Author: Joseph Conrad
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 396
Book Description
Political turmoil convulses 19th-century Russia, as Razumov, a young student preparing for a career in the czarist bureaucracy, unwittingly becomes embroiled in the assassination of a public official. Asked to spy on the family of the assassin -- his close friend -- he must come to terms with timeless questions of accountability and human integrity.
Under Western Eyes
Author: Joseph Conrad
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 396
Book Description
Political turmoil convulses 19th-century Russia, as Razumov, a young student preparing for a career in the czarist bureaucracy, unwittingly becomes embroiled in the assassination of a public official. Asked to spy on the family of the assassin -- his close friend -- he must come to terms with timeless questions of accountability and human integrity.
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 396
Book Description
Political turmoil convulses 19th-century Russia, as Razumov, a young student preparing for a career in the czarist bureaucracy, unwittingly becomes embroiled in the assassination of a public official. Asked to spy on the family of the assassin -- his close friend -- he must come to terms with timeless questions of accountability and human integrity.
Conrad’s Destructive Element
Author: Kenneth B. Newell
Publisher: Cambridge Scholars Publishing
ISBN: 1443827916
Category : Literary Criticism
Languages : en
Pages : 170
Book Description
This book presents a new interpretation of Joseph Conrad’s novel Lord Jim based on readings from not only its published text but also its principal manuscript text. Extensive use of the manuscript text has not been a feature of any other work on Lord Jim, and such use helps bring into focus a fixed pattern of meaning and an implicit unity that Conrad said the novel has. This result controverts not only postmodern critics, who say that the novel lacks any fixed pattern of meaning, but almost all critics since its publication, who have said that it lacks unity—specifically, that it separates into two halves, the Patna half and the Patusan half. However, with the help of the manuscript text, a detailed interpretation extending over the whole of Lord Jim shows it to be a unified whole. As Conrad wrote to his publisher four days after completing the novel, it is “the development of one situation, only one really from beginning to end.” Most recent Lord Jim criticism discusses the novel from a standpoint critical of the author and in political or epistemological terms, whereas the present book discusses it from a standpoint sympathetic to the author and in symbolic and metaphysical terms. The metaphysical question that pervades the novel and helps unify it is whether the “destructive element” that is the “spirit” of the Universe has intention—and, beyond that, malevolent intention—toward any particular individual or is, instead, indiscriminate, impartial, and indifferent. Depending (as a corollary) on the answer to that question is the degree to which the particular individual can be judged responsible for what he does or does not do. Variant responses to the question or its corollary are provided not only by several characters and voices in Lord Jim but also by a letter of Conrad’s and by excerpts from works by Arthur Schopenhauer, Thomas Hardy, James Thomson (“B. V.”), and John Stuart Mill. The present book is written in a lay vocabulary free of the diction of postmodern theory and so would be understandable to non-academic as well as academic readers. It is intended for anyone interested in gaining a coherent nonpolitical understanding of Lord Jim.
Publisher: Cambridge Scholars Publishing
ISBN: 1443827916
Category : Literary Criticism
Languages : en
Pages : 170
Book Description
This book presents a new interpretation of Joseph Conrad’s novel Lord Jim based on readings from not only its published text but also its principal manuscript text. Extensive use of the manuscript text has not been a feature of any other work on Lord Jim, and such use helps bring into focus a fixed pattern of meaning and an implicit unity that Conrad said the novel has. This result controverts not only postmodern critics, who say that the novel lacks any fixed pattern of meaning, but almost all critics since its publication, who have said that it lacks unity—specifically, that it separates into two halves, the Patna half and the Patusan half. However, with the help of the manuscript text, a detailed interpretation extending over the whole of Lord Jim shows it to be a unified whole. As Conrad wrote to his publisher four days after completing the novel, it is “the development of one situation, only one really from beginning to end.” Most recent Lord Jim criticism discusses the novel from a standpoint critical of the author and in political or epistemological terms, whereas the present book discusses it from a standpoint sympathetic to the author and in symbolic and metaphysical terms. The metaphysical question that pervades the novel and helps unify it is whether the “destructive element” that is the “spirit” of the Universe has intention—and, beyond that, malevolent intention—toward any particular individual or is, instead, indiscriminate, impartial, and indifferent. Depending (as a corollary) on the answer to that question is the degree to which the particular individual can be judged responsible for what he does or does not do. Variant responses to the question or its corollary are provided not only by several characters and voices in Lord Jim but also by a letter of Conrad’s and by excerpts from works by Arthur Schopenhauer, Thomas Hardy, James Thomson (“B. V.”), and John Stuart Mill. The present book is written in a lay vocabulary free of the diction of postmodern theory and so would be understandable to non-academic as well as academic readers. It is intended for anyone interested in gaining a coherent nonpolitical understanding of Lord Jim.
