Author: Shaun Hamill
Publisher: Vintage
ISBN: 052556392X
Category : Fiction
Languages : en
Pages : 338
Book Description
"If John Irving ever wrote a horror novel, it would be something like this. I loved it.” —Stephen King ONE OF THE BEST BOOKS OF THE YEAR: ESQUIRE • THE NERD DAILY • THE NEW YORK PUBLIC LIBRARY A GOODREADS CHOICE AWARDS FINALIST Monsters both figurative and very literal stalk the Turner family. The youngest child, Noah, narrates the family history: how in the late '60s, his bookish mother, Margaret, marries Lovecraft-lover Harry against her better judgment. The couple has two daughters--Sydney, born for the spotlight, and the brilliant but awkward Eunice, a natural writer and storyteller. But finances are tight, Margaret and Eunice are haunted by horrific dreams, and Harry starts acting strangely. He becomes obsessed with the construction of an elaborately crafted haunted house attraction, christened the Wandering Dark. The family tries to shield baby Noah from the house's faux horrors, but unbeknownst to them, he's being visited by a furry beast with glowing orange eyes--the same ghastly being glimpsed by both his mother and sister. However, unlike them, Noah decides to let the creature in. . . . As he approaches the conclusion of his family's tale, it becomes more and more apparent that there's only one way the story can end: with Noah making the ultimate sacrifice.
A Cosmology of Monsters
A Cosmology of Monsters
Author: Shaun Hamill
Publisher: Pantheon
ISBN: 152474767X
Category : Fiction
Languages : en
Pages : 338
Book Description
Shielded by his mother and sisters from his father’s obsessive construction of a haunted house attraction, young Noah considers an ultimate sacrifice when he chooses to acknowledge a monster that his family members have tried to ignore.
Publisher: Pantheon
ISBN: 152474767X
Category : Fiction
Languages : en
Pages : 338
Book Description
Shielded by his mother and sisters from his father’s obsessive construction of a haunted house attraction, young Noah considers an ultimate sacrifice when he chooses to acknowledge a monster that his family members have tried to ignore.
The Dissonance
Author: Shaun Hamill
Publisher: Pantheon
ISBN: 0593317262
Category : Fiction
Languages : en
Pages : 520
Book Description
From the acclaimed author of A Cosmology of Monsters ("I loved it" —Stephen King) comes an epic contemporary fantasy, a mixture of The Magicians and It: a story of dark magic, terrible mistakes, and second chances. "You can never go home again," the saying goes—but Hal, Athena, and Erin have to. In high school, the three were students of the eccentric Professor Marsh, trained in a secret system of magic known as the Dissonance, which is built around harnessing negative emotions: alienation, anger, pain. Then, twenty years ago, something happened that shattered their coven, scattering them across the country, stuck in mundane lives, alone. But now, terrifying signs and portents (not to mention a pointed Facebook invite) have summoned them back to Clegg, Texas. There, their paths will collide with that of Owen, a closeted teenager from Alabama whose aborted cemetery seance with his crush summoned something far worse: a murderous entity whose desperate, driving purpose includes kidnapping Owen to serve as its Renfield. As Owen tries to outwit his new master, and Hal, Athena, and Erin reckon with how the choices they made as teens might connect to the apocalyptic event unfurling over the Lone Star State, shocking alliances form, old and new romances brew, and three unsuccessful adults and one frightened teen are all that stand between reality and oblivion. From one of the boldest, most brilliant voices in modern fantastical horror, The Dissonance is a thrilling and beautifully written story of magic and monsters, forgiveness and friendship.
