Author: Elena Agathokleous
Publisher: GRIN Verlag
ISBN: 3346352668
Category : Literary Criticism
Languages : en
Pages : 14
Book Description
Essay from the year 2017 in the subject Literature - General, grade: 90.00, , course: Poetry, language: English, abstract: A close reading of Seferis' poem Helen including elements around the Greek myth as the background of the poem. A verse by verse examination is done for crucial verses in the poem and potential meanings are discussed. Seferis’ “Helen” is written in free verse and does not feature a fixed rhyme scheme straying this way away from traditional forms of poetry. While the poem is written in a modernist form, the mythical element is overwhelming in the poem, a contradiction that connects the present with the past. The poem’s epigraph sets the mythological background which relates the poem to the Greek mythology tradition. Homer’s myth about Paris’ choice of Helen as fairer than goddesses lingers in the background as the basis of all that follows and as the initial cause of the Trojan War. In the first three verses of the epigraph, it is established that the speaker is in exile ordered by “Appolow”, a man away from his home. Finally the epigraph, informs in the words of Helen that she was never in Troy, instead there was just a phantom image of hers there. The myth sets the context of the poem while the myths are further elaborated as the memories of the speaker who reminisces in a dramatic monologue triggered by the nightingale’s song and his inability to sleep, tormented by these memories. The repetition of the phrase “The nightingales won’t let you sleep in Platres”, written in quotation marks as if someone else is uttering them, also points to the use of the chorus in the ancient tragedy form, in which the chorus often repeats certain words connecting the poem even more to the ancient Greek mythology tradition.
A close reading of George Seferis' Poem "Helen"
Author: Elena Agathokleous
Publisher: GRIN Verlag
ISBN: 3346352668
Category : Literary Criticism
Languages : en
Pages : 14
Book Description
Essay from the year 2017 in the subject Literature - General, grade: 90.00, , course: Poetry, language: English, abstract: A close reading of Seferis' poem Helen including elements around the Greek myth as the background of the poem. A verse by verse examination is done for crucial verses in the poem and potential meanings are discussed. Seferis’ “Helen” is written in free verse and does not feature a fixed rhyme scheme straying this way away from traditional forms of poetry. While the poem is written in a modernist form, the mythical element is overwhelming in the poem, a contradiction that connects the present with the past. The poem’s epigraph sets the mythological background which relates the poem to the Greek mythology tradition. Homer’s myth about Paris’ choice of Helen as fairer than goddesses lingers in the background as the basis of all that follows and as the initial cause of the Trojan War. In the first three verses of the epigraph, it is established that the speaker is in exile ordered by “Appolow”, a man away from his home. Finally the epigraph, informs in the words of Helen that she was never in Troy, instead there was just a phantom image of hers there. The myth sets the context of the poem while the myths are further elaborated as the memories of the speaker who reminisces in a dramatic monologue triggered by the nightingale’s song and his inability to sleep, tormented by these memories. The repetition of the phrase “The nightingales won’t let you sleep in Platres”, written in quotation marks as if someone else is uttering them, also points to the use of the chorus in the ancient tragedy form, in which the chorus often repeats certain words connecting the poem even more to the ancient Greek mythology tradition.
Publisher: GRIN Verlag
ISBN: 3346352668
Category : Literary Criticism
Languages : en
Pages : 14
Book Description
Essay from the year 2017 in the subject Literature - General, grade: 90.00, , course: Poetry, language: English, abstract: A close reading of Seferis' poem Helen including elements around the Greek myth as the background of the poem. A verse by verse examination is done for crucial verses in the poem and potential meanings are discussed. Seferis’ “Helen” is written in free verse and does not feature a fixed rhyme scheme straying this way away from traditional forms of poetry. While the poem is written in a modernist form, the mythical element is overwhelming in the poem, a contradiction that connects the present with the past. The poem’s epigraph sets the mythological background which relates the poem to the Greek mythology tradition. Homer’s myth about Paris’ choice of Helen as fairer than goddesses lingers in the background as the basis of all that follows and as the initial cause of the Trojan War. In the first three verses of the epigraph, it is established that the speaker is in exile ordered by “Appolow”, a man away from his home. Finally the epigraph, informs in the words of Helen that she was never in Troy, instead there was just a phantom image of hers there. The myth sets the context of the poem while the myths are further elaborated as the memories of the speaker who reminisces in a dramatic monologue triggered by the nightingale’s song and his inability to sleep, tormented by these memories. The repetition of the phrase “The nightingales won’t let you sleep in Platres”, written in quotation marks as if someone else is uttering them, also points to the use of the chorus in the ancient tragedy form, in which the chorus often repeats certain words connecting the poem even more to the ancient Greek mythology tradition.
