A Community Shakespeare Company Edition of Twelfth Night PDF Download
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Author: Richard Carter
Publisher: iUniverse
ISBN: 1462035310
Category : Drama
Languages : en
Pages : 108
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Book Description
Community Shakespeare Company Editions make Shakespeares plans instantly accessible to everyone, from children through Shakespeare-shy adults. These unique performance scripts, developed in a youth theater company, inspire student actors and captivate their audiences. Award-winning playwright Richard Carter delivers the best of the Bard in original verse adaptation. CSC Editions represent a dynamic model that can be used in schools, clubs, camps, and communities worldwide. With nearly thirty years experience working with young people, Carter is Artistic Director of the Community Shakespeare Company*. Its mission: to enrich young lives and cultivate community, with theater as the means and Shakespeare the inspiration. *(www.communityshakespeare.org) This is to recommend Richard Carter with a full heart. We have enthusiastically shared many ideals and passions, especially for theatre by, with, and for youngsters. Lenka Peterson OConnor, author Kids Take the Stage (Backstage Books) I take my theatre very seriously, and I know what I am talking about when I say that we are indeed blessed to have Community Shakespeare in our midst. Kenneth W. Jenks: Director Emeritus, University of Utah Playwriting Program Having taught all over the world, I can imagine how excited teachers would be to have the opportunity to introduce a Shakespeare play to their students, knowing they would be able to grasp meaning, and still retain the Shakespearian experience. Ann H. Goss, Retired International School Teacher
Author: Richard Carter
Publisher: iUniverse
ISBN: 1462035310
Category : Drama
Languages : en
Pages : 108
Get Book Here
Book Description
Community Shakespeare Company Editions make Shakespeares plans instantly accessible to everyone, from children through Shakespeare-shy adults. These unique performance scripts, developed in a youth theater company, inspire student actors and captivate their audiences. Award-winning playwright Richard Carter delivers the best of the Bard in original verse adaptation. CSC Editions represent a dynamic model that can be used in schools, clubs, camps, and communities worldwide. With nearly thirty years experience working with young people, Carter is Artistic Director of the Community Shakespeare Company*. Its mission: to enrich young lives and cultivate community, with theater as the means and Shakespeare the inspiration. *(www.communityshakespeare.org) This is to recommend Richard Carter with a full heart. We have enthusiastically shared many ideals and passions, especially for theatre by, with, and for youngsters. Lenka Peterson OConnor, author Kids Take the Stage (Backstage Books) I take my theatre very seriously, and I know what I am talking about when I say that we are indeed blessed to have Community Shakespeare in our midst. Kenneth W. Jenks: Director Emeritus, University of Utah Playwriting Program Having taught all over the world, I can imagine how excited teachers would be to have the opportunity to introduce a Shakespeare play to their students, knowing they would be able to grasp meaning, and still retain the Shakespearian experience. Ann H. Goss, Retired International School Teacher
Author: William Shakespeare
Publisher: Broadview Press
ISBN: 1770482563
Category : Drama
Languages : en
Pages : 169
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Book Description
This volume includes the text of Twelfth Night as prepared and annotated by David Swain for The Broadview Anthology of British Literature, and is accompanied by the excellent introduction and supplementary materials from the anthology. The diverse and extensive appendices acquaint readers with Shakespeare’s sources and contextualize the play within Elizabethan society. The appendices include an excerpt from Barnabe Riche’s “Of Apollonius and Silla,” Shakespeare’s primary source of inspiration for the play; selections from Galen, Plato, and others illustrating Elizabethan attitudes toward gender and sexuality; excerptions illuminating contemporary moral discomfort with the theatre, such as Philip Stubbes’s “Of Stage-plays and Interludes, with their wickedness”; and pieces on music and duelling that illustrate cultural conventions important to the interpretation of Twelfth Night. This is one of several Broadview Anthology of British Literature Editions being released this year; those wishing to teach the text will have the option of including the convenient stand-alone book as part of a specially-priced shrink-wrapped package together with a volume of the anthology.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 138
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Book Description
![Complete Works of William Shakespeare (abridged) [revised] [again] PDF](https://books.google.com/books/content/images/frontcover/MkJMAgAAQBAJ?fife=w80-h100)
Author: Adam Long
Publisher: Hal Leonard Corporation
ISBN: 1476850550
Category : Performing Arts
Languages : en
Pages : 80
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Book Description
Originally performed by its creators, this 1987 Edinburgh Fringe hit remains the second longest-running West End comedy in history and has been translated into over thirty languages. The Complete Works of William Shakespeare (abridged) is not so much a play as it is a vaudeville show in which three charismatic, wildly ambitious actors attempt to present all thirty-seven of Shakespeare's plays in a single performance. They have a rudimentary concept of the stories and have imperfectly memorized a smattering of famous lines. Backstage there's a meager assortment of costumes and props. Thus armed, the three brazenly launch into their task with an earnest focus and breakneck enthusiasm.
