Author: Ann Dawes Kelly
Publisher:
ISBN:
Category :
Languages : en
Pages : 184
Book Description
William Boarman immigrated from England to the Province of Maryland in 1645. Descendants lived in Maryland, Kentucky, Virginia, Indiana, Kansas and elsewhere.
A Genealogical Survey of Boarman-Buckles and Allied Families of Edelen, Lilly, Elder, Howard, Dawes
Author: Ann Dawes Kelly
Publisher:
ISBN:
Category :
Languages : en
Pages : 184
Book Description
William Boarman immigrated from England to the Province of Maryland in 1645. Descendants lived in Maryland, Kentucky, Virginia, Indiana, Kansas and elsewhere.
Publisher:
ISBN:
Category :
Languages : en
Pages : 184
Book Description
William Boarman immigrated from England to the Province of Maryland in 1645. Descendants lived in Maryland, Kentucky, Virginia, Indiana, Kansas and elsewhere.
Boarman-Buckles and Allied Families of Edelen, Lilly, Elder, Howard, Dawes
Author: Ann D. Kelly
Publisher:
ISBN:
Category :
Languages : en
Pages : 165
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 165
Book Description
A Genealogical Survey of Boarman-Buckles
Author: Ann Dawes Kelly
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
Book Description
Genealogies in the Library of Congress
Author: Marion J. Kaminkow
Publisher: Genealogical Publishing Com
ISBN: 9780806316673
Category : Biography & Autobiography
Languages : en
Pages : 882
Book Description
This ten-year supplement lists 10,000 titles acquired by the Library of Congress since 1976--this extraordinary number reflecting the phenomenal growth of interest in genealogy since the publication of Roots. An index of secondary names contains about 8,500 entries, and a geographical index lists family locations when mentioned.
Publisher: Genealogical Publishing Com
ISBN: 9780806316673
Category : Biography & Autobiography
Languages : en
Pages : 882
Book Description
This ten-year supplement lists 10,000 titles acquired by the Library of Congress since 1976--this extraordinary number reflecting the phenomenal growth of interest in genealogy since the publication of Roots. An index of secondary names contains about 8,500 entries, and a geographical index lists family locations when mentioned.
A Genealogical Survey of Boarman-Buckles and Allied Families
Author: Ann D. Kelly
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
National Union Catalog
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 1030
Book Description
Includes entries for maps and atlases.
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 1030
Book Description
Includes entries for maps and atlases.
The Mudd Family of the United States
Author: Richard Dyer Mudd
Publisher:
ISBN:
Category : Genealogy
Languages : en
Pages : 954
Book Description
Publisher:
ISBN:
Category : Genealogy
Languages : en
Pages : 954
Book Description
A Family Montage
Author: Thomas Frère Kramer
Publisher: University of Louisiana
ISBN:
Category : Reference
Languages : en
Pages : 340
Book Description
Collection of pedigree charts, documents, images of places and people, personal correspondence, and interesting memorabilia.
Publisher: University of Louisiana
ISBN:
Category : Reference
Languages : en
Pages : 340
Book Description
Collection of pedigree charts, documents, images of places and people, personal correspondence, and interesting memorabilia.
A Partial Record of the Descendants of John Tefft, of Portsmouth, Rhode Island, and the Nearly Complete Record of the Descendants of John Tifft, of Nassau, New York ...
Author: Maria Elizabeth Maxon Tifft
Publisher:
ISBN:
Category : Teffe family
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category : Teffe family
Languages : en
Pages : 204
Book Description
Hollywood Highbrow
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.