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Author: Dan Simmons
Publisher: Little, Brown
ISBN: 0316003883
Category : Fiction
Languages : en
Pages : 798
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Book Description
The "masterfully chilling" novel that inspired the hit AMC series (Entertainment Weekly). The men on board the HMS Terror — part of the 1845 Franklin Expedition, the first steam-powered vessels ever to search for the legendary Northwest Passage — are entering a second summer in the Arctic Circle without a thaw, stranded in a nightmarish landscape of encroaching ice and darkness. Endlessly cold, they struggle to survive with poisonous rations, a dwindling coal supply, and ships buckling in the grip of crushing ice. But their real enemy is even more terrifying. There is something out there in the frigid darkness: an unseen predator stalking their ship, a monstrous terror clawing to get in. “The best and most unusual historical novel I have read in years.” —Katherine A. Powers, Boston Globe
Author: Dan Simmons
Publisher: Little, Brown
ISBN: 0316003883
Category : Fiction
Languages : en
Pages : 798
Get Book Here
Book Description
The "masterfully chilling" novel that inspired the hit AMC series (Entertainment Weekly). The men on board the HMS Terror — part of the 1845 Franklin Expedition, the first steam-powered vessels ever to search for the legendary Northwest Passage — are entering a second summer in the Arctic Circle without a thaw, stranded in a nightmarish landscape of encroaching ice and darkness. Endlessly cold, they struggle to survive with poisonous rations, a dwindling coal supply, and ships buckling in the grip of crushing ice. But their real enemy is even more terrifying. There is something out there in the frigid darkness: an unseen predator stalking their ship, a monstrous terror clawing to get in. “The best and most unusual historical novel I have read in years.” —Katherine A. Powers, Boston Globe
Author: John Troyer
Publisher: MIT Press
ISBN: 0262542315
Category : Social Science
Languages : en
Pages : 268
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Book Description
“One of our greatest thinkers” on death presents a radical new approach to thinking about dying and the human corpse (Caitlin Doughty, mortician and bestselling author of Smoke Gets in Your Eyes). A fascinating exploration of the relationship between technology and the human corpse throughout history—from 19th-century embalming machines to 21st-century death-prevention technologies. Death and the dead body have never been more alive in the public imagination—not least because of current debates over modern medical technology that is deployed, it seems, expressly to keep human bodies from dying, blurring the boundary between alive and dead. In this book, John Troyer examines the relationship of the dead body with technology, both material and conceptual: the physical machines, political concepts, and sovereign institutions that humans use to classify, organize, repurpose, and transform the human corpse. Doing so, he asks readers to think about death, dying, and dead bodies in radically different ways. Troyer explains, for example, how technologies of the nineteenth century including embalming and photography, created our image of a dead body as quasi-atemporal, existing outside biological limits formerly enforced by decomposition. He describes the “Happy Death Movement” of the 1970s; the politics of HIV/AIDS corpse and the productive potential of the dead body; the provocations of the Body Worlds exhibits and their use of preserved dead bodies; the black market in human body parts; and the transformation of historic technologies of the human corpse into “death prevention technologies.” The consequences of total control over death and the dead body, Troyer argues, are not liberation but the abandonment of Homo sapiens as a concept and a species. In this unique work, Troyer forces us to consider the increasing overlap between politics, dying, and the dead body in both general and specifically personal terms.
Author: Mary Roach
Publisher: W. W. Norton & Company
ISBN: 0393245454
Category : Science
Languages : en
Pages : 283
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Book Description
A New York Times / National Bestseller "America's funniest science writer" (Washington Post) Mary Roach explores the science of keeping human beings intact, awake, sane, uninfected, and uninfested in the bizarre and extreme circumstances of war. Grunt tackles the science behind some of a soldier's most challenging adversaries—panic, exhaustion, heat, noise—and introduces us to the scientists who seek to conquer them. Mary Roach dodges hostile fire with the U.S. Marine Corps Paintball Team as part of a study on hearing loss and survivability in combat. She visits the fashion design studio of U.S. Army Natick Labs and learns why a zipper is a problem for a sniper. She visits a repurposed movie studio where amputee actors help prepare Marine Corps medics for the shock and gore of combat wounds. At Camp Lemmonier, Djibouti, in east Africa, we learn how diarrhea can be a threat to national security. Roach samples caffeinated meat, sniffs an archival sample of a World War II stink bomb, and stays up all night with the crew tending the missiles on the nuclear submarine USS Tennessee. She answers questions not found in any other book on the military: Why is DARPA interested in ducks? How is a wedding gown like a bomb suit? Why are shrimp more dangerous to sailors than sharks? Take a tour of duty with Roach, and you’ll never see our nation’s defenders in the same way again.