Author: Peggy O'Brien
Publisher: Simon and Schuster
ISBN: 0743288513
Category : Drama
Languages : en
Pages : 244
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Book Description
FOLGER Shakespeare Library THE WORLD'S LEADING CENTER FOR SHAKESPEARE STUDIES The Folger Shakespeare Library is one of the world's leading centers for scholarship, learning, and culture. The Folger is dedicated to advancing knowledge and increasing understanding of Shakespeare and the early modern period; it is home to the world's largest Shakespeare collection and one of the leading collections of books and materials of the entire early modern period (1500-1750). Combining a worldclass research library and scholarly programs; leadership in curriculum, training, and publishing for K-12 education; and award-winning performing arts, exhibitions, and lectures, the Folger is Shakespeare's home in America. This volume of the Shakespeare Set Free series is written by institute faculty and participants, and includes the latest developments in recent scholarship. It bristles with the energy created by teaching and learning Shakespeare from the text and through active performance, and reflects the experience, wisdom, and wit of real classroom teachers in schools and colleges throughout the United States. In this book, you'll find the following: Clearly written essays by leading scholars to refresh teachers and challenge older students Effective and accessible techniques for teaching Shakespeare through performance and engaging students in Shakespeare's language and plays Day-by-day teaching strategies for Twelfth Night and Othello that successfully and energetically immerse students of every grade and skill level in the language and in the plays themselves -- created, taught, and written by real teachers
Author: Kenneth Anderson
Publisher: iUniverse
ISBN: 0595245498
Category : Performing Arts
Languages : en
Pages : 614
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Book Description
Good Grief! Using the Grief Sheet to Improve Community Theatre Production was written to encourage theatre directors to take advantage of the benefits involved in a daily written critique of amateur play rehearsals. In over 40 years of directing community and school productions, as well as acting for other directors, I have yet to meet a director who employs this technique. I don't know why this is so, except that it does require a large investment in time. Typically, the directors I have known wrote grief notes and then assembled cast and crew to convey them verbally. Obviously, much time is wasted following this method since everyone has to listen whether or not they are specifically involved. Furthermore, the published grief sheet provides the perceived need for instruction as well as a record to return to, to refresh the memory in regard to the needed improvements, which often are forgotten otherwise. The Grief Sheet is also a team builder, and the team concept is an essential quality of a successful theatre company. In writing this book, my collections of grief sheets have enabled me to relive some exciting and memorable productions.
Author: William Shakespeare
Publisher: Cambridge University Press
ISBN: 1107126274
Category : Drama
Languages : en
Pages : 195
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Book Description
The third New Cambridge edition of Shakespeare's Twelfth Night, updated by Penny Gay for the contemporary student reader.
Author: Dwight Longenecker
Publisher: Simon and Schuster
ISBN: 1621576566
Category : Religion
Languages : en
Pages : 225
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Book Description
"The perfect Christmas gift for anyone interested in the historical background behind the birth of Jesus of Nazareth." — Robert J. Hutchinson, author of The Politically Incorrect Guide to the Bible, The Dawn of Christianity, and Searching for Jesus. "Utterly refreshing and encouraging." — Eric Metaxas, New York Times bestselling author of Bonhoeffer: Pastor, Martyr, Prophet, Spy and Martin Luther "The best book I know about the Magi." — Sir Colin John Humphreys, Ph.D., author of The Mystery of the Last Supper Modern biblical scholars tend to dismiss the Christmas story of the “wise men from the East” as pious legend. Matthew’s gospel offers few details, but imaginative Christians filled out the story early on, giving us the three kings guided by a magical star who join the adoring shepherds in every Christmas crèche. For many scholars, then, there is no reason to take the gospel story seriously. But are they right? Are the wise men no more than a poetic fancy? In an astonishing feat of detective work, Dwight Longenecker makes a powerful case that the visit of the Magi to Bethlehem really happened. Piecing together the evidence from biblical studies, history, archeology, and astronomy, he goes further, uncovering where they came from, why they came, and what might have happened to them after eluding the murderous King Herod. In the process, he provides a new and fascinating view of the time and place in which Jesus Christ chose to enter the world. The evidence is clear and compelling. The mysterious Magi from the East were in all likelihood astrologers and counselors from the court of the Nabatean king at Petra, where the Hebrew messianic prophecies were well known. The “star” that inspired their journey was a particular planetary alignment—confirmed by computer models—that in the astrological lore of the time portended the birth of a Jewish king. The visitors whose arrival troubled Herod “and all Jerusalem with him” may not have been the turbaned oriental kings of the Christmas carol, but they were real, and by demonstrating that the wise men were no fairy tale, Mystery of the Magi demands a new level of respect for the historical claims of the gospel.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : fr
Pages : 200
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Book Description
Author: Deborah C. Payne
Publisher: Bloomsbury Publishing
ISBN: 1350352659
Category : Performing Arts
Languages : en
Pages : 152
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Book Description
Co-authored by the resident dramaturg at Shakespeare Theatre Company and a long-time scholarly consultant, this book chronicles how a small repertory troupe at the Folger Theatre on Capitol Hill became an internationally renowned company performing in a lavish, multi-venue performing arts centre in downtown Washington, D.C. The artistic vision and business acumen of Michael Kahn, the founding Artistic Director, largely catalyzed this transformation, but so too did the forces of neoliberalism and, more recently, globalization and new media. Accordingly, Shakespeare in the Theatre: Shakespeare Theatre Company not only examines directorial decision-making but also 3 decades of social and economic change in the nation's capital, from the complexities of gentrification to the arts policies of successive administrations. In addition to discussions of directorial practice, this book examines the ambivalence of American theatre artists toward their British cultural inheritance. Analyses of representative productions and interviews with Kahn and his British successor, Simon Godwin, illuminate this complex relationship: one that aspires to a cosmopolitan Anglophilia while positioning classically trained American actors as worthy rivals to their counterparts at the RSC and the National Theatre of Great Britain.
