A Guide of Taxila, by Sir John Marshall, ... PDF Download
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Author: John Hubert Marshall
Publisher:
ISBN:
Category :
Languages : en
Pages : 123
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Book Description
Author: John Hubert Marshall
Publisher:
ISBN:
Category :
Languages : en
Pages : 123
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Book Description
Author: John Marshall
Publisher: Cambridge University Press
ISBN: 1107615445
Category : Social Science
Languages : en
Pages : 231
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Book Description
This book was written to provide a concise guide to the ruins of Taxila, excavation of which was led by British archaeologist John Marshall.
Author: Sir John Marshall
Publisher:
ISBN:
Category : Taxila (Extinct city)
Languages : en
Pages : 195
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Book Description
Author: Sir John Hubert Marshall
Publisher:
ISBN:
Category : Stūpas
Languages : en
Pages : 202
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Book Description
Author: Sir John Marshall
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: John Hubert Marshall
Publisher: Legare Street Press
ISBN: 9781015852358
Category : History
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Sir John Hubert Marshall
Publisher:
ISBN: 9781107615793
Category : Excavations
Languages : en
Pages :
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Book Description
Author: Sir John Marshall
Publisher:
ISBN: 9789380852980
Category : Taxila (Extinct city)
Languages : en
Pages : 195
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Book Description
Author: Mario Bussagli
Publisher:
ISBN:
Category : Taxila (Extinct city)
Languages : it
Pages : 8
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Book Description
Author: Wannaporn Rienjang
Publisher: Archaeopress
ISBN: 1789691877
Category : Art
Languages : en
Pages : 186
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Book Description
Gandhāran art is usually regarded as a single phenomenon – a unified regional artistic tradition or 'school'. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also highly varied. Even the superficial homogeneity of Gandhāran sculpture, which constitutes the bulk of documented artistic material from this region in the early centuries AD, belies a considerable range of styles, technical approaches, iconographic choices, and levels of artistic skill. The geographical variations in Gandhāran art have received less attention than they deserve. Many surviving Gandhāran artefacts are unprovenanced and the difficulty of tracing substantial assemblages of sculpture to particular sites has obscured the fine-grained picture of its artistic geography. Well documented modern excavations at particular sites and areas, such as the projects of the Italian Archaeological Mission in the Swat Valley, have demonstrated the value of looking at sculptures in context and considering distinctive aspects of their production, use, and reuse within a specific locality. However, insights of this kind have been harder to gain for other areas, including the Gandhāran heartland of the Peshawar basin. Even where large collections of artworks can be related to individual sites, the exercise of comparing material within and between these places is still at an early stage. The relationship between the Gandhāran artists or 'workshops', particular stone sources, and specific sites is still unclear. Addressing these and other questions, this second volume of the Gandhara Connections project at Oxford University’s Classical Art Research Centre presents the proceedings of a workshop held in March 2018. Its aim is to pick apart the regional geography of Gandhāran art, presenting new discoveries at particular sites, textual evidence, and the challenges and opportunities of exploring Gandhāra’s artistic geography.
