A Handbook of Chinese Ceramics PDF Download
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Author: Suzanne G. Valenstein
Publisher: Metropolitan Museum of Art
ISBN: 0810911701
Category : Porcelain
Languages : en
Pages : 383
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Book Description
Author: Suzanne G. Valenstein
Publisher: Metropolitan Museum of Art
ISBN: 0810911701
Category : Porcelain
Languages : en
Pages : 383
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Book Description
Author: Gerald Davison
Publisher: Han-Shan Tang
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 208
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Book Description
Information on "origins and development of the Chinese written language" precedes the extensive catalog of marks, including marks in regular kaishu script, marks in zhuanshu seal scripts, symbols used as marks, directory of marks, and list of potters.
Author: Stacey Pierson
Publisher:
ISBN: 9780728602656
Category : Ceramics
Languages : en
Pages : 64
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Book Description
Written to accompany an exhibition of the same name at the Percival David Foundation of Chinese Art in 1996, this text is designed to explain the basic science involved in ceramic manufacture, with reference to Chinese ceramics, as they are the most technologically advanced. Both the exhibition and the book were inspired by many requests for basic information about ceramic technology that did not require experience of making pots or a degree in chemistry to understand. The book thus assumes no previous knowledge of ceramic technology or science in general and uses terms which can be defined and explained in a manner accessible to the non-specialist.
Author: Charles Alfred Speed Williams
Publisher: Courier Corporation
ISBN: 9780486233727
Category : Social Science
Languages : en
Pages : 518
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Book Description
Describes historical, legendary, and supernatural persons, animals, and objects that recur as symbols in Oriental art and literature
Author: Qingzheng Wang
Publisher: Sun Tree Publishing
ISBN:
Category : Art
Languages : en
Pages : 372
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Book Description
Containing more than 2,500 entries and over 1,000 color plates and line drawings, this book addresses artistic, stylistic, technical, and historical aspects of Chinese ceramics. Entries are grouped into themes such as shapes and forms; ceramic materials and manufacture; decoration methods, glazes, and colors; and marks and inscriptions. Each entry is accompanied by references in Pinyin (phonetic Romanized Chinese) as well as Chinese characters for further verification. Information is rendered instantly accessible through four indices--English, Pinyin, Chinese Classical literature, and museum illustrations.
Author: Penny Simpson
Publisher: Kodansha International
ISBN: 0870113739
Category : Pottery
Languages : en
Pages : 124
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Book Description
This compact reference explains the basic terms, processes, classifications, tools, materials and techniques of Japanese potters. Everyone interested in pottery and crafts will find this practical guide a valuable addition to both bookshelf and workshop. Penny Simpson, an English potter living in Japan, and Kanji Sodeoka, her Japanese colleague, have compiled a step-by-step manual of the way pots are made in Japan, their forms, and their decorations. The authors give a thorough account of both traditional and modern techniques and also describe in detail tools,
Author: Nigel Wood
Publisher: University of Pennsylvania Press
ISBN: 9780812234763
Category : Art
Languages : en
Pages : 296
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Book Description
Chinese pottery has long been esteemed not only for its beauty and delicacy but also for the utility and efficiency evident in the potter's skill.
Author: William Burton
Publisher: Createspace Independent Publishing Platform
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 236
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Book Description
This is a black-and-white facsimile reprint of the 1909 edition of "Handbook Of Marks On Pottery & Porcelain". Although it has been checked manually, it may contain imperfections such as marks, notations, marginalia and flawed pages.
Author: Denise Patry Leidy
Publisher: Metropolitan Museum of Art
ISBN: 1588395715
Category : Art
Languages : en
Pages : 146
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Book Description
Among the most revered and beloved artworks in China are ceramics—sculptures and vessels that have been utilized to embellish tombs, homes, and studies, to drink tea and wine, and to convey social and cultural meanings such as good wishes and religious beliefs. Since the eighth century, Chinese ceramics, particularly porcelain, have played an influential role around the world as trade introduced their beauty and surpassing craft to countless artists in Europe, America, and elsewhere. Spanning five millennia, the Metropolitan Museum’s collection of Chinese ceramics represents a great diversity of materials, shapes, and subjects. The remarkable selections presented in this volume, which include both familiar examples and unusual ones, will acquaint readers with the prodigious accomplishments of Chinese ceramicists from Neolithic times to the modern era. As with previous books in the How to Read series, How to Read Chinese Ceramics elucidates the works to encourage deeper understanding and appreciation of the meaning of individual pieces and the culture in which they were created. From exquisite jars, bowls, bottles, and dishes to the elegantly sculpted Chan Patriarch Bodhidharma and the gorgeous Vase with Flowers of the Four Seasons, How to Read Chinese Ceramics is a captivating introduction to one of the greatest artistic traditions in Asian culture.
Author: Alfreda Murck
Publisher: Metropolitan Museum of Art
ISBN: 0870996045
Category : Calligraphy, Chinese
Languages : en
Pages : 615
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Book Description
In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, and it has stimulated lively critical discussion ever since. This publication contains twenty-three essays based on the papers presented at the Crawford symposium. Grouped by subject matter in a roughly chronological order, these essays reflect research on topics spanning two millennia of Chinese history. The result is an interdisciplinary exploration of the complex set of relationships between words and images by art historians, literary historians, and scholars of calligraphy. Their findings provide us with a new level of understanding of this rich and complicated subject and suggest further directions for the study of Chinese art history. The essays are accompanied by 255 illustrations, some of which reproduce works rarely published. Chinese characters have been provided throughout the text for artists names, terms, titles of works of art and literature, and important historical figures, as well as for excerpts of selected poetry and prose. A chronology, also containing Chinese characters, and an extensive index contribute to making this book illuminating and invaluable to both the specialist and the layman.