Author: Mary Roach
Publisher: W. W. Norton & Company
ISBN: 0393324826
Category : Medical
Languages : en
Pages : 305
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Book Description
A look inside the world of forensics examines the use of human cadavers in a wide range of endeavors, including research into new surgical procedures, space exploration, and a Tennessee human decay research facility.
Author: Alan Bradley
Publisher: Bantam
ISBN: 1101884916
Category : Fiction
Languages : en
Pages : 33
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Book Description
Fans of Flavia de Luce rejoice—here’s a special eBook original short story, in which the eleven-year-old connoisseur of chemistry is immersed in her element: solving a mystery! Murder! the letter says, Come at once. Anson House, Greyminster, Staircase No. 3. How can Flavia de Luce resist such an urgent plea? After all, examining a dead body sounds like a perfectly splendid way to spend a Sunday. So Flavia hops upon her trusted bicycle, Gladys, whose rubber tires hiss happily along the rainy road, and arrives at her father’s mist-shrouded old school. There, a terrified boy leads her to the loo where, sitting in a bathtub, is what appears to be a statue. But, no: To Flavia’s surprise, the thing is in fact a naked dead man. Save his face, he seems to have been carved out of copper. Never one to shy away from the macabre, Flavia gets to work—only to find that when an investigation begins with a metallic cadaver, ever more curious twists are to be expected. Acclaim for Alan Bradley’s beloved Flavia de Luce novels, winners of the Crime Writers’ Association Debut Dagger Award, Barry Award, Agatha Award, Macavity Award, Dilys Award, and Arthur Ellis Award “If ever there were a sleuth who’s bold, brilliant, and, yes, adorable, it’s Flavia de Luce.”—USA Today “Part Harriet the Spy, part Violet Baudelaire from Lemony Snicket’s A Series of Unfortunate Events, Flavia is a pert and macabre pragmatist.”—The New York Times Book Review “This idiosyncratic young heroine continues to charm.”—The Wall Street Journal “Delightful . . . a combination of Eloise and Sherlock Holmes.”—The Boston Globe “Think preteen Nancy Drew, only savvier.”—Entertainment Weekly “The most intrepid and charming adolescent chemist/detective/busybody in all of rural, post–World War II England.”—The Seattle Times
Author: David Sherman
Publisher: Oxford University Press
ISBN: 0199333890
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
Literary modernism emerged as death, stripped in the developing world of traditional meanings and practices, became strange. The sea-change over the first part of the twentieth century in how people died and tended corpses-the modernization of death-was a crucial context in which modernist writers developed their new novelistic and poetic techniques. They sought ways to renovate mortal obligations in an age of the obsolescence of the dead. For many years, the flesh-and-blood body has been a central protagonist in literary scholarship--the body in pain, the body as spectacle and performance, embodiments of social identity--but the body in its mortality, as corpse, has not received sustained critical attention. Filling this gap, In a Strange Room investigates modernism's preoccupation with corpses, death rituals, and the ethical demands the dead make on the living who survive them. Informed by insights from psychology, anthropology, political theory, and philosophy, David Sherman shows how modernist aesthetics sought to re-animate the complex meanings and values of dead bodies during an era of their efficient, medical administration and hygienic disposal. The modernist imagination reckoned with the processes by which the modern corpse became a secularized object increasingly subject to scientific inquiry, governmental regulation, specialized medical technologies, and new forms of market exchange. Chapters explore representations of state power over the war dead in Virginia Woolf and Wilfred Owen, the narrative problem of the unburied corpse in As I Lay Dying and Ulysses, mortal obligation as erotic desire in Eliot's The Waste Land and Djuna Barnes's Nightwood, and mortuary pedagogies embedded in elegies by Wallace Stevens and William Carlos Williams. Gathering examples from fiction, poetry, and the visual arts, In a Strange Room considers the changing relationship between aesthetics and mortality during the first half of the twentieth century. New attitudes toward dying and dead bodies demanded modernism's strange, bracing ways of representing ethics at the limits of life.
