A Favorite Concerto for the Harpsichord or Piano Forte; with accompaniments, etc

A Favorite Concerto for the Harpsichord or Piano Forte; with accompaniments, etc PDF Author: Robert Barber (of Newcastle.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 16

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Book Description

A Favorite Concerto for the Harpsichord or Piano Forte; with accompaniments, etc

A Favorite Concerto for the Harpsichord or Piano Forte; with accompaniments, etc PDF Author: Robert Barber (of Newcastle.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 16

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Book Description


Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum: A-K.- v. 2. L-Z and First supplement

Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum: A-K.- v. 2. L-Z and First supplement PDF Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 788

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Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum

Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum PDF Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 764

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Book Description


The British Union-catalogue of Early Music Before the Year 1801

The British Union-catalogue of Early Music Before the Year 1801 PDF Author: Edith Betty Schnapper
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 614

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Book Description


The Catalogue of Printed Music in the British Library to 1980

The Catalogue of Printed Music in the British Library to 1980 PDF Author: British Library. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440

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Music Entries at Stationers' Hall, 1710–1818

Music Entries at Stationers' Hall, 1710–1818 PDF Author: Michael Kassler
Publisher: Routledge
ISBN: 131709204X
Category : Music
Languages : en
Pages : 812

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Book Description
The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.

Concert Life in Eighteenth-Century Britain

Concert Life in Eighteenth-Century Britain PDF Author: Susan Wollenberg
Publisher: Routledge
ISBN: 1351571206
Category : Music
Languages : en
Pages : 319

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Book Description
In recent years there has been a considerable revival of interest in music in eighteenth-century Britain. This interest has now expanded beyond the consideration of composers and their music to include the performing institutions of the period and their relationship to the wider social scene. The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book will not only appeal to music specialists, but also to social and cultural historians.

The Concerto

The Concerto PDF Author: Abraham Veinus
Publisher: Courier Corporation
ISBN: 0486211789
Category : Music
Languages : en
Pages : 337

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Book Description
The first thorough English-language exploration of the concerto as a musical form, this is an oft-quoted, authoritative survey. Examining the social, economic, and personal factors that influenced the concerto's growth, the work also summarizes the contributions of theorists, composers, and musicians and defines the genre's terms and the changing nature.

Music in New York During the American Revolution

Music in New York During the American Revolution PDF Author: Gillian B. Anderson
Publisher: Boston : Music Library Association
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 174

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Book Description
Indexes all musical references in James Rivington's Gazette, a weekly newspaper published in New York City, 1773-1783. Includes all references to music and instruments for sale, concerts, assemblies and balls, and musical instruction. Profiles the musical culture of the principal trade center during the Revolutionary War period.

English Keyboard Music Before the Nineteenth Century

English Keyboard Music Before the Nineteenth Century PDF Author: John Caldwell
Publisher: Courier Corporation
ISBN: 9780486248516
Category : Music
Languages : en
Pages : 376

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Book Description
English keyboard art from Robertsbridge Codex (c. 1325) to John Field. Illuminating coverage of organ, harpsichord, pianoforte, other instruments; works of Tallis, Byrd, Gibbons, Tomkins, many others. Bibliography.