Author: Kathryn Starkey
Publisher:
ISBN: 9780268041441
Category : Courts and courtiers in literature
Languages : en
Pages : 0
Book Description
A Courtier's Mirror establishes the unique importance of Thomasin von Zerclaere's Welscher Gast as a document of social practices and concerns in medieval German-speaking court society. This epic-length illustrated didactic poem enjoyed immense popularity in the Middle Ages, resulting in twenty-five redactions produced over two hundred and fifty years. Through a detailed study of word and image, Kathryn Starkey argues that this poem offered instruction, affirmation, and an evolving image cycle in which courtly behaviors were effectively conveyed. As the first book-length study in English, A Courtier's Mirror not only provides a framework for understanding the Welscher Gast and its images, but further explores the rich manuscript reception of the poem and the careful cultivation of a distinct elite identity. Throughout its continued popularity, Starkey argues that the illustrated poem participates in the construction of elite secular identity for an audience that was concerned with distinguishing itself socially and emancipating itself from clerical society. As its audience shifts from rural ministerial family to urban burgher, so the staging of the poem also changes. Starkey selects redactions to show that while the text received only minor revisions over the years, the extensive illumination program and the poem's formatting changed significantly and with deliberate intent. She identifies the 1340 Gotha redaction as the most striking example of a redesigned and expanded image cycle intended to convey models of courtly behavior. Starkey places this manuscript, in particular, in its historical context and convincingly argues for its special place within the reception of Der Welsche Gast. Supported by extensive appendices and a full set of color illustrations of the Gotha manuscript, as well as select illustrations from other manuscripts, A Courtier's Mirror presents vital new research on the complexity of the interrelation of text and image. As such, it will be of interest to scholars of medieval studies, art history, manuscript illustration, and the history of the book. "Focusing on the visual program of the Welscher Gast in its manuscript transmissions, Starkey's superb research of previously unexplored materials offers fascinating new insights not only into the construction of aristocratic courtly identity, self-fashioning, and self-representation. In her analysis of medieval and late medieval versions of the texts she also gives us an entirely new understanding of audiences, ranging from aristocratic circles to urban burghers and ecclesiastical courts. Thus, this excellent and beautifully written book throws a truly new light on medieval courtly ideals, didactic and courtly literature, and its reception." --Niklaus Largier, University of California, Berkeley "A Courtier's Mirror outlines and explains the rich manuscript reception of the thirteenth-century didactic poem Der Welscher Gast. Kathryn Starkey shows how, while the text received only minor redactions over the years, the illumination program changes in significant and interesting ways. The images take on a new iconographic impact and a narrativizing style that is rooted not in ideas about religious virtue but in courtly virtue as outlined in twelfth- and thirteenth-century courtly literature." --Sara S. Poor, Princeton University "In A Courtier's Mirror, Kathryn Starkey has given us an original perspective on a medieval text little known among American scholars beyond specialists in German medieval literature. But her chosen text, with its twenty-five preserved manuscripts over two centuries, its extensive and relatively constant illustration cycle, and its tight fit into a well-known genre of didactic material, is a subject of considerable current interest--one begging for a thoroughgoing and updated treatment. Starkey gives us just that; she asks challenging questi
A Courtier's Mirror
Author: Kathryn Starkey
Publisher:
ISBN: 9780268041441
Category : Courts and courtiers in literature
Languages : en
Pages : 0
Book Description
