Author: Henrietta Rouvière Mosse
Publisher:
ISBN:
Category :
Languages : en
Pages : 684
Book Description
A father's love and a woman's friendship; or, The widow and her daughters
Author: Henrietta Rouvière Mosse
Publisher:
ISBN:
Category :
Languages : en
Pages : 684
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 684
Book Description
A Father's Love and a Woman's Friendship; Or the Widow and Her Daughters. A Novel, Etc
Author: afterwards MOSSE ROUVIÈRE (Henrietta)
Publisher:
ISBN:
Category :
Languages : en
Pages : 360
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 360
Book Description
Catalogue of the Printed Books in the Library of the Faculty of Advocates
Author: Faculty of Advocates (Scotland). Library
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 888
Book Description
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 888
Book Description
The Discarded Son; Or, Haunt of the Banditti
Author: Regina Maria Roche
Publisher:
ISBN:
Category :
Languages : en
Pages : 338
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 338
Book Description
A Gothic Bibliography
Author: Montague Summers
Publisher: Dalcassian Publishing Company
ISBN:
Category :
Languages : en
Pages : 688
Book Description
Publisher: Dalcassian Publishing Company
ISBN:
Category :
Languages : en
Pages : 688
Book Description
The Literary chronicle and weekly review
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 856
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 856
Book Description
Portraiture and British Gothic Fiction
Author: Kamilla Elliott
Publisher: JHU Press
ISBN: 1421407175
Category : Literary Criticism
Languages : en
Pages : 353
Book Description
Traditionally, kings and rulers were featured on stamps and money,the titled and affluent commissioned busts and portraits, and criminals and missing persons appeared on wanted posters. British writers of the eighteenth and nineteenth centuries, however, reworked ideas about portraiture to promote the value and agendas of the ordinary middle classes. According to Kamilla Elliott, our current practices of "picture identification" (driver's licenses, passports, and so on) are rooted in these late eighteenth- and early nineteenth-century debates. Portraiture and British Gothic Fiction examines ways writers such as Horace Walpole, Ann Radcliffe, Mary Shelley, and C. R. Maturin as well as artists, historians, politicians, and periodical authors dealt with changes in how social identities were understood and valued in British culture—specifically, who was represented by portraits and how they were represented as they vied for social power. Elliott investigates multiple aspects of picture identification: its politics, epistemologies, semiotics, and aesthetics, and the desires and phobias that it produces. Her extensive research not only covers Gothic literature's best-known and most studied texts but also engages with more than 100 Gothic works in total, expanding knowledge of first-wave Gothic fiction as well as opening new windows into familiar work. -- Jerrold E. Hogle, University of Arizona
Publisher: JHU Press
ISBN: 1421407175
Category : Literary Criticism
Languages : en
Pages : 353
Book Description
Traditionally, kings and rulers were featured on stamps and money,the titled and affluent commissioned busts and portraits, and criminals and missing persons appeared on wanted posters. British writers of the eighteenth and nineteenth centuries, however, reworked ideas about portraiture to promote the value and agendas of the ordinary middle classes. According to Kamilla Elliott, our current practices of "picture identification" (driver's licenses, passports, and so on) are rooted in these late eighteenth- and early nineteenth-century debates. Portraiture and British Gothic Fiction examines ways writers such as Horace Walpole, Ann Radcliffe, Mary Shelley, and C. R. Maturin as well as artists, historians, politicians, and periodical authors dealt with changes in how social identities were understood and valued in British culture—specifically, who was represented by portraits and how they were represented as they vied for social power. Elliott investigates multiple aspects of picture identification: its politics, epistemologies, semiotics, and aesthetics, and the desires and phobias that it produces. Her extensive research not only covers Gothic literature's best-known and most studied texts but also engages with more than 100 Gothic works in total, expanding knowledge of first-wave Gothic fiction as well as opening new windows into familiar work. -- Jerrold E. Hogle, University of Arizona
The Quarterly review
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 580
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 580
Book Description
The Quarterly Review
Author: William Gifford
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 582
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 582
Book Description
The Quarterly Review (London)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 574
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 574
Book Description