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Author: Geffrey Whitney
Publisher:
ISBN:
Category : Emblems
Languages : en
Pages : 654
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Author: Geffrey Whitney
Publisher: Georg Olms Verlag
ISBN: 9783487402116
Category :
Languages : en
Pages : 642
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Author: Geoffrey Whitney
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Geffrey Whitney
Publisher:
ISBN:
Category : Emblems
Languages : en
Pages : 654
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Author: Sir Henry Goodyere
Publisher:
ISBN:
Category : Emblems
Languages : en
Pages : 250
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Author:
Publisher:
ISBN:
Category : Anonyms and pseudonyms
Languages : en
Pages : 960
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Book Description
Author: Holly M. Kent
Publisher: Bloomsbury Publishing
ISBN: 1350022896
Category : Design
Languages : en
Pages : 313
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Book Description
Teaching Fashion Studies is the definitive resource for instructors of fashion studies at the undergraduate level and beyond. The first of its kind, it offers extensive, practical support for both seasoned instructors and those at the start of an academic career, in addition to interdisciplinary educators looking to integrate fashion into their classes. Informed by the latest research in the field and written by an international team of experts, Teaching Fashion Studies equips educators with a diverse collection of exercises, assignments, and pedagogical reflections on teaching fashion across disciplines. Each chapter offers an assignment, with guidance on how to effectively implement it in the classroom, as well as reflections on pedagogical strategies and student learning outcomes. Facilitating the integration of practice and theory in the classroom, topics include: the business of fashion; the media and popular culture; ethics and sustainability; globalization; history; identity; trend forecasting; and fashion design.
Author: Marguerite A. Tassi
Publisher: Susquehanna University Press
ISBN: 1575911310
Category : Drama
Languages : en
Pages : 345
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Book Description
Can there be a virtue in vengeance? Can revenge do ethical work? Can revenge be the obligation of women? This wide-ranging literary study looks at Shakespeare's women and finds bold answers to questions such as these. A surprising number of Shakespeare's female characters respond to moral outrages by expressing a strong desire for vengeance. This book's analysis of these characters and their circumstances offers incisive critical perceptions of feminine anger, ethics, and agency and challenges our assumptions about the role of gender in revenge. In this provocative book, Marguerite A. Tassi counters longstanding critical opinions on revenge: that it is the sole province of men in Western literature and culture, that it is a barbaric, morally depraved, irrational instinct, and that it is antithetical to justice. Countless examples have been mined from Shakespeare's dramas to reveal women's profound concerns with revenge and justice, honor and shame, crime and punishment. In placing the critical focus on avenging women, this book significantly redresses a gender imbalance in scholarly treatments of revenge, particularly in early modern literature.
Author: NA NA
Publisher: Springer
ISBN: 1349624152
Category : Science
Languages : en
Pages : 242
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Book Description
When we look at the human understanding of beasts in the past what we see are not only the foundations of our own perception of animals but humans contemplating their own status. Perceiving Animals argues that what is revealed in a wide range of writing from the early modern period is a recurring attempt to separate the human from the beast. Looking at the representation of the animal in law, religious writings, literary representation, science and political ideas, what emerges is a sense of the fragility of humanity, a sense of a species which always requires an external addition - property, civilisation, education, mastery of the natural world - to be fully human. Erica Fudge engages with both canonical and non-canonical texts from the period 1558-1649, and examines previously unchallenged aspects of the status of humanity: what does it mean to own an animal? How does civilisation take place, and what does this tell us about uncivilised man? What does the humanist emphasis on education mean for the uneducated? Does science ever offer humanity separation from the beast? Texts by writers including Edward Coke, Ben Jonson, Francis Bacon and Richard Overton are re-examined, and the status of humanity comes under question. Perceiving Animals argues that within early modern English culture there is an uncomfortable sense of humanity with a superiority which is not innate, but dangerously unnatural.
Author: Erica Fudge
Publisher: University of Illinois Press
ISBN: 9780252070686
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
The boundaries between human and beast forged a rugged philosophical landscape across early modern England. Spectators gathered in London's Bear Garden to watch the callous and brutal baiting of animals. A wave of "new" scientists performed vivisections on live animals to learn more about the human body. In Perceiving Animals, the British scholar Erica Fudge traces the dangers and problems of anthropocentrism in texts written from 1558 to 1649. Meticulous examinations of scientific, legal, political, literary, and religious writings offer unique and fascinating depictions of human perceptions about the natural world. Views carried over from bestiaries--medieval treatises on animals-- posited animals as nonsentient beings whose merits were measured solely by what provisions they afforded humans: food, medicine, clothing, travel, labor, scientific knowledge. Without consciences or faith, animals were deemed far inferior to humans. While writings from the period asserted an enormous biological superiority, Fudge contends actual human behavior and logic worked, sometimes accidentally, to close the alleged gap. In the Bear Garden, even a man of the lowest social rank had power over a tortured animal, sinking him, though, below the beasts. The beast fable itself fails to show a true understanding of animals, as it merely attributes human characteristics to beasts in an attempt to teach humanist ideals. Scholars and writers continually turned to the animal world for reflection. Despite this, scientists of the period used animals for empirical and medical knowledge, recognizing biological and spiritual similarities but refusing to renege human superiority. Including an insightful reexamination of Ben Jonson's Volpone and fascinating looks at works by Francis Bacon, Edward Coke, and Richard Overton, among others, Fudge probes issues of animal ownership and biological and spiritual superiority in early modern England that resonate with philosophical quandaries still relevant in contemporary society.
Author: Samuel van Hulst
Publisher:
ISBN:
Category :
Languages : en
Pages : 242
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Book Description