A Courtier's Mirror establishes the unique importance of Thomasin von Zerclaere's Welscher Gast as a document of social practices and concerns in medieval German-speaking court society. This epic-length illustrated didactic poem enjoyed immense popularity in the Middle Ages, resulting in twenty-five redactions produced over two hundred and fifty years. Through a detailed study of word and image, Kathryn Starkey argues that this poem offered instruction, affirmation, and an evolving image cycle in which courtly behaviors were effectively conveyed. As the first book-length study in English, A Courtier's Mirror not only provides a framework for understanding the Welscher Gast and its images, but further explores the rich manuscript reception of the poem and the careful cultivation of a distinct elite identity. Throughout its continued popularity, Starkey argues that the illustrated poem participates in the construction of elite secular identity for an audience that was concerned with distinguishing itself socially and emancipating itself from clerical society. As its audience shifts from rural ministerial family to urban burgher, so the staging of the poem also changes. Starkey selects redactions to show that while the text received only minor revisions over the years, the extensive illumination program and the poem's formatting changed significantly and with deliberate intent. She identifies the 1340 Gotha redaction as the most striking example of a redesigned and expanded image cycle intended to convey models of courtly behavior. Starkey places this manuscript, in particular, in its historical context and convincingly argues for its special place within the reception of Der Welsche Gast. Supported by extensive appendices and a full set of color illustrations of the Gotha manuscript, as well as select illustrations from other manuscripts, A Courtier's Mirror presents vital new research on the complexity of the interrelation of text and image. As such, it will be of interest to scholars of medieval studies, art history, manuscript illustration, and the history of the book. "Focusing on the visual program of the Welscher Gast in its manuscript transmissions, Starkey's superb research of previously unexplored materials offers fascinating new insights not only into the construction of aristocratic courtly identity, self-fashioning, and self-representation. In her analysis of medieval and late medieval versions of the texts she also gives us an entirely new understanding of audiences, ranging from aristocratic circles to urban burghers and ecclesiastical courts. Thus, this excellent and beautifully written book throws a truly new light on medieval courtly ideals, didactic and courtly literature, and its reception." --Niklaus Largier, University of California, Berkeley "A Courtier's Mirror outlines and explains the rich manuscript reception of the thirteenth-century didactic poem Der Welscher Gast. Kathryn Starkey shows how, while the text received only minor redactions over the years, the illumination program changes in significant and interesting ways. The images take on a new iconographic impact and a narrativizing style that is rooted not in ideas about religious virtue but in courtly virtue as outlined in twelfth- and thirteenth-century courtly literature." --Sara S. Poor, Princeton University "In A Courtier's Mirror, Kathryn Starkey has given us an original perspective on a medieval text little known among American scholars beyond specialists in German medieval literature. But her chosen text, with its twenty-five preserved manuscripts over two centuries, its extensive and relatively constant illustration cycle, and its tight fit into a well-known genre of didactic material, is a subject of considerable current interest--one begging for a thoroughgoing and updated treatment. Starkey gives us just that; she asks challenging questi
Publisher:
ISBN: 9780268041441
Category : Courts and courtiers in literature
Languages : en
Pages : 0
Book Description
A Courtier's Mirror establishes the unique importance of Thomasin von Zerclaere's Welscher Gast as a document of social practices and concerns in medieval German-speaking court society. This epic-length illustrated didactic poem enjoyed immense popularity in the Middle Ages, resulting in twenty-five redactions produced over two hundred and fifty years. Through a detailed study of word and image, Kathryn Starkey argues that this poem offered instruction, affirmation, and an evolving image cycle in which courtly behaviors were effectively conveyed. As the first book-length study in English, A Courtier's Mirror not only provides a framework for understanding the Welscher Gast and its images, but further explores the