Publisher: Pantheon
ISBN: 0593317262
Category : Fiction
Languages : en
Pages : 520
Book Description
From the acclaimed author of A Cosmology of Monsters ("I loved it" —Stephen King) comes an epic contemporary fantasy, a mixture of The Magicians and It: a story of dark magic, terrible mistakes, and second chances. "You can never go home again," the saying goes—but Hal, Athena, and Erin have to. In high school, the three were students of the eccentric Professor Marsh, trained in a secret system of magic known as the Dissonance, which is built around harnessing negative emotions: alienation, anger, pain. Then, twenty years ago, something happened that shattered their coven, scattering them across the country, stuck in mundane lives, alone. But now, terrifying signs and portents (not to mention a pointed Facebook invite) have summoned them back to Clegg, Texas. There, their paths will collide with that of Owen, a closeted teenager from Alabama whose aborted cemetery seance with his crush summoned something far worse: a murderous entity whose desperate, driving purpose includes kidnapping Owen to serve as its Renfield. As Owen tries to outwit his new master, and Hal, Athena, and Erin reckon with how the choices they made as teens might connect to the apocalyptic event unfurling over the Lone Star State, shocking alliances form, old and new romances brew, and three unsuccessful adults and one frightened teen are all that stand between reality and oblivion. From one of the boldest, most brilliant voices in modern fantastical horror, The Dissonance is a thrilling and beautifully written story of magic and monsters, forgiveness and friendship.
COSMOLOGY OF MONSTERS.
Author: SHAUN. HAMILL
Publisher:
ISBN: 9781789094114
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781789094114
Category :
Languages : en
Pages :
Book Description
Empirical Wonder
Author: Riccardo Capoferro
Publisher: Peter Lang
ISBN: 9783034303262
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
Eighteenth-century England did not only see the rise of the novel, but also the rise of genres of what we now call the fantastic, such as imaginary voyages and apparition narratives. Combining theoretical reflection and cultural analysis, the author of this book investigates the origins, and demonstrates the formal and historical identity of a great variety of texts, which have never been considered as part of the same family. The fantastic, he argues, is an intrinsically modern mode, which uses the devices of realistic representation to describe supernatural phenomena. Its origins can be found in the seventeenth century, when the rise of modern empiricism threatened the ontological and epistemological underpinnings of traditional religious culture. The author shows how a broad range of discursive formations - demonology, providential literature, teratology, and natural philosophy - attempted to reconcile world-views that were felt to be increasingly incompatible, and traces the development of a new kind of fiction that gradually replaced them and took over their work of reconciliation. Coalescing as an autonomous system of genres, free from the restrictions of modern science and at the same time self-consciously aesthetic, the fantastic emerged as an instrument both to affirm and to transcend the empirical vision.
Publisher: Peter Lang
ISBN: 9783034303262
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
Eighteenth-century England did not only see the rise of the novel, but also the rise of genres of what we now call the fantastic, such as imaginary voyages and apparition narratives. Combining theoretical reflection and cultural analysis, the author of this book investigates the origins, and demonstrates the formal and historical identity of a great variety of texts, which have never been considered as part of the same family. The fantastic, he argues, is an intrinsically modern mode, which uses the devices of realistic representation to describe supernatural phenomena. Its origins can be found in the seventeenth century, when the rise of modern empiricism threatened the ontological and epistemological underpinnings of traditional religious culture. The author shows how a broad range of discursive formations - demonology, providential literature, teratology, and natural philosophy - attempted to reconcile world-views that were felt to be increasingly incompatible, and traces the development of a new kind of fiction that gradually replaced them and took over their work of reconciliation. Coalescing as an autonomous system of genres, free from the restrictions of modern science and at the same time self-consciously aesthetic, the fantastic emerged as an instrument both to affirm and to transcend the empirical vision.
The Oxford Handbook of Monsters in Classical Myth
Author: Debbie Felton
Publisher: Oxford University Press
ISBN: 0192650440
Category : Literary Criticism
Languages : en
Pages : 641
Book Description
The Oxford Handbook of Monsters in Classical Myth presents forty chapters about the unique and terrifying creatures from myths of the long-ago Near East and Mediterranean world, featuring authoritative contributions by many of the top international experts on ancient monsters and the monstrous. The first part provides original studies of individual monsters such as the Chimaera, Cerberus, the Hydra, and the Minotaur, and of monster groups such as dragons, centaurs, sirens, and Cyclopes. This section also explores their encounters with the major heroes of classical myth, including Perseus, Jason, Heracles, and Odysseus. The second part examines monsters of ancient folklore and ethnography, encompassing the restless dead, blood-drinking lamiae, exotic hybrid animals, the so-called dog-headed men, and many other unexpected creatures and peoples. The third part covers various interpretations of these creatures from multiple perspectives, including psychoanalysis, colonialism, and disability studies, with monster theory itself evident across the entire volume. The final part discusses reception of these ancient monsters across time and space--from the Middle Ages to the Renaissance to modern times, from Persia to Scandinavia, the Caribbean, and Latin America-and concludes with chapters considering the use and adaptation of ancient monsters in children's literature, science fiction, fantasy, and modern scientific disciplines. This Handbook is the first large-scale, inclusive guide to monsters in antiquity, their places in literature and art across the millennia, and their influence on later literature and thought.