George Seferis
Author: George Seferis
Publisher:
ISBN: 9780224616508
Category : English poetry
Languages : en
Pages : 490
Book Description
Publisher:
ISBN: 9780224616508
Category : English poetry
Languages : en
Pages : 490
Book Description
Last Looks, Last Books
Author: Helen Vendler
Publisher: Princeton University Press
ISBN: 1400834325
Category : Literary Criticism
Languages : en
Pages : 165
Book Description
Modern American poets writing in the face of death In Last Looks, Last Books, the eminent critic Helen Vendler examines the ways in which five great modern American poets, writing their final books, try to find a style that does justice to life and death alike. With traditional religious consolations no longer available to them, these poets must invent new ways to express the crisis of death, as well as the paradoxical coexistence of a declining body and an undiminished consciousness. In The Rock, Wallace Stevens writes simultaneous narratives of winter and spring; in Ariel, Sylvia Plath sustains melodrama in cool formality; and in Day by Day, Robert Lowell subtracts from plenitude. In Geography III, Elizabeth Bishop is both caught and freed, while James Merrill, in A Scattering of Salts, creates a series of self-portraits as he dies, representing himself by such things as a Christmas tree, human tissue on a laboratory slide, and the evening/morning star. The solution for one poet will not serve for another; each must invent a bridge from an old style to a new one. Casting a last look at life as they contemplate death, these modern writers enrich the resources of lyric poetry.
Publisher: Princeton University Press
ISBN: 1400834325
Category : Literary Criticism
Languages : en
Pages : 165
Book Description
Modern American poets writing in the face of death In Last Looks, Last Books, the eminent critic Helen Vendler examines the ways in which five great modern American poets, writing their final books, try to find a style that does justice to life and death alike. With traditional religious consolations no longer available to them, these poets must invent new ways to express the crisis of death, as well as the paradoxical coexistence of a declining body and an undiminished consciousness. In The Rock, Wallace Stevens writes simultaneous narratives of winter and spring; in Ariel, Sylvia Plath sustains melodrama in cool formality; and in Day by Day, Robert Lowell subtracts from plenitude. In Geography III, Elizabeth Bishop is both caught and freed, while James Merrill, in A Scattering of Salts, creates a series of self-portraits as he dies, representing himself by such things as a Christmas tree, human tissue on a laboratory slide, and the evening/morning star. The solution for one poet will not serve for another; each must invent a bridge from an old style to a new one. Casting a last look at life as they contemplate death, these modern writers enrich the resources of lyric poetry.
War in the Poetry of George Seferis
Author: K. Kaprē-Karka
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
Prose Poetry
Author: Paul Hetherington
Publisher: Princeton University Press
ISBN: 0691180644
Category : Language Arts & Disciplines
Languages : en
Pages : 354
Book Description
An engaging and authoritative introduction to an increasingly important and popular literary genre Prose Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing. A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre. Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.
Publisher: Princeton University Press
ISBN: 0691180644
Category : Language Arts & Disciplines
Languages : en
Pages : 354
Book Description
An engaging and authoritative introduction to an increasingly important and popular literary genre Prose Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing. A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre. Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.
Why Homer Matters
Author: Adam Nicolson
Publisher: Henry Holt and Company
ISBN: 1627791809
Category : History
Languages : en
Pages : 318
Book Description
"Adam Nicolson writes popular books as popular books used to be, a breeze rather than a scholarly sweat, but humanely erudite, elegantly written, passionately felt...and his excitement is contagious."—James Wood, The New Yorker Adam Nicolson sees the Iliad and the Odyssey as the foundation myths of Greek—and our—consciousness, collapsing the passage of 4,000 years and making the distant past of the Mediterranean world as immediate to us as the events of our own time. Why Homer Matters is a magical journey of discovery across wide stretches of the past, sewn together by the poems themselves and their metaphors of life and trouble. Homer's poems occupy, as Adam Nicolson writes "a third space" in the way we relate to the past: not as memory, which lasts no more than three generations, nor as the objective accounts of history, but as epic, invented after memory but before history, poetry which aims "to bind the wounds that time inflicts." The Homeric poems are among the oldest stories we have, drawing on deep roots in the Eurasian steppes beyond the Black Sea, but emerging at a time around 2000 B.C. when the people who would become the Greeks came south and both clashed and fused with the more sophisticated inhabitants of the Eastern Mediterranean. The poems, which ask the eternal questions about the individual and the community, honor and service, love and war, tell us how we became who we are.
