Author: Stanley Walker Rockwood
Publisher:
ISBN:
Category :
Languages : en
Pages : 444
Book Description
A Comparative Study of the Works of Pierre Loti and Joseph Conrad
Author: Stanley Walker Rockwood
Publisher:
ISBN:
Category :
Languages : en
Pages : 444
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 444
Book Description
Polish American Studies
Author:
Publisher:
ISBN:
Category : Polish Americans
Languages : en
Pages : 284
Book Description
Publisher:
ISBN:
Category : Polish Americans
Languages : en
Pages : 284
Book Description
A Bibliography of Joseph Conrad
Author:
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 456
Book Description
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 456
Book Description
Joseph Conrad
Author: Edmund A. Bojarski
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 48
Book Description
Joseph Conrad and Popular Culture
Author: S. Donovan
Publisher: Springer
ISBN: 0230513778
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
This highly original study opens up a new dimension to Joseph Conrad by revealing his lifelong fascination with the popular culture of his day. Drawing on original archival materials and treating subjects as diverse as Bovril advertising, spirit photography, sea shanties, global tourism, and the new sport of speed-walking, it shows how Conrad's fiction makes a sustained response to early-twentieth-century popular culture and will be of interest to all students, scholars and enthusiasts of Conrad.
Publisher: Springer
ISBN: 0230513778
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
This highly original study opens up a new dimension to Joseph Conrad by revealing his lifelong fascination with the popular culture of his day. Drawing on original archival materials and treating subjects as diverse as Bovril advertising, spirit photography, sea shanties, global tourism, and the new sport of speed-walking, it shows how Conrad's fiction makes a sustained response to early-twentieth-century popular culture and will be of interest to all students, scholars and enthusiasts of Conrad.
Bulletin of Bibliography
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 148
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 148
Book Description
Comprehensive Dissertation Index, 1861-1972: Language and literature
Author: Xerox University Microfilms
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 864
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 864
Book Description
Bulletin of Bibliography & Magazine Notes
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 408
Book Description
Literary Cosmopolitanism in the English Fin de Siècle
Author: Stefano Evangelista
Publisher: Oxford University Press
ISBN: 0192609831
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
The fin de siècle witnessed an extensive and heated debate about cosmopolitanism, which transformed readers' attitudes towards national identity, foreign literatures, translation, and the idea of world literature. Focussing on literature written in English, Literary Cosmopolitanism in the English Fin de Siècle offers a critical examination of cosmopolitanism as a distinctive feature of the literary modernity of this important period of transition. No longer conceived purely as an abstract philosophical ideal, cosmopolitanism—or world citizenship—informed the actual, living practices of authors and readers who sought new ways of relating local and global identities in an increasingly interconnected world. The book presents literary cosmopolitanism as a field of debate and controversy. While some writers and readers embraced the creative, imaginative, emotional, and political potentials of world citizenship, hostile critics denounced it as a politically and morally suspect ideal, and stressed instead the responsibilities of literature towards the nation. In this age of empire and rising nationalism, world citizenship came to enshrine a paradox: it simultaneously connoted positions of privilege and marginality, connectivity and non-belonging. Chapters on Oscar Wilde, Lafcadio Hearn, George Egerton, the periodical press, and artificial languages bring to light the variety of literary responses to the idea of world citizenship that proliferated at the turn of the twentieth century. The book interrogates cosmopolitanism as a liberal ideology that celebrates human diversity and as a social identity linked to worldliness; it investigates its effect on gender, ethics, and the emotions. It presents the literature of the fin de siècle as a dynamic space of exchange and mediation, and argues that our own approach to literary studies should become less national in focus.
Publisher: Oxford University Press
ISBN: 0192609831
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
The fin de siècle witnessed an extensive and heated debate about cosmopolitanism, which transformed readers' attitudes towards national identity, foreign literatures, translation, and the idea of world literature. Focussing on literature written in English, Literary Cosmopolitanism in the English Fin de Siècle offers a critical examination of cosmopolitanism as a distinctive feature of the literary modernity of this important period of transition. No longer conceived purely as an abstract philosophical ideal, cosmopolitanism—or world citizenship—informed the actual, living practices of authors and readers who sought new ways of relating local and global identities in an increasingly interconnected world. The book presents literary cosmopolitanism as a field of debate and controversy. While some writers and readers embraced the creative, imaginative, emotional, and political potentials of world citizenship, hostile critics denounced it as a politically and morally suspect ideal, and stressed instead the responsibilities of literature towards the nation. In this age of empire and rising nationalism, world citizenship came to enshrine a paradox: it simultaneously connoted positions of privilege and marginality, connectivity and non-belonging. Chapters on Oscar Wilde, Lafcadio Hearn, George Egerton, the periodical press, and artificial languages bring to light the variety of literary responses to the idea of world citizenship that proliferated at the turn of the twentieth century. The book interrogates cosmopolitanism as a liberal ideology that celebrates human diversity and as a social identity linked to worldliness; it investigates its effect on gender, ethics, and the emotions. It presents the literature of the fin de siècle as a dynamic space of exchange and mediation, and argues that our own approach to literary studies should become less national in focus.
Mutual (In)Comprehensions
Author: Rosemary Mitchell
Publisher: Cambridge Scholars Publishing
ISBN: 1443850802
Category : Art
Languages : en
Pages : 290
Book Description
This collection of essays by French and British humanities scholars explores the complex relationship between the two nations in the long nineteenth century. Both countries contemplated the other with admiration and anxiety, using their best enemy to shape their own national identities. Mutual (In)Comprehensions is unique in the range of its coverage, which includes artistic, literary, economic, educational, social, and historical interpretations, interactions, and appropriations. British railway engineers consider the character of the French railway worker; a French illustrator portrays with disturbing insight the social divisions of Victorian London; British agricultural writers find cause for reflection in the condition of the French peasantry; and an English Anglo-Catholic considers the lessons for her church in the history of post-Reformation French Catholicism. French architects discover something to admire in the British Gothic Revival, while geographical societies on both sides of the Channel exhibit a spirit of international co-operation. Including the work of both established academics and young scholars, the collection demonstrates the significance of Franco-British interactions over the long nineteenth century, and shows that – as ever – British culture can only be fully understood within a Continental framework, and vice versa. This volume will appeal to scholars of Victorian culture, in particular French and British nineteenth-century literature and art, as well as to academics interested in the development of national identities and international cultural relations.
Publisher: Cambridge Scholars Publishing
ISBN: 1443850802
Category : Art
Languages : en
Pages : 290
Book Description
This collection of essays by French and British humanities scholars explores the complex relationship between the two nations in the long nineteenth century. Both countries contemplated the other with admiration and anxiety, using their best enemy to shape their own national identities. Mutual (In)Comprehensions is unique in the range of its coverage, which includes artistic, literary, economic, educational, social, and historical interpretations, interactions, and appropriations. British railway engineers consider the character of the French railway worker; a French illustrator portrays with disturbing insight the social divisions of Victorian London; British agricultural writers find cause for reflection in the condition of the French peasantry; and an English Anglo-Catholic considers the lessons for her church in the history of post-Reformation French Catholicism. French architects discover something to admire in the British Gothic Revival, while geographical societies on both sides of the Channel exhibit a spirit of international co-operation. Including the work of both established academics and young scholars, the collection demonstrates the significance of Franco-British interactions over the long nineteenth century, and shows that – as ever – British culture can only be fully understood within a Continental framework, and vice versa. This volume will appeal to scholars of Victorian culture, in particular French and British nineteenth-century literature and art, as well as to academics interested in the development of national identities and international cultural relations.