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Author: Colin Sterling
Publisher: Routledge
ISBN: 042964874X
Category : History
Languages : en
Pages : 379
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Book Description
Heritage, Photography, and the Affective Past critically examines the production, consumption, and interpretation of photography across various heritage domains, from global image archives to the domestic arena of the family album. Through original ethnographic and archival research, the book sheds new light on the role photography has played in the emergence, expansion, and articulation of heritage in diverse sociocultural contexts. Drawing on wide-ranging experience across the heritage sector and two international case studies – Angkor in Cambodia and the town of Famagusta, Cyprus – the book makes a major contribution to our understanding of the role photography has played and continues to play in shaping experiences and conceptualisations of heritage. One of the core aims of the book is to problematise and potentially redirect the varied usages of photography within current practice, usages which remain woefully undertheorised, despite their often-central role in shaping heritage. Ultimately, by focusing attention on a hitherto underexamined aspect of the heritage phenomenon, namely its manifold interconnections with photography, this book provides fresh insight to the making and remaking of the past in the present, and the alternative heritages that might come into being around emergent photographic forms and approaches. Heritage, Photography, and the Affective Past uses photography as a method of enquiry as well as a tool of documentation. It will be of interest to scholars and students of heritage, photography, anthropology, museology, public archaeology, and tourism. The book will also be a valuable resource for heritage practitioners working around the globe.
Author: Colin Sterling
Publisher: Routledge
ISBN: 042964874X
Category : History
Languages : en
Pages : 379
Get Book Here
Book Description
Heritage, Photography, and the Affective Past critically examines the production, consumption, and interpretation of photography across various heritage domains, from global image archives to the domestic arena of the family album. Through original ethnographic and archival research, the book sheds new light on the role photography has played in the emergence, expansion, and articulation of heritage in diverse sociocultural contexts. Drawing on wide-ranging experience across the heritage sector and two international case studies – Angkor in Cambodia and the town of Famagusta, Cyprus – the book makes a major contribution to our understanding of the role photography has played and continues to play in shaping experiences and conceptualisations of heritage. One of the core aims of the book is to problematise and potentially redirect the varied usages of photography within current practice, usages which remain woefully undertheorised, despite their often-central role in shaping heritage. Ultimately, by focusing attention on a hitherto underexamined aspect of the heritage phenomenon, namely its manifold interconnections with photography, this book provides fresh insight to the making and remaking of the past in the present, and the alternative heritages that might come into being around emergent photographic forms and approaches. Heritage, Photography, and the Affective Past uses photography as a method of enquiry as well as a tool of documentation. It will be of interest to scholars and students of heritage, photography, anthropology, museology, public archaeology, and tourism. The book will also be a valuable resource for heritage practitioners working around the globe.
Author: Fritz Saxl
Publisher: Penguin Group
ISBN:
Category : Art
Languages : en
Pages : 292
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Book Description
Author: Felix Thürlemann
Publisher: Getty Publications
ISBN: 1606066250
Category : Art
Languages : en
Pages : 230
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Book Description
This thought-provoking and original book argues that hyperimages—calculated displays of images on walls or pages—have played a major role in the history of art. In exhibitions, illustrated art books, and classrooms, artworks or their photographic reproductions are arranged as calculated ensembles that have their own importance. In this volume, Felix Thürlemann develops a theory of this type of image use, arguing that with each new gathering of images, an art object is reinterpreted. These hyperimages have played a major role in the history of art since the seventeenth century, and the main actors of the art world are all hyperimage creators. In part because the hyperimage is not permanently available, this interplay of images has been largely unexplored. Through case studies organized within three groups of producers—collectors and curators, art historians, and artists—Thürlemann proposes a theory of the hyperimage, explores the semiotic nature of this plural image use, and discusses the arrangement and interpretation of such pictures in order to illuminate the phenomenon of Western image culture from the beginning of the seventeenth century until today. His analysis of the ways in which images are assembled and associated provides a crucial context for the explosive present-day deployment of images on digital devices.
Author: Bruce Catton
Publisher: New Word City
ISBN: 1612307906
Category : History
Languages : en
Pages : 200
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Book Description
Here is Pulitzer Prize-winning author Bruce Catton’s unsurpassed account of the Civil War, one of the most moving chapters in American history. Introduced by Pulitzer Prize-winner James M. McPherson, the book vividly traces the epic struggle between the Blue and Gray, from the early division between the North and South to the final surrender of Confederate troops.
Author: Bruce Catton
Publisher:
ISBN: 9780385009072
Category : United States
Languages : en
Pages : 636
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Book Description
Author: Georges Didi-Huberman
Publisher: Penn State University Press
ISBN: 9780271072098
Category : Art
Languages : en
Pages : 0
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Book Description
Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche.