Il Conde
Author: Joseph Conrad
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
"Vedi Napoli e poi mori."The first time we got into conversation was in the National Museum in Naples, in the rooms on the ground floor containing the famous collection of bronzes from Herculaneum and Pompeii: that marvellous legacy of antique art whose delicate perfection has been preserved for us by the catastrophic fury of a volcano.He addressed me first, over the celebrated Resting Hermes which we had been looking at side by side. He said the right things about that wholly admirable piece. Nothing profound. His taste was natural rather than cultivated. He had obviously seen many fine things in his life and appreciated them: but he had no jargon of a dilettante or the connoisseur. A hateful tribe. He spoke like a fairly intelligent man of the world, a perfectly unaffected gentleman.We had known each other by sight for some few days past. Staying in the same hotel-good, but not extravagantly up to date-I had noticed him in the vestibule going in and out. I judged he was an old and valued client. The bow of the hotel-keeper was cordial in its deference, and he acknowledged it with familiar courtesy. For the servants he was Il Conde. There was some squabble over a man's parasol-yellow silk with white lining sort of thing-the waiters had discovered abandoned outside the dining-room door. Our gold-laced door-keeper recognized it and I heard him directing one of the lift boys to run after Il Conde with it.
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
"Vedi Napoli e poi mori."The first time we got into conversation was in the National Museum in Naples, in the rooms on the ground floor containing the famous collection of bronzes from Herculaneum and Pompeii: that marvellous legacy of antique art whose delicate perfection has been preserved for us by the catastrophic fury of a volcano.He addressed me first, over the celebrated Resting Hermes which we had been looking at side by side. He said the right things about that wholly admirable piece. Nothing profound. His taste was natural rather than cultivated. He had obviously seen many fine things in his life and appreciated them: but he had no jargon of a dilettante or the connoisseur. A hateful tribe. He spoke like a fairly intelligent man of the world, a perfectly unaffected gentleman.We had known each other by sight for some few days past. Staying in the same hotel-good, but not extravagantly up to date-I had noticed him in the vestibule going in and out. I judged he was an old and valued client. The bow of the hotel-keeper was cordial in its deference, and he acknowledged it with familiar courtesy. For the servants he was Il Conde. There was some squabble over a man's parasol-yellow silk with white lining sort of thing-the waiters had discovered abandoned outside the dining-room door. Our gold-laced door-keeper recognized it and I heard him directing one of the lift boys to run after Il Conde with it.
Library of Congress Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Subject
Languages : en
Pages : 668
Book Description
A cumulative list of works represented by Library of Congress printed cards.
Publisher:
ISBN:
Category : Catalogs, Subject
Languages : en
Pages : 668
Book Description
A cumulative list of works represented by Library of Congress printed cards.
The Secret Agent
Author: Joseph Conrad
Publisher: Courier Corporation
ISBN: 0486114724
Category : Fiction
Languages : en
Pages : 209
Book Description
Revolutionaries in the backstreets of 19th-century London plot the destruction of Greenwich Observatory in this masterpiece of suspense. Rich in atmosphere and psychological realism.