Publisher: Henry Holt and Company
ISBN: 1627791809
Category : History
Languages : en
Pages : 318
Book Description
"Adam Nicolson writes popular books as popular books used to be, a breeze rather than a scholarly sweat, but humanely erudite, elegantly written, passionately felt...and his excitement is contagious."—James Wood, The New Yorker Adam Nicolson sees the Iliad and the Odyssey as the foundation myths of Greek—and our—consciousness, collapsing the passage of 4,000 years and making the distant past of the Mediterranean world as immediate to us as the events of our own time. Why Homer Matters is a magical journey of discovery across wide stretches of the past, sewn together by the poems themselves and their metaphors of life and trouble. Homer's poems occupy, as Adam Nicolson writes "a third space" in the way we relate to the past: not as memory, which lasts no more than three generations, nor as the objective accounts of history, but as epic, invented after memory but before history, poetry which aims "to bind the wounds that time inflicts." The Homeric poems are among the oldest stories we have, drawing on deep roots in the Eurasian steppes beyond the Black Sea, but emerging at a time around 2000 B.C. when the people who would become the Greeks came south and both clashed and fused with the more sophisticated inhabitants of the Eastern Mediterranean. The poems, which ask the eternal questions about the individual and the community, honor and service, love and war, tell us how we became who we are.
World Poetry
Author: Katharine Washburn
Publisher: W W Norton & Company Incorporated
ISBN: 9780393041309
Category : Poetry
Languages : en
Pages : 1338
Book Description
An anthology of the best poetry ever written contains more than sixteen hundred poems, spanning more than four millennia, from ancient Sumer and Egypt to the late twentieth century
Publisher: W W Norton & Company Incorporated
ISBN: 9780393041309
Category : Poetry
Languages : en
Pages : 1338
Book Description
An anthology of the best poetry ever written contains more than sixteen hundred poems, spanning more than four millennia, from ancient Sumer and Egypt to the late twentieth century
On Whitman
Author: C. K. Williams
Publisher: Princeton University Press
ISBN: 0691176108
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
Pulitzer Prize–winning poet C. K. Williams's personal reflection on the art of Walt Whitman In this book, Pulitzer Prize–winning poet C. K. Williams sets aside the mass of biography and literary criticism that has accumulated around Walt Whitman and attempts to go back to Leaves of Grass as he first encountered it—to explore why Whitman's epic "continues to inspire and sometimes daunt" him. The result is a personal reassessment and appreciation of one master poet by another, as well as an unconventional and brilliant introduction to Whitman. Beautifully written and rich with insight, this is a book that refreshes our ability to see Whitman in all his power.
Publisher: Princeton University Press
ISBN: 0691176108
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
Pulitzer Prize–winning poet C. K. Williams's personal reflection on the art of Walt Whitman In this book, Pulitzer Prize–winning poet C. K. Williams sets aside the mass of biography and literary criticism that has accumulated around Walt Whitman and attempts to go back to Leaves of Grass as he first encountered it—to explore why Whitman's epic "continues to inspire and sometimes daunt" him. The result is a personal reassessment and appreciation of one master poet by another, as well as an unconventional and brilliant introduction to Whitman. Beautifully written and rich with insight, this is a book that refreshes our ability to see Whitman in all his power.
The King of Asine
Author: George Seferis
Publisher:
ISBN:
Category : Greek poetry
Languages : en
Pages : 92
Book Description
Publisher:
ISBN:
Category : Greek poetry
Languages : en
Pages : 92
Book Description
Voices of Modern Greece
Author: Constantine Cavafy
Publisher: Princeton University Press
ISBN: 0691013829
Category : Poetry
Languages : en
Pages : 215
Book Description
This anthology is composed of revised translations selected from five volumes of work by major poets of modern Greece offered by Keeley and Sherrard during the 1960s and '70s. Poems chosen are those that translate most successfully into English and that are also representative of the best work of the original poets--C.P. Cavafy, Angelos Sikelianos, George Seferis, Odysseus Elytis, and Nikos Gatsos.
Publisher: Princeton University Press
ISBN: 0691013829
Category : Poetry
Languages : en
Pages : 215
Book Description
This anthology is composed of revised translations selected from five volumes of work by major poets of modern Greece offered by Keeley and Sherrard during the 1960s and '70s. Poems chosen are those that translate most successfully into English and that are also representative of the best work of the original poets--C.P. Cavafy, Angelos Sikelianos, George Seferis, Odysseus Elytis, and Nikos Gatsos.