Author: Neal Thompson
Publisher: Crown Archetype
ISBN: 0770436218
Category : Biography & Autobiography
Languages : en
Pages : 434
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Book Description
A Curious Man is the marvelously compelling biography of Robert “Believe It or Not” Ripley, the enigmatic cartoonist turned globetrotting millionaire who won international fame by celebrating the world's strangest oddities, and whose outrageous showmanship taught us to believe in the unbelievable. As portrayed by acclaimed biographer Neal Thompson, Ripley’s life is the stuff of a classic American fairy tale. Buck-toothed and cursed by shyness, Ripley turned his sense of being an outsider into an appreciation for the strangeness of the world. After selling his first cartoon to Time magazine at age eighteen, more cartooning triumphs followed, but it was his “Believe It or Not” conceit and the wildly popular radio shows it birthed that would make him one of the most successful entertainment figures of his time and spur him to search the globe’s farthest corners for bizarre facts, exotic human curiosities, and shocking phenomena. Ripley delighted in making outrageous declarations that somehow always turned out to be true—such as that Charles Lindbergh was only the sixty-seventh man to fly across the Atlantic or that “The Star Spangled Banner” was not the national anthem. Assisted by an exotic harem of female admirers and by ex-banker Norbert Pearlroth, a devoted researcher who spoke eleven languages, Ripley simultaneously embodied the spirit of Peter Pan, the fearlessness of Marco Polo and the marketing savvy of P. T. Barnum. In a very real sense, Ripley sought to remake the world’s aesthetic. He demanded respect for those who were labeled “eccentrics” or “freaks”—whether it be E. L. Blystone, who wrote 1,615 alphabet letters on a grain of rice, or the man who could swallow his own nose. By the 1930s Ripley possessed a vast fortune, a private yacht, and a twenty-eight room mansion stocked with such “oddities” as shrunken heads and medieval torture devices, and his pioneering firsts in print, radio, and television were tapping into something deep in the American consciousness—a taste for the titillating and exotic, and a fascination with the fastest, biggest, dumbest and most weird. Today, that legacy continues and can be seen in reality TV, YouTube, America’s Funniest Home Videos, Jackass, MythBusters and a host of other pop-culture phenomena. In the end Robert L. Ripley changed everything. The supreme irony of his life, which was dedicated to exalting the strange and unusual, is that he may have been the most amazing oddity of all.
Author: Wilhelm Hauff
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 13372
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Book Description
STRANGE STRANGE THINGS: 550+ Supernatural Mysteries, Macabre & Horror Classics is a monumental assembly of narratives that traverses the shadowy boundaries of the supernatural, the uncanny, and the outright terrifying. This collection boasts an unparalleled diversity in literary styles, encompassing the gothic tales of the 18th century, the psychological horror of the 19th century, and the cosmic dread of the early 20th century. The anthology highlights the genre's evolution, featuring seminal works that have shaped our understanding of fear and fascination with the unknown. Each piece, carefully selected for its contribution to the tapestry of horror and supernatural literature, stands as a testament to the genre's richness and complexity, showcasing the stylistic innovation and depth of insight that horror and macabre tales can offer. The backgrounds of the contributors to STRANGE STRANGE THINGS are as varied as the themes they explore, encompassing renowned authors from different eras and cultures, each bringing their unique voice and perspective to the collection. From the psychological realism of Henry James to the dark romanticism of Edgar Allan Poe, and the pioneering science fiction of H.G. Wells, this anthology not only charts the historical and cultural shifts within the genre but also reflects the broader human condition through its exploration of fear, desire, and the supernatural. The collective contributions of these authors provide a rich, multidimensional experience of the macabre, enlivened by their diverse cultural backgrounds and literary traditions, thereby enriching the reader's understanding of the multifaceted nature of horror and supernatural literature. STRANGE STRANGE THINGS is an indispensable volume for both aficionados and new readers of the horror and supernatural genres, offering a comprehensive journey through the labyrinth of humanity's deepest fears and darkest fantasies. This collection serves as a unique educational tool, broadening the readers literary horizons and deepening their appreciation for the craft of storytelling. It invites readers to immerse themselves in a world where the extraordinary confronts the ordinary, where the boundary between the known and the unknown blurs, and to explore the profound psychological and philosophical questions that these stories evoke. For anyone seeking to understand the breadth and depth of the supernatural in literature, STRANGE STRANGE THINGS is an unrivaled compendium that promises endless hours of fascination and awe.
Author: Charles Dickens
Publisher:
ISBN:
Category :
Languages : en
Pages : 494
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Book Description
Author: Harald William Fawkner
Publisher: Associated University Presse
ISBN: 9780838632499
Category : Biography & Autobiography
Languages : en
Pages : 262
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Book Description
