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Author: Grant Hamilton
Publisher: Boydell & Brewer
ISBN: 1847011454
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Already well-established in the Lusophone world, Mia Couto is increasingly acknowledged as a major voice in World literature. Winner of the Camões Prize for Literature in 2013, the most prestigious literary prize honouring Lusophone writers, he was awarded the Neustadt International Prize for Literature in 2014, and in 2015 was shortlisted for the Man Booker International Prize. Yet, despite this high profile there are very few full-length critical studiesin English about his writing. Mia Couto is known for his imaginative re-working of Portuguese, making it distinctively Mozambican in character. This book brings together some of the key scholars of his work such as Phillip Rothwell, Luís Madureira, and his long-time English translator David Brookshaw. Contributors examine not only his early works, which were written in the context of the 16-year post-independence civil war in Mozambique, but alsothe wide span of Couto's contemporary writing as a novelist, short story writer, poet and essayist. There are contributions on his work in ecology, theatre and journalism, as well as on translation and Mozambican nationalist politics. Most importantly the contributors engage with the significance of Couto's writing to contemporary discussions of African literature, Lusophone studies and World literature. Grant Hamilton is Associate Professor of English literature at the Chinese University of Hong Kong. He is the editor of Reading Marechera (James Currey, 2013). David Huddart is Associate Professor of English literature at the Chinese University of Hong Kongand is author of Involuntary Associations: World Englishes and Postcolonial Studies (Liverpool University Press, 2014]
Author: Grant Hamilton
Publisher: Boydell & Brewer
ISBN: 1847011454
Category : Literary Criticism
Languages : en
Pages : 257
Get Book Here
Book Description
Already well-established in the Lusophone world, Mia Couto is increasingly acknowledged as a major voice in World literature. Winner of the Camões Prize for Literature in 2013, the most prestigious literary prize honouring Lusophone writers, he was awarded the Neustadt International Prize for Literature in 2014, and in 2015 was shortlisted for the Man Booker International Prize. Yet, despite this high profile there are very few full-length critical studiesin English about his writing. Mia Couto is known for his imaginative re-working of Portuguese, making it distinctively Mozambican in character. This book brings together some of the key scholars of his work such as Phillip Rothwell, Luís Madureira, and his long-time English translator David Brookshaw. Contributors examine not only his early works, which were written in the context of the 16-year post-independence civil war in Mozambique, but alsothe wide span of Couto's contemporary writing as a novelist, short story writer, poet and essayist. There are contributions on his work in ecology, theatre and journalism, as well as on translation and Mozambican nationalist politics. Most importantly the contributors engage with the significance of Couto's writing to contemporary discussions of African literature, Lusophone studies and World literature. Grant Hamilton is Associate Professor of English literature at the Chinese University of Hong Kong. He is the editor of Reading Marechera (James Currey, 2013). David Huddart is Associate Professor of English literature at the Chinese University of Hong Kongand is author of Involuntary Associations: World Englishes and Postcolonial Studies (Liverpool University Press, 2014]
Author: Mia Couto
Publisher: Juta and Company Ltd
ISBN: 9781770130517
Category : Fiction
Languages : en
Pages : 228
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Book Description
Mia Couto's first novel, judged one of the twelve best African books of the 20th century
Author: Mia Couto
Publisher: Penguin Random House South Africa
ISBN: 0143527797
Category : Fiction
Languages : en
Pages : 262
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Book Description
The Blind Fisherman is a compilation of Mia Couto's early short stories - as first presented to the English-speaking world in his two collections Voices Made Night (1990) and Every Man is a Race (1994). Originally written in Portuguese, it was in these collections that Mia Couto first announced himself as a writer of international importance, constructing stories that blended the unique history of Mozambique with a magic realism that was both inspired by and transcendent of the legacy of Portuguese colonialism and the subsequent civil war.
