A Handbook of Chinese Ceramics PDF Download
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Author: Suzanne G. Valenstein
Publisher: Metropolitan Museum of Art
ISBN: 0810911701
Category : Porcelain
Languages : en
Pages : 383
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Book Description
Author: Suzanne G. Valenstein
Publisher: Metropolitan Museum of Art
ISBN: 0810911701
Category : Porcelain
Languages : en
Pages : 383
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Book Description
Author: Gerald Davison
Publisher: Han-Shan Tang
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 208
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Book Description
Information on "origins and development of the Chinese written language" precedes the extensive catalog of marks, including marks in regular kaishu script, marks in zhuanshu seal scripts, symbols used as marks, directory of marks, and list of potters.
Author: Stacey Pierson
Publisher:
ISBN: 9780728602656
Category : Ceramics
Languages : en
Pages : 64
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Book Description
Written to accompany an exhibition of the same name at the Percival David Foundation of Chinese Art in 1996, this text is designed to explain the basic science involved in ceramic manufacture, with reference to Chinese ceramics, as they are the most technologically advanced. Both the exhibition and the book were inspired by many requests for basic information about ceramic technology that did not require experience of making pots or a degree in chemistry to understand. The book thus assumes no previous knowledge of ceramic technology or science in general and uses terms which can be defined and explained in a manner accessible to the non-specialist.
Author: British Museum
Publisher: British Museum Press
ISBN:
Category : Art
Languages : en
Pages : 100
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Book Description
Presents 50 selected highlights of this world-renowned collection ... The accompanying text gives brief details and draws out their most significant features"--Cover flap.
Author: Charles Alfred Speed Williams
Publisher: Courier Corporation
ISBN: 9780486233727
Category : Social Science
Languages : en
Pages : 520
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Book Description
Describes historical, legendary, and supernatural persons, animals, and objects that recur as symbols in Oriental art and literature
Author: Qingzheng Wang
Publisher: Sun Tree Publishing
ISBN:
Category : Art
Languages : en
Pages : 372
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Book Description
Containing more than 2,500 entries and over 1,000 color plates and line drawings, this book addresses artistic, stylistic, technical, and historical aspects of Chinese ceramics. Entries are grouped into themes such as shapes and forms; ceramic materials and manufacture; decoration methods, glazes, and colors; and marks and inscriptions. Each entry is accompanied by references in Pinyin (phonetic Romanized Chinese) as well as Chinese characters for further verification. Information is rendered instantly accessible through four indices--English, Pinyin, Chinese Classical literature, and museum illustrations.
Author: Nigel Wood
Publisher: University of Pennsylvania Press
ISBN: 9780812234763
Category : Art
Languages : en
Pages : 296
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Book Description
Chinese pottery has long been esteemed not only for its beauty and delicacy but also for the utility and efficiency evident in the potter's skill.
Author: Carlos Rojas
Publisher: Oxford University Press
ISBN: 019976560X
Category : History
Languages : en
Pages : 730
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Book Description
What does it mean for a cinematic work to be "Chinese"? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like "Chinese cinema" difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations, while taking care to address the consequences of grouping together so many disparate histories under a single banner. Offering both a platform for cross-disciplinary dialogue and a mapping of Chinese cinema as an expanded field, this Handbook presents thirty-three essays by leading researchers and scholars intent on yielding new insights and new analyses using three different methodologies. Chapters in Part I investigate the historical periodizations of the field through changing notions of national and political identity — all the way from the industry's beginnings in the 1920s up to its current forms in contemporary Hong Kong, Taiwan, and the global diaspora. Chapters in Part II feature studies centered on the field's taxonomical formalities, including such topics as the role of the Chinese opera in technological innovation, the political logic of the "Maoist film," and the psychoanalytic formula of the kung fu action film. Finally, in Part III, focus is given to the structural elements that comprise a work's production, distribution, and reception to reveal the broader cinematic apparatuses within which these works are positioned. Taken together, the multipronged approach supports a wider platform beyond the geopolitical and linguistic limitations in existing scholarship. Expertly edited to illustrate a representative set of up to date topics and approaches, The Oxford Handbook of Chinese Cinemas provides a vital addition to a burgeoning field still in its formative stages.
Author: Alfreda Murck
Publisher: Metropolitan Museum of Art
ISBN: 0870996045
Category : Calligraphy, Chinese
Languages : en
Pages : 615
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Book Description
In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, and it has stimulated lively critical discussion ever since. This publication contains twenty-three essays based on the papers presented at the Crawford symposium. Grouped by subject matter in a roughly chronological order, these essays reflect research on topics spanning two millennia of Chinese history. The result is an interdisciplinary exploration of the complex set of relationships between words and images by art historians, literary historians, and scholars of calligraphy. Their findings provide us with a new level of understanding of this rich and complicated subject and suggest further directions for the study of Chinese art history. The essays are accompanied by 255 illustrations, some of which reproduce works rarely published. Chinese characters have been provided throughout the text for artists names, terms, titles of works of art and literature, and important historical figures, as well as for excerpts of selected poetry and prose. A chronology, also containing Chinese characters, and an extensive index contribute to making this book illuminating and invaluable to both the specialist and the layman.
Author: Patricia Bjaaland Welch
Publisher: Tuttle Publishing
ISBN: 1462906893
Category : Art
Languages : en
Pages : 300
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Book Description
With over 630 striking color photos and illustrations, this Chinese art guide focuses on the rich tapestry of symbolism which makes up the basis of traditional Chinese art. Chinese Art: A Guide to Motifs and Visual Imagery includes detailed commentary and historical background information for the images that continuously reappear in the arts of China, including specific plants and animals, religious beings, mortals and inanimate objects. The book thoroughly illuminates the origins, common usages and diverse applications of popular Chinese symbols in a tone that is both engaging and authoritative. Chinese Art: A Guide to Motifs and Visual Imagery is an essential reference for collectors, museum-goers, guides, students and anyone else with a serious interest in the culture and history of China.