rich manuscript reception of the poem and the careful cultivation of a distinct elite identity. Throughout its continued popularity, Starkey argues that the illustrated poem participates in the construction of elite secular identity for an audience that was concerned with distinguishing itself socially and emancipating itself from clerical society. As its audience shifts from rural ministerial family to urban burgher, so the staging of the poem also changes. Starkey selects redactions to show that while the text received only minor revisions over the years, the extensive illumination program and the poem's formatting changed significantly and with deliberate intent. She identifies the 1340 Gotha redaction as the most striking example of a redesigned and expanded image cycle intended to convey models of courtly behavior. Starkey places this manuscript, in particular, in its historical context and convincingly argues for its special place within the reception of Der Welsche Gast. Supported by extensive appendices and a full set of color illustrations of the Gotha manuscript, as well as select illustrations from other manuscripts, A Courtier's Mirror presents vital new research on the complexity of the interrelation of text and image. As such, it will be of interest to scholars of medieval studies, art history, manuscript illustration, and the history of the book. "Focusing on the visual program of the Welscher Gast in its manuscript transmissions, Starkey's superb research of previously unexplored materials offers fascinating new insights not only into the construction of aristocratic courtly identity, self-fashioning, and self-representation. In her analysis of medieval and late medieval versions of the texts she also gives us an entirely new understanding of audiences, ranging from aristocratic circles to urban burghers and ecclesiastical courts. Thus, this excellent and beautifully written book throws a truly new light on medieval courtly ideals, didactic and courtly literature, and its reception." --Niklaus Largier, University of California, Berkeley "A Courtier's Mirror outlines and explains the rich manuscript reception of the thirteenth-century didactic poem Der Welscher Gast. Kathryn Starkey shows how, while the text received only minor redactions over the years, the illumination program changes in significant and interesting ways. The images take on a new iconographic impact and a narrativizing style that is rooted not in ideas about religious virtue but in courtly virtue as outlined in twelfth- and thirteenth-century courtly literature." --Sara S. Poor, Princeton University "In A Courtier's Mirror, Kathryn Starkey has given us an original perspective on a medieval text little known among American scholars beyond specialists in German medieval literature. But her chosen text, with its twenty-five preserved manuscripts over two centuries, its extensive and relatively constant illustration cycle, and its tight fit into a well-known genre of didactic material, is a subject of considerable current interest--one begging for a thoroughgoing and updated treatment. Starkey gives us just that; she asks challenging questi
Shakespeare's Courtly Mirror
Author: David Haley
Publisher: University of Delaware Press
ISBN: 9780874134438
Category : Drama
Languages : en
Pages : 332
Book Description
"A leading premise of Haley's book is that modern psychological constructs are inadequate for understanding the courtly humanism dramatized by Shakespeare down to 1604. Renaissance culture knows nothing of the bourgeois subject of Locke, Freud, and Lacan. Shakespeare defines aristocratic identity in epic terms and presents not an autonomous individual but a hero whose persona is determined publicly in the "courtly mirror." That exemplary mirror, from Henry IV to Measure for Measure, reflects the heroic actions of rulers and courtiers. The historical self-awareness of Henry, Hal, and Brutus assumes a more contemporary aspect in the courtly self-consciousness of Hamlet, Duke Vincentio, and the three main characters of All's Well That Ends Well: Bertram, Helena, the King." "The "reflexivity" in the title does not indicate the self-referentiality of language, nor does it refer to the traditional paradigm of consciousness implying stable self-knowledge. Courtly reflexivity is oriented toward praxis rather than introspection. Before taking action, the courtier or cortigiana - Helena is a good example - knows only