Author: Mia Couto
Publisher: Biblioasis
ISBN: 177196006X
Category : Social Science
Languages : en
Pages : 153
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Book Description
"One of the greatest living writers in the Portuguese language."—Philip Graham, The Millions What would Barack Obama's 2004 campaign have looked like if it unfolded in an African nation? What does it mean to be an African writer today? How do writers and poets from all continents teach us to cross the sertão, the savannah, the barren places where we're forced to walk within ourselves? Bringing together the best pieces from his previously untranslated nonfiction collections, alongside new material presented here for the first time in any language, Pensativities offers English readers a taste of Mia Couto as essayist, lecturer, and journalist—with essays on cosmopolitanism, poverty, culture gaps, conservation, and more.
Author: Stuart Cooke
Publisher: Bloomsbury Publishing
ISBN: 1350121657
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Bringing together decolonial, Romantic and global literature perspectives, Transcultural Ecocriticism explores innovative new directions for the field of environmental literary studies. By examining these literatures across a range of geographical locations and historical periods – from Romantic period travel writing to Chinese science fiction and Aboriginal Australian poetry – the book makes a compelling case for the need for ecocriticism to competently translate between Indigenous and non-Indigenous, planetary and local, and contemporary and pre-modern perspectives. Leading scholars from Australasia and North America explore links between Indigenous knowledges, Romanticism, globalisation, avant-garde poetics and critical theory in order to chart tensions as well as affinities between these discourses in a variety of genres of environmental representation, including science fiction, poetry, colonial natural history and oral narrative.
Author: Sarali Gintsburg
Publisher: Taylor & Francis
ISBN: 1040155235
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
Magical realism has deep roots across many African languages and regions. This book explores African magical realism from a transregional and inclusive approach, drawing on contributions from different literary genres across the continent. The chapters in this book constitute a sustained and insightful reflection on the salient components of this literary genre as well as evaluating its connections to themes of conflict, violence, women’s rights, trauma, oppression, culture, governance, and connecting to the African self. As well as theorizing magical realism, this book engages with African expressive performance across various formats, novels, plays, and films. This book investigates African magical realism from its origins up to the present day, where local oral traditions link indigenous cosmogonic stories with Western literature, as well as with the specific narrative traditions of Arabo‐Islamic literature. The rich analysis draws on works from across the continent, including Egypt, Sudan, Mauritania, Cameroon, Kenya, Tanzania, Angola, and Mozambique. This book is a timely contribution to debates within African literature, cultural anthropology, ethnography, and folklore.
Author: Mia Couto
Publisher: Farrar, Straus and Giroux
ISBN: 0374710953
Category : Fiction
Languages : en
Pages : 209
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Book Description
A dark, poetic mystery about the women of the remote village of Kulumani and the lionesses that hunt them Told through two haunting, interwoven diaries, Mia Couto's Confession of the Lioness reveals the mysterious world of Kulumani, an isolated village in Mozambique whose traditions and beliefs are threatened when ghostlike lionesses begin hunting the women who live there. Mariamar, a woman whose sister was killed in a lioness attack, finds her life thrown into chaos when the outsider Archangel Bullseye, the marksman hired to kill the lionesses, arrives at the request of the village elders. Mariamar's father imprisons her in her home, where she relives painful memories of past abuse and hopes to be rescued by Archangel. Meanwhile, Archangel tracks the lionesses in the wilderness, but when he begins to suspect there is more to them than meets the eye, he starts to lose control of his hands. The hunt grows more dangerous, until it's no safer inside Kulumani than outside it. As the men of Kulumani feel increasingly threatened by the outsider, the forces of modernity upon their traditional culture, and the danger of their animal predators closing in, it becomes clear the lionesses might not be real lionesses at all but spirits conjured by the ancient witchcraft of the women themselves. Both a riveting mystery and a poignant examination of women's oppression, Confession of the Lioness explores the confrontation between the modern world and ancient traditions to produce an atmospheric, gripping novel.