Publisher: Courier Corporation
ISBN: 0486114724
Category : Fiction
Languages : en
Pages : 209
Book Description
Revolutionaries in the backstreets of 19th-century London plot the destruction of Greenwich Observatory in this masterpiece of suspense. Rich in atmosphere and psychological realism.
Heart of Darkness (Wisehouse Classics Edition)
Author: Joseph Conrad
Publisher:
ISBN: 9789176370674
Category :
Languages : en
Pages : 76
Book Description
HEART OF DARKNESS (1899) is a novella by Polish-British novelist Joseph Conrad, about a voyage up the Congo River into the Congo Free State, in the heart of Africa, by the story's narrator Marlow. Marlow tells his story to friends aboard a boat anchored on the River Thames, London, England. This setting provides the frame for Marlow's story of his obsession with the ivory trader Kurtz, which enables Conrad to create a parallel between London and Africa as places of darkness. Central to Conrad's work is the idea that there is little difference between so-called civilized people and those described as savages; Heart of Darkness raises important questions about imperialism and racism. Originally published as a three-part serial story in Blackwood's Magazine, the novella Heart of Darkness has been variously published and translated into many languages. In 1998, the Modern Library ranked Heart of Darkness as the sixty-seventh of the hundred best novels in English of the twentieth century.
Publisher:
ISBN: 9789176370674
Category :
Languages : en
Pages : 76
Book Description
HEART OF DARKNESS (1899) is a novella by Polish-British novelist Joseph Conrad, about a voyage up the Congo River into the Congo Free State, in the heart of Africa, by the story's narrator Marlow. Marlow tells his story to friends aboard a boat anchored on the River Thames, London, England. This setting provides the frame for Marlow's story of his obsession with the ivory trader Kurtz, which enables Conrad to create a parallel between London and Africa as places of darkness. Central to Conrad's work is the idea that there is little difference between so-called civilized people and those described as savages; Heart of Darkness raises important questions about imperialism and racism. Originally published as a three-part serial story in Blackwood's Magazine, the novella Heart of Darkness has been variously published and translated into many languages. In 1998, the Modern Library ranked Heart of Darkness as the sixty-seventh of the hundred best novels in English of the twentieth century.
Library of Congress Catalogs
Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 664
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 664
Book Description
Conrad's Decentered Fiction
Author: Johan Adam Warodell
Publisher: Cambridge University Press
ISBN: 1316512193
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
Brings the vibrant details of Conrad's writing to the forefront for study and analyzes newly-discovered artworks, maps, and manuscript pages.
Publisher: Cambridge University Press
ISBN: 1316512193
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
Brings the vibrant details of Conrad's writing to the forefront for study and analyzes newly-discovered artworks, maps, and manuscript pages.
The Art of Failure
Author: Suresh Raval
Publisher: Taylor & Francis
ISBN: 9780048000392
Category : Failure (Psychology) in literature
Languages : en
Pages : 187
Book Description
Publisher: Taylor & Francis
ISBN: 9780048000392
Category : Failure (Psychology) in literature
Languages : en
Pages : 187
Book Description
The Idiots
Author: Joseph Conrad
Publisher: Modernista
ISBN: 9181080883
Category :
Languages : en
Pages : 31
Book Description
»The Idiots« is a short story by Joseph Conrad, originally published in 1896. JOSEPH CONRAD [1857–1924] was born in Ukraine to Polish parents, went to sea at the age of seventeen, and ended his career as a captain in the English merchant navy. His most famous work is the novella Heart of Darkness [1899], adapted into a film by Francis Ford Coppola in 1979 as Apocalypse Now.
Publisher: Modernista
ISBN: 9181080883
Category :
Languages : en
Pages : 31
Book Description
»The Idiots« is a short story by Joseph Conrad, originally published in 1896. JOSEPH CONRAD [1857–1924] was born in Ukraine to Polish parents, went to sea at the age of seventeen, and ended his career as a captain in the English merchant navy. His most famous work is the novella Heart of Darkness [1899], adapted into a film by Francis Ford Coppola in 1979 as Apocalypse Now.