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Author: Ryan Denton
Publisher:
ISBN: 9781601786852
Category : Religion
Languages : en
Pages : 128
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Book Description
"An introduction to the theology and practice of preaching in public places"--
Author: Ryan Denton
Publisher:
ISBN: 9781601786852
Category : Religion
Languages : en
Pages : 128
Get Book Here
Book Description
"An introduction to the theology and practice of preaching in public places"--
Author: John Wyer
Publisher:
ISBN: 9782880011116
Category : Automobile racing
Languages : en
Pages : 255
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Book Description
Author: Trevor Cox
Publisher: W. W. Norton & Company
ISBN: 039324282X
Category : Science
Languages : en
Pages : 391
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Book Description
"A lucid and passionate case for a more mindful way of listening to and engaging with musical, natural, and manmade sounds." —New York Times In this tour of the world’s most unexpected sounds, Trevor Cox—the “David Attenborough of the acoustic realm” (Observer)—discovers the world’s longest echo in a hidden oil cavern in Scotland, unlocks the secret of singing sand dunes in California, and alerts us to the aural gems that exist everywhere in between. Using the world’s most amazing acoustic phenomena to reveal how sound works in everyday life, The Sound Book inspires us to become better listeners in a world dominated by the visual and to open our ears to the glorious cacophony all around us.
Author: Michel Chion
Publisher: Duke University Press
ISBN: 082237482X
Category : Music
Languages : en
Pages : 285
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Book Description
First published in French in 1998, revised in 2010, and appearing here in English for the first time, Michel Chion's Sound addresses the philosophical, interpretive, and practical questions that inform our encounters with sound. Chion considers how cultural institutions privilege some sounds above others and how spurious distinctions between noise and sound guide the ways we hear and value certain sounds. He critiques the tenacious tendency to understand sounds in relation to their sources and advocates "acousmatic" listening—listening without visual access to a sound’s cause—to disentangle ourselves from auditory habits and prejudices. Yet sound can no more be reduced to mere perceptual phenomena than encapsulated in the sciences of acoustics and physiology. As Chion reminds us and explores in depth, a wide range of linguistic, sensory, cultural, institutional, and media- and technologically-specific factors interact with and shape sonic experiences. Interrogating these interactions, Chion stimulates us to think about how we might open our ears to new sounds, become more nuanced and informed listeners, and more fully understand the links between how we hear and what we do.
Author: James William Gilbart
Publisher:
ISBN:
Category :
Languages : en
Pages : 404
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Book Description
Author: Samuel D. Proctor
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 156
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Book Description
responded to the ongoing demand for a "how-to," step-by-step approach to powerful sermon development. Proctor's years of proclaiming the Word of God, pastoring, and effective classroom instruction to pastors, teachers, and seminarians make this a must read for even the seasoned pastor. Foreword by Gardner C. Taylor.
Author: Eric Baus
Publisher: Wave Books
ISBN:
Category : Literary Collections
Languages : en
Pages : 86
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Book Description
Selected by Forrest Gander for the 2002 Verse Prize, Baus's debut is full of "unlikely logics."
Author: Holger Schulze
Publisher: Bloomsbury Publishing USA
ISBN: 1501330233
Category : Technology & Engineering
Languages : en
Pages : 272
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Book Description
What is sound design? What is its function in the early 21st century and into the future? Sound Works examines these questions in four parts: Part 1, "Why This Sound?", presents an overview of the modern history of sound design. Part 2 is highly visual and provides a glance onto a sound designer's workbench and the current state of "Sonic Labor." Part 3 uses cultural analysis to explore our contemporary "Living with Sounds." The final and fourth part then proposes a series of anthropological and political interpretations of how Sound Works today. This book is not a manual on sound design; it instead argues for a cultural theory of sound design for sound designers and sound artists, for clients who commission a sound design and for researchers in the fields of sound studies, design research, and cultural studies
Author: Mouni Sadhu
Publisher: Aeon Books
ISBN: 1801520798
Category : Body, Mind & Spirit
Languages : en
Pages : 537
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Book Description
The ultimate book in exploring the hidden depths of magic and the Western Esoteric Tradition In his defining masterpiece, Mouni Sadhu offers the reader an encyclopaedic exploration of the Western esoteric tradition and magical philosophy with the major arcana of the Tarot as a guide. Each of the 101 lessons contained in this volume is packed with occult philosophy, symbolism, and hints for practice. (The practices themselves are elsewhere, in his books Concentration, Meditation, and Theurgy, which should be studied in that order along with this book.) Those students who want to get the most out of this volume should plan on devoting a week to each lesson, reading it several times and making sure that a thorough grasp of the important concepts has been gained. Two years devoted to this study will result in a thorough understanding of Hermetic occultism The symbolism and correspondences found in The Tarot are not the ones most familiar in occult writings in the English-speaking world. They derive from the main European tradition of modern Hermeticism, which starts with Eliphas Lévi’s groundbreaking Doctrine and Ritual of High Magic and proceeds through the works of Stanislaus de Guaita, Paul Christian, Papus (Gerard Encausse), and Oswald Wirth, among others, to Mouni Sadhu. Readers who are used to the current of Hermetic teaching set in motion by the Hermetic Order of the Golden Dawn, which lies behind most occultism in the English-speaking world, may find themselves surprised by the very different approaches Mouni Sadhu presents here and elsewhere in his works.
Author: Sally Macarthur
Publisher: Routledge
ISBN: 1317091264
Category : Music
Languages : en
Pages : 288
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Book Description
The conversations generated by the chapters in Music's Immanent Future grapple with some of music's paradoxes: that music of the Western art canon is viewed as timeless and universal while other kinds of music are seen as transitory and ephemeral; that in order to make sense of music we need descriptive language; that to open up the new in music we need to revisit the old; that to arrive at a figuration of music itself we need to posit its starting point in noise; that in order to justify our creative compositional works as research, we need to find critical languages and theoretical frameworks with which to discuss them; or that despite being an auditory system, we are compelled to resort to the visual metaphor as a way of thinking about musical sounds. Drawn to musical sound as a powerful form of non-verbal communication, the authors include musicologists, philosophers, music theorists, ethnomusicologists and composers. The chapters in this volume investigate and ask fundamental questions about how we think, converse, write about, compose, listen to and analyse music. The work is informed by the philosophy primarily of Gilles Deleuze and Felix Guattari, and secondarily of Michel Foucault, Julia Kristeva and Jean-Luc Nancy. The chapters cover a wide range of topics focused on twentieth and twenty-first century musics, covering popular musics, art music, acousmatic music and electro-acoustic musics, and including music analysis, music's ontology, the noise/music dichotomy, intertextuality and music, listening, ethnography and the current state of music studies. The authors discuss their philosophical perspectives and methodologies of practice-led research, including their own creative work as a form of research. Music's Immanent Future brings together empirical, cultural, philosophical and creative approaches that will be of interest to musicologists, composers, music analysts and music philosophers.
