Author: Matthew Pilkington
Publisher:
ISBN:
Category :
Languages : en
Pages : 794
Book Description
A general dictionary of painters, revised, with additions
Author: Matthew Pilkington
Publisher:
ISBN:
Category :
Languages : en
Pages : 794
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 794
Book Description
A General Dictionary of Painters
Author: Matthew Pilkington
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 582
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 582
Book Description
A General Dictionary of Painters
Author: Matthew Pilkington
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 612
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 612
Book Description
Continental Crosscurrents
Author: J. B. Bullen
Publisher: OUP Oxford
ISBN: 0191541907
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
Continental Crosscurrents is a series of case studies reflecting British attitudes to continental art during the nineteenth and the early twentieth centuries. It stresses the way in which the British went to the continent in their search for origins or their pursuit of sources of purity and originality. This cult of the primitive took many forms; it involved a reassessment of medieval German and Italian art and offered new ways of interpreting Venetian painting; it opened up new readings of architectural history and the 'discovery' of the Romanesque; it generated a debate about the value of returning to religious subjects in art and it raised the question of the relationship between modern art and Byzantine art in the early twentieth century. J. B. Bullen's original study presents some exciting findings. Few critics have noticed how much in advance of his time was Coleridge's passion for medieval art; Ruskin's debt in the Stones of Venice to Victor Hugo's Notre Dame de Paris has hardly been noted, and Browning's involvement with the debate on the morality of Christian art is explored more extensively than previously. Three chapters are devoted to the role of British criticism in identifying the Romanesque style in architecture and differentiating it from the Gothic. They trace the concept as it arose in criticism at the beginning of the nineteenth century; its employment in the remarkable buildings of Edmund Sharpe and Sara Losh and the way in which it reached a climax in Waterhouse's enigmatic choice of Romanesque for the Natural History Museum in London. The collection concludes with two continental episodes from the history of modernism. One is the explosive British reaction to the primitivism of Gauguin; the other involves the identifying of one of the characters in D. H. Lawrence's novel Women in Love. Curious evidence suggests that the malevolent figure of Loerke was based on a German sculptor whom Lawrence met in Italy before the First World War.
Publisher: OUP Oxford
ISBN: 0191541907
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
Continental Crosscurrents is a series of case studies reflecting British attitudes to continental art during the nineteenth and the early twentieth centuries. It stresses the way in which the British went to the continent in their search for origins or their pursuit of sources of purity and originality. This cult of the primitive took many forms; it involved a reassessment of medieval German and Italian art and offered new ways of interpreting Venetian painting; it opened up new readings of architectural history and the 'discovery' of the Romanesque; it generated a debate about the value of returning to religious subjects in art and it raised the question of the relationship between modern art and Byzantine art in the early twentieth century. J. B. Bullen's original study presents some exciting findings. Few critics have noticed how much in advance of his time was Coleridge's passion for medieval art; Ruskin's debt in the Stones of Venice to Victor Hugo's Notre Dame de Paris has hardly been noted, and Browning's involvement with the debate on the morality of Christian art is explored more extensively than previously. Three chapters are devoted to the role of British criticism in identifying the Romanesque style in architecture and differentiating it from the Gothic. They trace the concept as it arose in criticism at the beginning of the nineteenth century; its employment in the remarkable buildings of Edmund Sharpe and Sara Losh and the way in which it reached a climax in Waterhouse's enigmatic choice of Romanesque for the Natural History Museum in London. The collection concludes with two continental episodes from the history of modernism. One is the explosive British reaction to the primitivism of Gauguin; the other involves the identifying of one of the characters in D. H. Lawrence's novel Women in Love. Curious evidence suggests that the malevolent figure of Loerke was based on a German sculptor whom Lawrence met in Italy before the First World War.
Historical and Other Papers and Documents Illustrative of the Educational System of Ontario
Author: Ontario. Dept. of Education
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 364
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 364
Book Description
Historical and Other Papers and Documents Illustrative of the Educational System of Ontario, 1792-
Author: John George Hodgins
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 364
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 364
Book Description
Historical and Other Papers and Documents Illustrative of the Educational System of Ontario ...: 1856-1872
Author: John George Hodgins
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 364
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 364
Book Description
The Oxford Dictionary of American Art and Artists
Author: Ann Lee Morgan
Publisher: Oxford University Press
ISBN: 0195373219
Category : Art, American
Languages : en
Pages : 554
Book Description
In this dictionary of American art, 945 alphabetically arranged entries cover painters, sculptors, graphic artists, photographers, printmakers, and contemporary hybrid artists, along with important aspects of the cultural infrastructure.
Publisher: Oxford University Press
ISBN: 0195373219
Category : Art, American
Languages : en
Pages : 554
Book Description
In this dictionary of American art, 945 alphabetically arranged entries cover painters, sculptors, graphic artists, photographers, printmakers, and contemporary hybrid artists, along with important aspects of the cultural infrastructure.
American Revisions and Additions to the Encyclopedia Britannica
Author: William Harrison De Puy
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 716
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 716
Book Description
The National Union Catalog, Pre-1956 Imprints
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
Book Description