Publisher: Oxford University Press
ISBN: 0192650440
Category : Literary Criticism
Languages : en
Pages : 641
Book Description
The Oxford Handbook of Monsters in Classical Myth presents forty chapters about the unique and terrifying creatures from myths of the long-ago Near East and Mediterranean world, featuring authoritative contributions by many of the top international experts on ancient monsters and the monstrous. The first part provides original studies of individual monsters such as the Chimaera, Cerberus, the Hydra, and the Minotaur, and of monster groups such as dragons, centaurs, sirens, and Cyclopes. This section also explores their encounters with the major heroes of classical myth, including Perseus, Jason, Heracles, and Odysseus. The second part examines monsters of ancient folklore and ethnography, encompassing the restless dead, blood-drinking lamiae, exotic hybrid animals, the so-called dog-headed men, and many other unexpected creatures and peoples. The third part covers various interpretations of these creatures from multiple perspectives, including psychoanalysis, colonialism, and disability studies, with monster theory itself evident across the entire volume. The final part discusses reception of these ancient monsters across time and space--from the Middle Ages to the Renaissance to modern times, from Persia to Scandinavia, the Caribbean, and Latin America-and concludes with chapters considering the use and adaptation of ancient monsters in children's literature, science fiction, fantasy, and modern scientific disciplines. This Handbook is the first large-scale, inclusive guide to monsters in antiquity, their places in literature and art across the millennia, and their influence on later literature and thought.
Catalan Review
Author:
Publisher:
ISBN:
Category : Catalans
Languages : en
Pages : 368
Book Description
Publisher:
ISBN:
Category : Catalans
Languages : en
Pages : 368
Book Description
Nihilism Now!
Author: K. Ansell-Pearson
Publisher: Springer
ISBN: 0230597769
Category : Philosophy
Languages : en
Pages : 274
Book Description
This volume aims to inspire a return to the energetics of Nietzsche's prose and the critical intensity of his approach to nihilism and to give back to the future its rightful futurity. For too long contemporary thought has been dominated by a depressed 'what is to be done?'. All is regarded to be in vain, nothing is deemed real, there is nothing new seen under the sun. Such a 'postmodern' lament is easily confounded with an apathetic reluctance to think engagedly. Hence our contributors draw on the variety of topical issues: the future of life, the nature of life-forms, the techno-sciences, the body, religion...as a way of tackling the question of nihilism's pertinence to us now.
Publisher: Springer
ISBN: 0230597769
Category : Philosophy
Languages : en
Pages : 274
Book Description
This volume aims to inspire a return to the energetics of Nietzsche's prose and the critical intensity of his approach to nihilism and to give back to the future its rightful futurity. For too long contemporary thought has been dominated by a depressed 'what is to be done?'. All is regarded to be in vain, nothing is deemed real, there is nothing new seen under the sun. Such a 'postmodern' lament is easily confounded with an apathetic reluctance to think engagedly. Hence our contributors draw on the variety of topical issues: the future of life, the nature of life-forms, the techno-sciences, the body, religion...as a way of tackling the question of nihilism's pertinence to us now.
