Nordic Landscape Painting in the Nineteenth Century PDF Download
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Author: Torsten Gunnarsson
Publisher: Yale University Press
ISBN: 0300070411
Category : Art
Languages : en
Pages : 318
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Book Description
This study identifies and analyzes the different types of landscape painting that dominated the Scandinavian countries in the 19th century. The author shows how the wilderness became a symbol of Nordic strength, as well as a counter-image to industrialization and European urban culture.
Author: Torsten Gunnarsson
Publisher: Yale University Press
ISBN: 0300070411
Category : Art
Languages : en
Pages : 318
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Book Description
This study identifies and analyzes the different types of landscape painting that dominated the Scandinavian countries in the 19th century. The author shows how the wilderness became a symbol of Nordic strength, as well as a counter-image to industrialization and European urban culture.
Author: Patricia G. Berman
Publisher:
ISBN: 9780500290989
Category : Painting, Danish
Languages : en
Pages : 272
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Book Description
Between 1790 and 1910, Danish painters developed a national school of art that matched the artistic centres of France, Germany and Britain. The range of outstanding works created by Nicolai Abildgaard, Jens Juel, Christoffer Wilhelm Eckersberg, Christen Købke, P. S. Krøyer and Vilhelm Hammershøi reflect and refract the great stylistic tendencies of European art of the 19th century, including Classicism, Romanticism, Impressionism and Symbolism. Illustrated with over two hundred key works of art drawn from the leading Danish collections, this is the only book available in English that surveys Danish painting across the 19th century. Written by a major scholar in the field, and featuring all the icons of the Danish Golden Age, this is an essential addition to all art libraries.
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 338521369X
Category : Fiction
Languages : en
Pages : 258
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Book Description
Reprint of the original, first published in 1875.
Author: Elizabeth Johns
Publisher: Yale University Press
ISBN: 9780300057546
Category : Art
Languages : en
Pages : 292
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Book Description
American genre painting flourished in the thirty years before the Civil War, a period of rapid social change that followed the election of President Andrew Jackson. It has long been assumed that these paintings--of farmers, western boatmen and trappers, blacks both slave and free, middle-class women, urban urchins, and other everyday folk--served as records of an innocent age, reflecting a Jacksonian optimism and faith in the common man. In this enlightening book Elizabeth Johns presents a different interpretation--arguing that genre paintings had a social function that related in a more significant and less idealistic way to the political and cultural life of the time. Analyzing works by William Sidney Mount, George Caleb Bingham, David Gilmore Blythe, Lilly Martin Spencer, and others, Johns reveals the humor and cynicism in the paintings and places them in the context of stories about the American character that appeared in sources ranging from almanacs and newspapers to joke books and political caricature. She compares the productions of American painters with those of earlier Dutch, English, and French genre artists, showing the distinctive interests of American viewers. Arguing that art is socially constructed to meet the interests of its patrons and viewers, she demonstrates that the audience for American genre paintings consisted of New Yorkers with a highly developed ambition for political and social leadership, who enjoyed setting up citizens of the new democracy as targets of satire or condescension to satisfy their need for superiority. It was this network of social hierarchies and prejudices--and not a blissful celebration of American democracy--that informed the look and the richly ambiguous content of genre painting.
Author: Cordula Grewe
Publisher: Routledge
ISBN: 1351555227
Category : Art
Languages : en
Pages : 437
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Book Description
After a century of Rationalist scepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief. The Nazarene quest for a modern religious idiom evolved around a return to pre-modern forms of biblical exegesis and the adaptation of traditional systems of iconography. Reflecting the era's historicist sensibility as much as the general revival of orthodoxy in the various Christian denominations, the Nazarenes responded with great acumen to pressing contemporary concerns. Consequently, the artists did not simply revive Christian iconography, but rather reconceptualized what it could do and say. This creativity and flexibility enabled them to intervene forcefully in key debates of post-revolutionary European society: the function of eroticism in a Christian life, the role of women and the social question, devotional practice and the nature of the Church, childhood education and bible study, and the burning issue of anti-Judaism and modern anti-Semitism. What makes Nazarene art essentially Romantic is the meditation on the conditions of art-making inscribed into their appropriation and reinvention of artistic tradition. Far from being a reactionary move, this self-reflexivity expresses the modernity of Nazarene art. This study explores Nazarenism in a series of detailed excavations of central works in the Nazarene corpus produced between 1808 and the 1860s. The result is a book about the possibility of religious meanin
Author: James Romaine
Publisher: Wipf and Stock Publishers
ISBN: 1630871826
Category : Social Science
Languages : en
Pages : 365
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Book Description
ReVisioning: Critical Methods of Seeing Christianity in the History of Art examines the application of art historical methods to the history of Christianity and art. As methods of art history have become more interdisciplinary, there has been a notable emergence of discussions of religion in art history as well as related fields such as visual culture and theology. This book represents the first critical examination of scholarly methodologies applied to the study of Christian subjects, themes, and contexts in art. ReVisioning contains original work from a range of scholars, each of whom has addressed the question, in regard to a well-known work of art or body of work, "How have particular methods of art history been applied, and with what effect?" The study moves from the third century to the present, providing extensive treatment and analysis of art historical methods applied to the history of Christianity and art.
Author: Julie Klassen
Publisher: Baker Books
ISBN: 1441228802
Category : Fiction
Languages : en
Pages : 493
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Book Description
Julie Klassen Is the Gold Standard for Inspirational Regency Fiction Sophie Dupont, daughter of a portrait painter, assists her father in his studio, keeping her own artwork out of sight. She often walks the cliffside path along the north Devon coast, popular with artists and poets. It's where she met the handsome Wesley Overtree, the first man to tell her she's beautiful. Captain Stephen Overtree is accustomed to taking on his brother's neglected duties. Home on leave, he's sent to find Wesley. Knowing his brother rented a cottage from a fellow painter, he travels to Devonshire and meets Miss Dupont, the painter's daughter. He's startled to recognize her from a miniature portrait he carries with him--one of Wesley's discarded works. But his happiness plummets when he realizes Wesley has left her with child and sailed away to Italy in search of a new muse. Wanting to do something worthwhile with his life, Stephen proposes to Sophie. He does not offer love, or even a future together, but he can save her from scandal. If he dies in battle, as he believes he will, she'll be a respectable widow with the protection of his family. Desperate for a way to escape her predicament, Sophie agrees to marry a stranger and travel to his family's estate. But at Overtree Hall, her problems are just beginning. Will she regret marrying Captain Overtree when a repentant Wesley returns? Or will she find herself torn between the father of her child and her growing affection for the husband she barely knows?
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 668
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Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 842
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Book Description
Author: Edward Stuart Talbot
Publisher:
ISBN:
Category : Sermons, English
Languages : en
Pages : 452
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Book Description
