Nineteenth Century Short Title Catalogue. Series II, Phase I, 1816-1870 PDF Download
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Author: Avero Publications Limited
Publisher:
ISBN: 9780907977339
Category : Reference
Languages : en
Pages : 604
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Book Description
Author: Avero Publications Limited
Publisher:
ISBN: 9780907977339
Category : Reference
Languages : en
Pages : 604
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 796
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Book Description
Author: Joseph Ritson
Publisher:
ISBN:
Category : Robin Hood (Legendary character)
Languages : en
Pages : 302
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Book Description
Author: Margaret Ross Griffel
Publisher: Scarecrow Press
ISBN: 0810883252
Category : Music
Languages : en
Pages : 1015
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Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Author:
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ISBN:
Category : Engineering
Languages : en
Pages : 756
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Author:
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 2288
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Author:
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 0
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Author: Timothy English
Publisher: iUniverse
ISBN: 0595906923
Category : Music
Languages : en
Pages : 196
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Book Description
"A fun read that'll have you replaying the songs in your mind and on your stereo." -Chicago Tribune Have you ever listened to a new song and felt as if you'd heard it before? It's not your imagination. Melodies are "borrowed," consciously or subconsciously, more than you might think. For instance, do you know: That U2's "Beautiful Day" shares part of its tune with an a-ha hit from the eighties? Why Huey Lewis was so upset when he first heard Ray Parker Jr.'s "Ghostbusters"? How John Lennon's classic "Imagine" bears an uncanny resemblance to a novelty record cut by his dad? Sounds Like Teen Spirit tells the fascinating true stories behind these and many other "sound-alike" songs. Showcasing well-known artists from the Beatles to Kraftwerk, the Staple Singers to U2, it's a virtual catalog of pop music's "secret history" for casual and hardcore rock-and-roll fans alike. With this entertaining and informative guide, you'll be surprised by the tremendously varied musical influences on your favorite songwriters and performers, and you'll develop a genuine appreciation for what it takes to create a melody that is comfortable and pleasing and yet fresh and original. Best of all, you're sure to discover some great artists and songs and hear familiar music in a fresh, new way!
Author:
Publisher:
ISBN:
Category : England
Languages : en
Pages : 704
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Book Description
Author: Michael E. Veal
Publisher: Wesleyan University Press
ISBN: 0819576549
Category : Music
Languages : en
Pages : 441
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Book Description
This ground-breaking case study examines record production as ethnographic work. Since its founding in 2003, Seattle-based record label Sublime Frequencies has produced world music recordings that have been received as radical, sometimes problematic critiques of the practices of sound ethnography. Founded by punk rocker brothers Alan and Richard Bishop, along with filmmaker Hisham Mayet, the label's releases encompass collagist sound travelogues; individual artist compilations; national, regional and genre surveys; and DVDs—all designed in a distinctive graphic style recalling the DIY aesthetic of punk and indie rock. Sublime Frequencies' producers position themselves as heirs to canonical ethnographic labels such as Folkways, Nonesuch, and Musique du Monde, but their aesthetic and philosophical roots in punk, indie rock, and experimental music effectively distinguish their work from more conventional ethnographic norms. Situated at the intersection of ethnomusicology, sound studies, cultural anthropology, and popular music studies, the essays in this volume explore the issues surrounding the label—including appropriation and intellectual property—while providing critical commentary and charting the impact of the label through listener interviews.