Author: Jonglez Publishing
Publisher:
ISBN: 9782361951627
Category :
Languages : en
Pages : 240
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Book Description
Rediscovering our forgotten heritage No Entry'; 'Dangerous Site Keep Out; Trespassers Will Be Prosecuted': common sights on walls or perimeter fences around many of the world's abandoned sites. These warnings allude to potential dangers and prove an ineffective deterrent against thieves and vandals. To the urban explorer/photographer these signs simply serve to whet the appetite for the promise of hidden wonders that may lie beyond. For those who ignore the warnings and climb the fences, what awaits is usually worth the risks. Vast industrial spaces that feel more like an alien landscape or poignant residential settings, which are slowly surrendering to the inexorable advance of nature. Places once alive with sound and movement, now silent and still, but no less sensory. Immense and powerful beauty resides in these forgotten places. For some, just getting inside a location to experience this alternative form of sightseeing is enough to satisfy a desire to simply go where one shouldn't. But for some there is a need to capture the essence of a location in words and pictures, giving others a metaphorical leg-up over the fences, to walk them through the remaining ruins. Matt Emmett falls into the latter of these groups, travelling regularly to places in the UK and across Europe. He seeks out vast power stations and their cooling towers, steel works, mines, bunkers, tunnels, schools, engine sheds, hotels, castles and a myriad of other buildings. All have their own stories to tell in a variety of voices and without the distraction, sounds and people who inhabited them, those stories are clear and strong and the character of each location is laid bare. Architectural Digest: "Photographer Matt Emmett has made a name for himself by pushing the boundaries to capture epic imagery of Europe s most forgotten ruins." International Business Times: "Matt Emmett's 'Forgotten Heritage' photography project uncovers the brutal beauty of abandoned buildings and derelict industry."
Author: David Joselit
Publisher: MIT Press
ISBN: 0262043696
Category : Art
Languages : en
Pages : 344
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Book Description
How global contemporary art reanimates the past as a resource for the present, combating modern art's legacy of Eurocentrism. If European modernism was premised on the new—on surpassing the past, often by assigning it to the “traditional” societies of the Global South—global contemporary art reanimates the past as a resource for the present. In this account of what globalization means for contemporary art, David Joselit argues that the creative use of tradition by artists from around the world serves as a means of combatting modern art's legacy of Eurocentrism. Modernism claimed to live in the future and relegated the rest of the world to the past. Global contemporary art shatters this myth by reactivating various forms of heritage—from literati ink painting in China to Aboriginal painting in Australia—in order to propose new and different futures. Joselit analyzes not only how heritage becomes contemporary through the practice of individual artists but also how a cultural infrastructure of museums, biennials, and art fairs worldwide has emerged as a means of generating economic value, attracting capital and tourist dollars. Joselit traces three distinct forms of modernism that developed outside the West, in opposition to Euro-American modernism: postcolonial, socialist realism, and the underground. He argues that these modern genealogies are synchronized with one another and with Western modernism to produce global contemporary art. Joselit discusses curation and what he terms “the curatorial episteme,” which, through its acts of framing or curating, can become a means of recalibrating hierarchies of knowledge—and can contribute to the dual projects of decolonization and deimperialization.
Author:
Publisher: Arcadia Publishing
ISBN: 9780738530994
Category : History
Languages : en
Pages : 132
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Book Description
Englishman Robert Livermore jumped ship in Southern California in 1822, yet just 15 years later became the respected owner of the 40,000-acre Las Positas land grant. Here he built his new Californio wife an adobe house in 1839. The wealth that flowed into California during the gold rush allowed Livermore to import a two-story house around the Horn, but entrepreneurs and squatters flowed in as well. Nathaniel Patterson opened the first hotel in the old Livermore adobe, frequented by miners on their way from the South Bay to the Sierra gold mines. Laddsville, a village built where the roads to Stockton and Dublin met, was also a going concern until the Central Pacific pushed over the Altamont Pass. On this line grew the town founded by William Mendenhall in 1869, named for pioneer Livermore, who had died more than a decade earlier. Soon Livermore became the valley's commercial center for hay, wheat, barley, wine grapes, and ranching.
Author: Kathleen Brockway
Publisher: Arcadia Publishing
ISBN: 1467121932
Category : History
Languages : en
Pages : 128
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Book Description
The booming job market and beautifully designed city of Baltimore attracted many families and individuals to the area in the 19th century. Several of these transplants would become prominent figures in the Deaf community. George W. Veditz, an early American Sign Language filmmaker and former president of the National Association of the Deaf; Rev. Daniel E. Moylan, founder of the oldest operational Methodist church for the deaf; and George Michael "Dummy" Leitner, a professional baseball player, all influenced Baltimore's growing deaf population. Through vintage photographs of successful organizations and sports teams, including the Silent Oriole Club, Christ Church of the Deaf, the Jewish Deaf Society of Baltimore, the Silent Clover Society, and the National Fraternal Society for the Deaf, Baltimore's Deaf Heritage illustrates the evolution of Baltimore's Deaf community and its prominent leaders. - Back cover