Author: Miriam E. Conteh-Morgan
Publisher: Bloomsbury Publishing USA
ISBN: 0313068992
Category : Language Arts & Disciplines
Languages : en
Pages : 204
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Book Description
Now a firmly established part of world literature course offerings in many general education curricula, African literature is no longer housed exclusively with African Studies programs, and is often studied in English, French, Portuguese, Women's Studies, and Comparative Studies departments. This book helps fill the great need for research materials on this topic, presenting the best resources available for 300 African writers. These writers have been carefully selected to include both well-known writers and those less commonly studied yet highly influential. They are drawn from both the Sub-Sahara and the Maghreb, the major geographical regions of Africa. The study of Africa was introduced into the curriculum of institutions of higher learning in the United States in the 1960s, when the Black Consciousness movement in the United States and the Cold War and decolonization movements in Africa created a need for the systematic study of other regions of the world. Between 1986 and 1991, three Africans won Nobel literature prizes: Soyinka, Mahfouz, and Gordimer, and the visibility of African writers increased. They are now a firmly established part of world literature courses in many general education curricula throughout North America. African Writers is meant to serve as a resource for introductory material on 300 writers from 39 countries. These writers were selected on the basis on two criteria: that there is material on them in an easily available reference work; and that there is some information of research value on free Web sites. Each writer is from the late-19th or 20th century, with the notable exception of Olaudah Equiano, an 18th-century African whose slave narrative is generally considered the first work of African literature. All entries are annotated.
Author: Olakunle George
Publisher: John Wiley & Sons
ISBN: 1119058171
Category : Literary Criticism
Languages : en
Pages : 512
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Book Description
Rediscover the diversity of modern African literatures with this authoritative resource edited by a leader in the field How have African literatures unfolded in their rich diversity in our modern era of decolonization, nationalisms, and extensive transnational movement of peoples? How have African writers engaged urgent questions regarding race, nation, ethnicity, gender, and sexuality? And how do African literary genres interrelate with traditional oral forms or audio-visual and digital media? A Companion to African Literatures addresses these issues and many more. Consisting of essays by distinguished scholars and emerging leaders in the field, this book offers rigorous, deeply engaging discussions of African literatures on the continent and in diaspora. It covers the four main geographical regions (East and Central Africa, North Africa, Southern Africa, and West Africa), presenting ample material to learn from and think with. A Companion To African Literatures is divided into five parts. The first four cover different regions of the continent, while the fifth part considers conceptual issues and newer directions of inquiry. Chapters focus on literatures in European languages officially used in Africa -- English, French, and Portuguese -- as well as homegrown African languages: Afrikaans, Amharic, Arabic, Swahili, and Yoruba. With its lineup of lucid and authoritative analyses, readers will find in A Companion to African Literatures a distinctive, rewarding academic resource. Perfect for undergraduate and graduate students in literary studies programs with an African focus, A Companion to African Literatures will also earn a place in the libraries of teachers, researchers, and professors who wish to strengthen their background in the study of African literatures.
Author: Sarah Nuttall
Publisher: NYU Press
ISBN: 1776148371
Category : Language Arts & Disciplines
Languages : en
Pages : 238
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Book Description
“This set of essays analyses the work of Isabel Hofmeyr, globally recognised as one of South Africa’s foremost literary and Indian Ocean scholars. The essays elucidate Hofmeyr’s path-breaking studies of transnational histories of the book, African print cultures, and cultural circulations in the Indian Ocean world. This book draws together reflective and analytical essays by renowned intellectuals from around the world who critically engage with the work of one of the global South’s leading scholars of African print cultures and the oceanic humanities. Isabel Hofmeyr’s scholarship spans more than four decades, and its sustained and long-term influence on her discipline and beyond is formidable. While much of the history of print cultures has been written primarily from the North, Isabel Hofmeyr is one of the leading thinkers producing new knowledge in this area from Africa, the Indian Ocean world and the global South. Her major contribution encompasses the history of the book as well as shorter textual forms and abridged iterations of canonical works such as John Bunyan’s The Pilgrim’s Progress. She has done pioneering research on the ways in which such printed matter moves across the globe, focusing on intra-African trajectories and circulations as well as movements across land and sea, port and shore. The essays gathered here are written in a blend of intellectual and personal modes, and mostly by scholars of Indian and African descent. Via their engagement with Hofmeyr’s path-breaking work, the essays in turn elaborate and contribute to studies of print culture as well as critical oceanic studies, consolidating their findings from the point of view of global South historical contexts and textual practices.”--Publisher’s description.
