A Critical Commentary on Flaubert's 'Trois Contes'. PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A Critical Commentary on Flaubert's 'Trois Contes'. PDF full book. Access full book title A Critical Commentary on Flaubert's 'Trois Contes'. by John Fletcher. Download full books in PDF and EPUB format.
Author: John Fletcher
Publisher:
ISBN:
Category : Flaubert, Gustave. Trois Contes
Languages : en
Pages : 98
Get Book Here
Book Description
Author: John Fletcher
Publisher:
ISBN:
Category : Flaubert, Gustave. Trois Contes
Languages : en
Pages : 98
Get Book Here
Book Description
Author: Aimée Israel-Pelletier
Publisher: John Benjamins Publishing
ISBN: 9781556193002
Category : Literary Criticism
Languages : en
Pages : 198
Get Book Here
Book Description
Israel Pelletier argues that "Trois contes" demands a different kind of reading which distinguishes it from "Madame Bovary" and other Flaubert texts. By the time he wrote this late work, Flaubert's attitude toward his characters and the role of fiction had changed to accommodate different social, political, and literary pressures. He constructed two opposing levels of meaning for each of the stories, straight and ironic, which produced a more fruitful way of addressing some of his concerns and assumptions about langauge and illusion. Included in this study are a provocative feminist reading of "Un Coeur," an assessment of "Saint Julien" as Flaubert's attempt to come to terms with his originality as a writer, and an interpretation of "Herodias" as an autobiography of the writing process.
Author: George A. Willenbrink
Publisher: Rodopi
ISBN: 9789062034093
Category : Literary Criticism
Languages : en
Pages : 270
Get Book Here
Book Description
A study of Gustave Flaubert's Un coeur simple (A simple heart) originally written in 1876 and published in 1877.
Author: Kathryn Oliver Mills
Publisher: Lexington Books
ISBN: 1611493951
Category : Literary Criticism
Languages : en
Pages : 201
Get Book Here
Book Description
In Formal Revolution in the Work of Baudelaire and Flaubert, Kathryn Oliver Mills argues that despite the enduring celebrity of Baudelaire and Flaubert, their significance to modern art has been miscast and misunderstood. To date, literary criticism has paid insufficient attention to these authors' literary form and their socio-cultural context. In addition, critical literature has not always adequately integrated individual works to each author’s broader oeuvre: on the one hand critics do not often maintain rigorous distinctions among texts when discussing Baudelaire and Flaubert, and on the other hand scholars of Baudelaire and Flaubert have not consistently considered the relationship of individual texts to either writer’s corpus. Furthermore, critical focus has been on the modernity of Les Fleurs du mal, Madame Bovary, and L'Education Sentimentale. Addressing these lacunae in scholarship, Mills puts forth the argument that Baudelaire's collection of prose poems, Le Spleen de Paris, and Flaubert's short, poetic tales, Trois contes, best embody the modern aesthetic that Baudelaire develops in Le Peintre de la vie moderne and that Flaubert elaborates in his correspondence. Formal Revolution places these relatively less well-known but last published works in relationship with the artistic goals of their authors, showing that Baudelaire and Flaubert were both acutely aware of the need to launch a new form of literature in order to literally “come to terms with” the dramatic changes transforming the nineteenth-century into the Modern Age. More specifically, Formal Revolution demonstrates that for Baudelaire and Flaubert the formal project of fusing prose with poetry—as poetic prose in the case of Flaubert, as poetry in prose in the case of Baudelaire—was crucial to their mission of “painting modern life.” This work concludes that experimentation with literary form represents these two seminal writers’ major legacy to modernity; suggests that the twentieth-century might have gone too far down that road; and speculates about the future direction of literature. The modernity of Baudelaire and Flaubert, still relevant today but often taken for granted, needs to be reexamined in light of the cultural, formal, and contextual considerations that inform Formal Revolution in the Work of Baudelaire and Flaubert.