that (s)he is not what (s)he is. The courtier's deliberation is guided by a reflexive, self-regulating prudence that is usually identified with honor or love. In All's Well, Shakespeare contrasts this self-providence or heroic prudence with Divine Providence, but he does so obliquely. While focusing exclusively upon a court which prizes worldly action, he sustains his contrast through a series of ironical allusions to Scripture." "Beginning with a prologue on the problems raised by structural and theatrical interpretations of Bertram's role, Haley goes on to introduce his concept of reflexivity by way of an exchange with the new literary historicism. Chapters 1 to 3 follow the courtly debate over providence and honor, through Helena's triumph in act 2 to Bertram's deserting her. The collapse of her providential design coincides with the crisis of the sick King's honor - a crisis which Shakespeare describes alchemically, implying that alchemy, understood as reflexive chemistry, offers another mirror of the courtier's self-providence." "Chapter 4, the center of the book, brings together historical providence and Boccaccian prudence (avvedimento) in the figure of Ahab, with whom Shakespeare compares both Bertram and the Hal of Henry V. Chapters 5 to 7 pursue Shakespeare's ironic parallel between biblical Providence and courtly prudence, examining specific scenes of self-judgment and self-betrayal in the Henriad and Measure for Measure, as well as in All's Well."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: University of Delaware Press
ISBN: 9780874134438
Category : Drama
Languages : en
Pages : 332
Book Description
"A leading premise of Haley's book is that modern psychological constructs are inadequate for understanding the courtly humanism dramatized by Shakespeare down to 1604. Renaissance culture knows nothing of the bourgeois subject of Locke, Freud, and Lacan. Shakespeare defines aristocratic identity in epic terms and presents not an autonomous individual but a hero whose persona is determined publicly in the "courtly mirror." That exemplary mirror, from Henry IV to Measure for Measure, reflects the heroic actions of rulers and courtiers. The historical self-awareness of Henry, Hal, and Brutus assumes a more contemporary aspect in the courtly self-consciousness of Hamlet, Duke Vincentio, and the three main characters of All's Well That Ends Well: Bertram, Helena, the King." "The "reflexivity" in the title does not indicate the self-referentiality of language, nor does it refer to the traditional paradigm of consciousness implying stable self-knowledge. Courtly reflexivity is oriented toward praxis rather than introspection. Before taking action, the courtier or cortigiana - Helena is a good example - knows only that (s)he is not what (s)he is. The courtier's deliberation is guided by a reflexive, self-regulating prudence that is usually identified with honor or love. In All's Well, Shakespeare contrasts this self-providence or heroic prudence with Divine Providence, but he does so obliquely. While focusing exclusively upon a court which prizes worldly action, he sustains his contrast through a series of ironical allusions to Scripture." "Beginning with a prologue on the problems raised by structural and theatrical interpretations of Bertram's role, Haley goes on to introduce his concept of reflexivity by way of an exchange with the new literary historicism. Chapters 1 to 3 follow the courtly debate over providence and honor, through Helena's triumph in act 2 to Bertram's deserting her. The collapse of her providential design coincides with the crisis of the sick King's honor - a crisis which Shakespeare describes alchemically, implying that alchemy, understood as reflexive chemistry, offers another mirror of the courtier's self-providence." "Chapter 4, the center of the book, brings together historical providence and Boccaccian prudence (avvedimento) in the figure of Ahab, with whom Shakespeare compares both Bertram and the Hal of Henry V. Chapters 5 to 7 pursue Shakespeare's ironic parallel between biblical Providence and courtly prudence, examining specific scenes of self-judgment and self-betrayal in the Henriad and Measure for Measure, as well as in All's Well."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Works
Author: Ben Jonson
Publisher:
ISBN:
Category :
Languages : en
Pages : 594
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 594
Book Description
Works ...
