A concise catalogue of paintings, drawings and sculpture of the First World War 1914 - 1918 PDF Download
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Author: Imperial War Museum (London)
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
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Book Description
Author: Imperial War Museum (London)
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
Get Book Here
Book Description
Author: Imperial War Museum (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 360
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Book Description
Author: Imperial War Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
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Book Description
Author: Elizabeth A. Sudduth
Publisher: Univ of South Carolina Press
ISBN: 9781570035906
Category : Art
Languages : en
Pages : 428
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Book Description
Bruccoli Great War Collection at the University of South Carolina: An Illustrated Catalogue provides a reference tool for the study of one of the great watershed moments in history on both sides of the Atlantic serving historians, researchers, and collectors.
Author: Albert Eugene Gallatin
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 312
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Book Description
ABE: Contents of this original copy of World War I art are clean with 100 full-page reproductions of paintings, sketches, propaganda posters and cartoons by artists from America, Canada, France and the Netherlands. Rear end-pages marred by removal of usual pocket and due slip. Boards have been reinforced at all corners and edges. Hinges also reinforced. Accompanying text describes both the background of the artists and the work combined with the mood, concerns and ethics of the era. Art. History. Bookseller Inventory # 004919.
Author: Margaret Hutchison
Publisher: War, Memory, and Culture
ISBN: 0817320504
Category : Art
Languages : en
Pages : 349
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Book Description
Interdisciplinary collection of essays on fine art painting as it relates to the First World War and commemoration of the conflict Although photography and moving pictures achieved ubiquity during the First World War as technological means of recording history, the far more traditional medium of painting played a vital role in the visual culture of combatant nations. The public's appetite for the kind of up-close frontline action that snapshots and film footage could not yet provide resulted in a robust market for drawn or painted battle scenes. Painting also figured significantly in the formation of collective war memory after the armistice. Paintings became sites of memory in two ways: first, many governments and communities invested in freestanding panoramas or cycloramas that depicted the war or featured murals as components of even larger commemorative projects, and second, certain paintings, whether created by official artists or simply by those moved to do so, emerged over time as visual touchstones in the public's understanding of the war. Portraits of Remembrance: Painting, Memory, and the First World War examines the relationship between war painting and collective memory in Australia, Austria, Belgium, Canada, Croatia, France, Germany, Great Britain, New Zealand, Russia, Serbia, Turkey, and the United States. The paintings discussed vary tremendously, ranging from public murals and panoramas to works on a far more intimate scale, including modernist masterpieces and crowd-pleasing expressions of sentimentality or spiritualism. Contributors raise a host of topics in connection with the volume's overarching focus on memory, including national identity, constructions of gender, historical accuracy, issues of aesthetic taste, and connections between painting and literature, as well as other cultural forms.
Author: Imperial War Museum (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 272
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Book Description
Author: Alfred Emile Cornebise
Publisher: Texas A&M University Press
ISBN: 1623492025
Category : History
Languages : en
Pages : 174
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Book Description
Since ancient times, wars have inspired artists and their patrons to commemorate victories. When the United States finally entered World War I, American artists and illustrators were commissioned to paint and draw it. These artists’ commissions, however, were as captains for their patron: the US Army. The eight men—William J. Aylward, Walter J. Duncan, Harvey T. Dunn, George M. Harding, Wallace Morgan, Ernest C. Peixotto, J. Andre Smith, and Harry E. Townsent—arrived in France early in 1918 with the American Expeditionary Forces (AEF). Alfred Emile Cornebise presents here the first comprehensive account of the US Army art program in World War I. The AEF artists saw their role as one of preserving images of the entire aspect of American involvement in a way that photography could not.
Author: Albert Eugene Gallatin
Publisher: Trieste Publishing
ISBN: 9780649062829
Category :
Languages : en
Pages : 300
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Book Description
Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.
Author: Roger Tolson
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 68
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Book Description
The official war art schemes established by the British Government during the First World War were intended to satisfy the public desire for information about the Western Front. But as the war continued and its impact widened, so did the ambition of the schemes.Artists such as Paul Nash and Eric Kennington, returning from front line service, brought back a darker and more disturbing picture of modern warfare. Their appointment as official artists alongside established artists such as William Orpen and John Lavery created a hugely diverse and influential collection where the art of the radical younger generation, influenced by modernist movements, sat alongside established Edwardian artists
