research, The African American Sonnet: A Literary History traces this forgotten tradition from the nineteenth century to the present. Timo Müller uses sonnets to open up fresh perspectives on African American literary history. He examines the struggle over the legacy of the Civil War, the trajectories of Harlem Renaissance protest, the tensions between folk art and transnational perspectives in the thirties, the vernacular modernism of the postwar period, the cultural nationalism of the Black Arts movement, and disruptive strategies of recent experimental poetry. In this book, Müller examines the inventive strategies African American poets devised to occupy and reshape a form overwhelmingly associated with Europe. In the tightly circumscribed space of sonnets, these poets mounted evocative challenges to the discursive and material boundaries they confronted.
Publisher: Univ. Press of Mississippi
ISBN: 1496817842
Category : Literary Criticism
Languages : en
Pages : 188
Book Description
Some of the best known African American poems are sonnets: Claude McKay's "If We Must Die," Countee Cullen's "Yet Do I Marvel," Gwendolyn Brooks's "First fight. Then fiddle." Yet few readers realize that these poems are part of a rich tradition that formed after the Civil War and comprises more than a thousand sonnets by African American poets. Paul Laurence Dunbar, Jean Toomer, Langston Hughes, Margaret Walker, and Rita Dove all wrote sonnets. Based on extensive archival research, The African American Sonnet: A Literary History traces this forgotten tradition from the nineteenth century to the present. Timo Müller uses sonnets to open up fresh perspectives on African American literary history. He examines the struggle over the legacy of the Civil War, the trajectories of Harlem Renaissance protest, the tensions between folk art and transnational perspectives in the thirties, the vernacular modernism of the postwar period, the cultural nationalism of the Black Arts movement, and disruptive strategies of recent experimental poetry. In this book, Müller examines the inventive strategies African American poets devised to occupy and reshape a form overwhelmingly associated with Europe. In the tightly circumscribed space of sonnets, these poets mounted evocative challenges to the discursive and material boundaries they confronted.
Bars Fight
Author: Lucy Terry Prince
Publisher: Renard Press Ltd
ISBN: 1913724204
Category : Poetry
Languages : en
Pages : 5
Book Description
Bars Fight, a ballad telling the tale of an ambush by Native Americans on two families in 1746 in a Massachusetts meadow, is the oldest known work by an African-American author. Passed on orally until it was recorded in Josiah Gilbert Holland's History of Western Massachusetts in 1855, the ballad is a landmark in the history of literature that should be on every book lover's shelves.
Publisher: Renard Press Ltd
ISBN: 1913724204
Category : Poetry
Languages : en
Pages : 5
Book Description
Bars Fight, a ballad telling the tale of an ambush by Native Americans on two families in 1746 in a Massachusetts meadow, is the oldest known work by an African-American author. Passed on orally until it was recorded in Josiah Gilbert Holland's History of Western Massachusetts in 1855, the ballad is a landmark in the history of literature that should be on every book lover's shelves.
Trouble the Water
Author: Jerry Washington Ward
Publisher: Signet Book
ISBN: 9780451628640
Category : African Americans
Languages : en
Pages : 688
Book Description
The haunting refrain of the anonymous spiritual "Were You Dere?," the classic rhymes of Frances Ellen Watkins Harper's "Bury Me in a Free Land," the jazz beat of Maya Angelou's "Times-Square-Shoeshine-Composition," and the exquisite balance of Etheridge Knight's haikus-the entire rich and varied tradition of African-American poetry appears in this superb anthology, unified throughout by the authenticity of experiences wrung straight from the soul.Trouble the Water, the first collection to cover close to 300 years of poetic achievement in 400 important works by African-American writers, features women as half the contributors and includes nearly 50 poems from the 1980s and 1990s.
Publisher: Signet Book
ISBN: 9780451628640
Category : African Americans
Languages : en
Pages : 688
Book Description
The haunting refrain of the anonymous spiritual "Were You Dere?," the classic rhymes of Frances Ellen Watkins Harper's "Bury Me in a Free Land," the jazz beat of Maya Angelou's "Times-Square-Shoeshine-Composition," and the exquisite balance of Etheridge Knight's haikus-the entire rich and varied tradition of African-American poetry appears in this superb anthology, unified throughout by the authenticity of experiences wrung straight from the soul.Trouble the Water, the first collection to cover close to 300 years of poetic achievement in 400 important works by African-American writers, features women as half the contributors and includes nearly 50 poems from the 1980s and 1990s.