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 796
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 796
Book Description
Mirrors for Princes
Author: Michael Keeley
Publisher: Georgetown University Press
ISBN: 1647125537
Category : Business & Economics
Languages : en
Pages : 408
Book Description
"Mirrors for Princes is a history of the business book. Predating modern leadership and management literature by thousands of years, common to cultures throughout the world, mirrors for princes, as this genre was known, taught kings, queens, sultans, and other rulers how to lead their subjects. Machiavelli's The Prince and Aristotle's tips for tyrants in The Politics are but the best-known examples. Often written for general audiences, this literature also taught readers to copy the virtues of fabled leaders and to follow the lead of their own rulers. After falling out of favor for the last two centuries, the genre found new life in modern mirrors for managers, which are riddled with the same self-serving clichés. This book seeks to familiarize readers with the clichés of mirrors for princes, so they can more easily recognize them in both academic and popular literature on leadership"--
Publisher: Georgetown University Press
ISBN: 1647125537
Category : Business & Economics
Languages : en
Pages : 408
Book Description
"Mirrors for Princes is a history of the business book. Predating modern leadership and management literature by thousands of years, common to cultures throughout the world, mirrors for princes, as this genre was known, taught kings, queens, sultans, and other rulers how to lead their subjects. Machiavelli's The Prince and Aristotle's tips for tyrants in The Politics are but the best-known examples. Often written for general audiences, this literature also taught readers to copy the virtues of fabled leaders and to follow the lead of their own rulers. After falling out of favor for the last two centuries, the genre found new life in modern mirrors for managers, which are riddled with the same self-serving clichés. This book seeks to familiarize readers with the clichés of mirrors for princes, so they can more easily recognize them in both academic and popular literature on leadership"--
The Persian Mirror
Author: Susan Mokhberi
Publisher: Oxford University Press
ISBN: 0190884800
Category : History
Languages : en
Pages : 224
Book Description
The Persian Mirror explores France's preoccupation with Persia in the seventeenth century. Long before Montesquieu's Persian Letters, French intellectuals, diplomats and even ordinary Parisians were fascinated by Persia and eagerly consumed travel accounts, fairy tales, and the spectacle of the Persian ambassador's visit to Paris and Versailles in 1715. Using diplomatic sources, fiction and printed and painted images, The Persian Mirror describes how the French came to see themselves in Safavid Persia. In doing so, it revises our notions of orientalism and the exotic and suggests that early modern Europeans had more nuanced responses to Asia than previously imagined.
Publisher: Oxford University Press
ISBN: 0190884800
Category : History
Languages : en
Pages : 224
Book Description
The Persian Mirror explores France's preoccupation with Persia in the seventeenth century. Long before Montesquieu's Persian Letters, French intellectuals, diplomats and even ordinary Parisians were fascinated by Persia and eagerly consumed travel accounts, fairy tales, and the spectacle of the Persian ambassador's visit to Paris and Versailles in 1715. Using diplomatic sources, fiction and printed and painted images, The Persian Mirror describes how the French came to see themselves in Safavid Persia. In doing so, it revises our notions of orientalism and the exotic and suggests that early modern Europeans had more nuanced responses to Asia than previously imagined.
Facilitating with Stories
Author: Andrew Rixon
Publisher: Cambridge Scholars Publishing
ISBN: 1527588300
Category : Language Arts & Disciplines
Languages : en
Pages : 514
Book Description
This book provides a rich connection between theory and practice for those seeking to work with stories in organisational, community, educative or coaching settings. With an international cast of contributors, it charters a unique inquiry into both ethics and the facilitation philosophies for working with stories supporting educators, facilitators, trainers and consultants towards more effective and considered practice. This book will be a valuable resource for professionals and reflective practitioners seeking to explore: What informs an ethics of facilitating with stories? How can we create safe spaces for story work? In what ways do we need to be attuned to power when working with stories in organisations and corporations? What are the unintended and ethical consequences of facilitating with stories?
Publisher: Cambridge Scholars Publishing
ISBN: 1527588300
Category : Language Arts & Disciplines
Languages : en
Pages : 514
Book Description
This book provides a rich connection between theory and practice for those seeking to work with stories in organisational, community, educative or coaching settings. With an international cast of contributors, it charters a unique inquiry into both ethics and the facilitation philosophies for working with stories supporting educators, facilitators, trainers and consultants towards more effective and considered practice. This book will be a valuable resource for professionals and reflective practitioners seeking to explore: What informs an ethics of facilitating with stories? How can we create safe spaces for story work? In what ways do we need to be attuned to power when working with stories in organisations and corporations? What are the unintended and ethical consequences of facilitating with stories?