Author:
Publisher: Athens : Swallow Press/Ohio University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 304
Get Book Here
Book Description
Critical interest in foreign novels, especially the Latin American and African novel, has burgeoned in the past two decades. The purpose of this reference bibliography is to provide easier access to the criticism produced from 1965 to 1975 on novels published in Africa, Latin America, Europe, Asia, Canada, Australia, and the middle East. A second volume will cover criticism between 1976 and 1985. Throughout this work, the term "foreign novel" includes novels and other longer works of fiction produced in all countries other than the United States and the United Kingdom. Coverage ranges in time of writing from Apuleius' Metamorphosis (first century, A.D.) and Murasaki's Tale of Genji (11th century) to Garcia Marquez's 100 Years of Solitude (1967) and Margaret Atwood's Surfacing (1972). The 277 journals--chosen primarily because of their wide circulation--and 584 books indexed for relevant material contribute to the 13,000 bibliographic citations on 1,500 authors. This is a reference tool which is surely essential for any library or world literature scholar.
Author: Vivien Jones
Publisher: Springer
ISBN: 1349178934
Category : Literary Criticism
Languages : en
Pages : 240
Get Book Here
Book Description
Author: Jefferson J. A. Gatrall
Publisher: University of Michigan Press
ISBN: 0472120255
Category : Literary Criticism
Languages : en
Pages : 329
Get Book Here
Book Description
The figure of Jesus appears as a character in dozens of nineteenth-century novels, including works by Balzac, Flaubert, Dickens, Dostoevsky, and others. The Real and the Sacred focuses in particular on two fiction genres: the Jesus redivivus tale and the Jesus novel. In the former, Christ makes surprise visits to earth, from rural Flanders (Balzac) and Muscovy (Turgenev) to the bustling streets of Paris (Flaubert), Seville (Dostoevsky), Berlin, and Boston. In the latter, the historical Jesus wanders through the picturesque towns and plains of first-century Galilee and Judea, attracting followers and enemies. In short, authors subjected Christ, the second person of the Christian trinity, to the realist norms of secular fiction. Thus the Jesus of nineteenth-century fiction was both situated within a specific time and place, whether ancient or modern, and positioned before the gaze of increasingly daring literary portraitists. The highest artistic challenge for authors was to paint, using mere words, a faithful picture of Jesus in all his humanity. The incongruity of a sacred figure inhabiting secular literary forms nevertheless tested the limits of modern realist style no less than the doctrine of Christ’s divinity. The international “quest of the historical Jesus” has been amply documented within the context of nineteenth-century biblical scholarship. Yet there has been no broad-based comparative study devoted to the depiction of Jesus in prose fiction over the same time period. The Real and the Sacred offers a comprehensive survey of this body of fiction, examining both the range of its Christ types and the varying formal means through which these types were represented. The nineteenth century—despite forecasts of God's death at the time—not only revived older Christ types but also witnessed the rise of new ones, including le Christ proletaire, the Mormon Christ, the Buddhist Christ, and the Tolstoyan Christ. Novelists played a crucial role in the invention and popularization of the historical Jesus in particular, one of modernity's major figures. These pioneering works of fiction, written by authors of diverse religious and national backgrounds, laid the formal groundwork for an enduring fascination with the historical Jesus in later fiction and film, from Mikhail Bulgakov's Master and Margarita to Mel Gibson's The Passion of the Christ. The book is enhanced by a gallery of illustrations of the historical Jesus as depicted by nineteenth-century artists.
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410358003
Category : Literary Criticism
Languages : en
Pages : 31
Get Book Here
Book Description
A Study Guide for Gustave Flaubert's "Simple Heart," excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs.
Author: Dirk Van Hulle
Publisher: Oxford University Press
ISBN: 0192846795
Category : Literary Criticism
Languages : en
Pages : 259
Get Book Here
Book Description
This book introduces genetic criticism as a reading strategy which investigates the origins and development of texts over time. Using case studies including Samuel Beckett and Ian McEwan, Van Hulle discusses the concrete and more abstract dimensions of this approach.
Author: Freeman G. Henry
Publisher: Summa Publications, Inc.
ISBN: 9781883479022
Category : Literary Criticism
Languages : en
Pages : 412
Get Book Here
Book Description