A History of African American Autobiography
Author: Joycelyn Moody
Publisher: Cambridge University Press
ISBN: 1108875661
Category : Literary Criticism
Languages : en
Pages : 724
Book Description
This History explores innovations in African American autobiography since its inception, examining the literary and cultural history of Black self-representation amid life writing studies. By analyzing the different forms of autobiography, including pictorial and personal essays, editorials, oral histories, testimonials, diaries, personal and open letters, and even poetry performance media of autobiographies, this book extends the definition of African American autobiography, revealing how people of African descent have created and defined the Black self in diverse print cultures and literary genres since their arrival in the Americas. It illustrates ways African Americans use life writing and autobiography to address personal and collective Black experiences of identity, family, memory, fulfillment, racism and white supremacy. Individual chapters examine scrapbooks as a source of self-documentation, African American autobiography for children, readings of African American persona poems, mixed-race life writing after the Civil Rights Movement, and autobiographies by African American LGBTQ writers.
Publisher: Cambridge University Press
ISBN: 1108875661
Category : Literary Criticism
Languages : en
Pages : 724
Book Description
This History explores innovations in African American autobiography since its inception, examining the literary and cultural history of Black self-representation amid life writing studies. By analyzing the different forms of autobiography, including pictorial and personal essays, editorials, oral histories, testimonials, diaries, personal and open letters, and even poetry performance media of autobiographies, this book extends the definition of African American autobiography, revealing how people of African descent have created and defined the Black self in diverse print cultures and literary genres since their arrival in the Americas. It illustrates ways African Americans use life writing and autobiography to address personal and collective Black experiences of identity, family, memory, fulfillment, racism and white supremacy. Individual chapters examine scrapbooks as a source of self-documentation, African American autobiography for children, readings of African American persona poems, mixed-race life writing after the Civil Rights Movement, and autobiographies by African American LGBTQ writers.
Robert Hayden in Verse
Author: Derik Smith
Publisher: University of Michigan Press
ISBN: 0472124099
Category : Literary Criticism
Languages : en
Pages : 473
Book Description
This book sheds new light on the work of Robert Hayden (1913–80) in response to changing literary scholarship. While Hayden’s poetry often reflected aspects of the African American experience, he resisted attempts to categorize his poetry in racial terms. This fresh appreciation of Hayden’s work recontextualizes his achievements against the backdrop of the Black Arts Movement and traces his influence on contemporary African American poets. Placing Hayden at the heart of a history of African American poetry and culture spanning the Harlem Renaissance to the Hip-Hop era, the book explains why Hayden is now a canonical figure in 20th-century American literature. In deep readings that focus on Hayden’s religiousness, class consciousness, and historical vision, author Derik Smith inverts earlier scholarly accounts that figure Hayden as an outsider at odds with the militancy of the Black Arts movement. Robert Hayden in Verse offers detailed descriptions of the poet’s vigorous contributions to 1960s discourse about art, modernity, and blackness to show that the poet was, in fact, an earnest participant in Black Arts-era political and aesthetic debates.
Publisher: University of Michigan Press
ISBN: 0472124099
Category : Literary Criticism
Languages : en
Pages : 473
Book Description
This book sheds new light on the work of Robert Hayden (1913–80) in response to changing literary scholarship. While Hayden’s poetry often reflected aspects of the African American experience, he resisted attempts to categorize his poetry in racial terms. This fresh appreciation of Hayden’s work recontextualizes his achievements against the backdrop of the Black Arts Movement and traces his influence on contemporary African American poets. Placing Hayden at the heart of a history of African American poetry and culture spanning the Harlem Renaissance to the Hip-Hop era, the book explains why Hayden is now a canonical figure in 20th-century American literature. In deep readings that focus on Hayden’s religiousness, class consciousness, and historical vision, author Derik Smith inverts earlier scholarly accounts that figure Hayden as an outsider at odds with the militancy of the Black Arts movement. Robert Hayden in Verse offers detailed descriptions of the poet’s vigorous contributions to 1960s discourse about art, modernity, and blackness to show that the poet was, in fact, an earnest participant in Black Arts-era political and aesthetic debates.