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Author:
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 58
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Author:
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 58
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Author: John Barrett
Publisher:
ISBN:
Category :
Languages : en
Pages : 38
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Author: John Blow
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 43
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Author:
Publisher:
ISBN:
Category : Harpsichord music
Languages : en
Pages :
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Author: Rebecca Herissone
Publisher: Oxford University Press, USA
ISBN: 9780198167006
Category : Music
Languages : en
Pages : 354
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Thus, over the course of the seventeenth century, there occurred a complete transformation in almost every aspect of theory: by the 1720s, many of the principles being described bore close relation to those still used today. Nowhere was this metamorphosis clearer than in England where, because of a traditional emphasis on practicality, there was much more willingness to accept and encourage new theoretical ideas than on the continent.
Author: John Blow
Publisher:
ISBN:
Category : Suites (Harpsichord)
Languages : en
Pages : 30
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Author: Henry Purcell
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 86
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Author: John Harley
Publisher:
ISBN:
Category : Harpsichord music
Languages : en
Pages : 368
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Author: Sandra Mangsen
Publisher: Boydell & Brewer
ISBN: 1580465498
Category : History
Languages : en
Pages : 284
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Book Description
Keyboard arrangements of vocal music flourished in England between1560 and 1760. Songs without Words, by noted harpsichordist and early-music authority Sandra Mangsen, is the first in-depth study of this topic, uncovering a body of material that is remarkably varied, musically interesting, and indicative of major trends in musical and social life at the time. Mangsen's Songs without Words argues that the pieces upon which these keyboard arrangements were based constituted a shared repertoire, akin to the jazz standards of the twentieth century. In Restoration England, the ballad tradition saw tunes and texts move between oral, manuscript, and printed transmission and from street to playhouse and back again. During the eighteenth century, printed keyboard arrangements were aimed particularly at female amateur keyboardists and helped opera to become a widely popular genre. Songs without Words considers a wide range of model pieces, including songs of many kinds and arias and other numbers from operas and oratorios. The resulting keyboard versions range from simple and pedagogically oriented to highly virtuosic. Two central issues -- the relationship between an arrangement and its model and the reception and aesthetics of arrangements -- are explored in the framing chapters. The result is a study that will be of great interest to scholars, performers, and anyone who loves the music of the late Renaissance, Baroque, and early Classic eras. Sandra Mangsen is professor emerita of music at the University of Western Ontario.
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 882
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