Religion and Its Monsters
Author: Timothy Beal
Publisher: Taylor & Francis
ISBN: 1000786196
Category : Religion
Languages : en
Pages : 251
Book Description
Religious encounters with mystery can be fascinating, but also terrifying. So too when it comes to encounters with the monsters that haunt Jewish and Christian traditions. Religion has a lot to do with horror, and horror has a lot to do with religion. Religion has its monsters, and monsters have their religion. In this unusual and provocative book, Timothy Beal explores how religion, horror, and the monstrous are deeply intertwined. This new edition has been thoughtfully updated, reflecting on developments in the field over the past two decades and highlighting its contributions to emerging conversations. It also features a new chapter, "Gods, Monsters, and Machines," which engages cultural fascinations and anxieties about technologies of artificial intelligence and machine learning as they relate to religion and the monstrous at the dawn of the Anthropocene. Religion and Its Monsters is essential reading for students and scholars of religion and popular culture, as well as for any readers with an interest in horror theory or monster theory.
Publisher: Taylor & Francis
ISBN: 1000786196
Category : Religion
Languages : en
Pages : 251
Book Description
Religious encounters with mystery can be fascinating, but also terrifying. So too when it comes to encounters with the monsters that haunt Jewish and Christian traditions. Religion has a lot to do with horror, and horror has a lot to do with religion. Religion has its monsters, and monsters have their religion. In this unusual and provocative book, Timothy Beal explores how religion, horror, and the monstrous are deeply intertwined. This new edition has been thoughtfully updated, reflecting on developments in the field over the past two decades and highlighting its contributions to emerging conversations. It also features a new chapter, "Gods, Monsters, and Machines," which engages cultural fascinations and anxieties about technologies of artificial intelligence and machine learning as they relate to religion and the monstrous at the dawn of the Anthropocene. Religion and Its Monsters is essential reading for students and scholars of religion and popular culture, as well as for any readers with an interest in horror theory or monster theory.
Tracking Classical Monsters in Popular Culture
Author: Liz Gloyn
Publisher: Bloomsbury Publishing
ISBN: 1350114340
Category : History
Languages : en
Pages : 297
Book Description
What is it about ancient monsters that popular culture still finds so enthralling? Why do the monsters of antiquity continue to stride across the modern world? In this book, the first in-depth study of how post-classical societies use the creatures from ancient myth, Liz Gloyn reveals the trends behind how we have used monsters since the 1950s to the present day, and considers why they have remained such a powerful presence in our shared cultural imagination. She presents a new model for interpreting the extraordinary vitality that classical monsters have shown, and their enormous adaptability in finding places to dwell in popular culture without sacrificing their connection to the ancient world. Her argument takes her readers through a comprehensive tour of monsters on film and television, from the much-loved creations of Ray Harryhausen in Clash of the Titans to the monster of the week in Hercules: The Legendary Journeys, before looking in detail at the afterlives of the Medusa and the Minotaur. She develops a broad theory of the ancient monster and its life after antiquity, investigating its relation to gender, genre and space to offer a bold and novel exploration of what keeps drawing us back to these mythical beasts. From the siren to the centaur, all monster lovers will find something to enjoy in this stimulating and accessible book.
Publisher: Bloomsbury Publishing
ISBN: 1350114340
Category : History
Languages : en
Pages : 297
Book Description
What is it about ancient monsters that popular culture still finds so enthralling? Why do the monsters of antiquity continue to stride across the modern world? In this book, the first in-depth study of how post-classical societies use the creatures from ancient myth, Liz Gloyn reveals the trends behind how we have used monsters since the 1950s to the present day, and considers why they have remained such a powerful presence in our shared cultural imagination. She presents a new model for interpreting the extraordinary vitality that classical monsters have shown, and their enormous adaptability in finding places to dwell in popular culture without sacrificing their connection to the ancient world. Her argument takes her readers through a comprehensive tour of monsters on film and television, from the much-loved creations of Ray Harryhausen in Clash of the Titans to the monster of the week in Hercules: The Legendary Journeys, before looking in detail at the afterlives of the Medusa and the Minotaur. She develops a broad theory of the ancient monster and its life after antiquity, investigating its relation to gender, genre and space to offer a bold and novel exploration of what keeps drawing us back to these mythical beasts. From the siren to the centaur, all monster lovers will find something to enjoy in this stimulating and accessible book.