Picturing Courtiers and Nobles from Castiglione to Van Dyck
Author: John Peacock
Publisher: Routledge
ISBN: 1000167968
Category : Art
Languages : en
Pages : 211
Book Description
This interdisciplinary study examines painted portraiture as a defining metaphor of elite self-representation in early modern culture. Beginning with Castiglione’s Book of the Courtier (1528), the most influential early modern account of the formation of elite identity, the argument traces a path across the ensuing century towards the images of courtiers and nobles by the most persuasive of European portrait painters, Van Dyck, especially those produced in London during the 1630s. It investigates two related kinds of texts: those which, following Castiglione, model the conduct of the ideal courtier or elite social conduct more generally; and those belonging to the established tradition of debates about the condition of nobility –how far it is genetically inherited and how far a function of excelling moral and social behaviour. Van Dyck is seen as contributing to these discussions through the language of pictorial art. The book will be of interest to scholars working in art history, cultural history, early modern history and Renaissance studies.
Publisher: Routledge
ISBN: 1000167968
Category : Art
Languages : en
Pages : 211
Book Description
This interdisciplinary study examines painted portraiture as a defining metaphor of elite self-representation in early modern culture. Beginning with Castiglione’s Book of the Courtier (1528), the most influential early modern account of the formation of elite identity, the argument traces a path across the ensuing century towards the images of courtiers and nobles by the most persuasive of European portrait painters, Van Dyck, especially those produced in London during the 1630s. It investigates two related kinds of texts: those which, following Castiglione, model the conduct of the ideal courtier or elite social conduct more generally; and those belonging to the established tradition of debates about the condition of nobility –how far it is genetically inherited and how far a function of excelling moral and social behaviour. Van Dyck is seen as contributing to these discussions through the language of pictorial art. The book will be of interest to scholars working in art history, cultural history, early modern history and Renaissance studies.
The Roman Imperial Court in the Principate and Late Antiquity
Author: Caillan Davenport
Publisher: Oxford University Press
ISBN: 0192688812
Category : History
Languages : en
Pages : 422
Book Description
The Roman Imperial Court in the Principate and Late Antiquity examines the Roman imperial court as a social and political institution in both the Principate and Late Antiquity. By analysing these two periods, which are usually treated separately in studies of the Roman court, it considers continuities, changes, and connections in the six hundred years between the reigns of Augustus and Justinian. Thirteen case studies are presented. Some take a thematic approach, analysing specific aspects such as the appointment of jurists, the role of guard units, or stories told about the court, over several centuries. Others concentrate on specific periods, individuals, or office holders, like the role of women and generals in the fifth century AD, while paying attention to their wider historical significance. The volume concludes with a chapter placing the evolution of the Roman imperial court in comparative perspective using insights from scholarship on other Eurasian monarchical courts. It shows that the long-term transformation of the Roman imperial court did not follow a straightforward and linear course, but came about as the result of negotiation, experimentation, and adaptation.
Publisher: Oxford University Press
ISBN: 0192688812
Category : History
Languages : en
Pages : 422
Book Description
The Roman Imperial Court in the Principate and Late Antiquity examines the Roman imperial court as a social and political institution in both the Principate and Late Antiquity. By analysing these two periods, which are usually treated separately in studies of the Roman court, it considers continuities, changes, and connections in the six hundred years between the reigns of Augustus and Justinian. Thirteen case studies are presented. Some take a thematic approach, analysing specific aspects such as the appointment of jurists, the role of guard units, or stories told about the court, over several centuries. Others concentrate on specific periods, individuals, or office holders, like the role of women and generals in the fifth century AD, while paying attention to their wider historical significance. The volume concludes with a chapter placing the evolution of the Roman imperial court in comparative perspective using insights from scholarship on other Eurasian monarchical courts. It shows that the long-term transformation of the Roman imperial court did not follow a straightforward and linear course, but came about as the result of negotiation, experimentation, and adaptation.
The Crafty Courtier
Author: Nivardus
Publisher:
ISBN:
Category :
Languages : en
Pages : 330
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 330
Book Description