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Author: Stephen Mack Jones
Publisher: Soho Press
ISBN: 1616957190
Category : Fiction
Languages : en
Pages : 321
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Book Description
Winner of the Hammett Prize and the Nero Award From the wealthy suburbs to the remains of Detroit’s bankrupt factory districts, August Snow is a fast-paced tale of murder, greed, sex, economic cyber-terrorism, race and urban decay. Tough, smart, and struggling to stay alive, August Snow is the embodiment of Detroit. The son of an African-American father and a Mexican-American mother, August grew up in the city’s Mexicantown and joined the police force only to be drummed out by a conspiracy of corrupt cops and politicians. But August fought back; he took on the city and got himself a $12 million wrongful dismissal settlement that left him low on friends. He has just returned to the house he grew up in after a year away, and quickly learns he has many scores to settle. It’s not long before he’s summoned to the palatial Grosse Pointe Estates home of business magnate Eleanore Paget. Powerful and manipulative, Paget wants August to investigate the increasingly unusual happenings at her private wealth management bank. But detective work is no longer August’s beat, and he declines. A day later, Paget is dead of an apparent suicide—which August isn’t buying for a minute. What begins as an inquiry into Eleanore Paget’s death soon drags August into a rat’s nest of Detroit’s most dangerous criminals, from corporate embezzlers to tattooed mercenaries.
Author: Stephen Mack Jones
Publisher: Soho Press
ISBN: 1616957190
Category : Fiction
Languages : en
Pages : 321
Get Book Here
Book Description
Winner of the Hammett Prize and the Nero Award From the wealthy suburbs to the remains of Detroit’s bankrupt factory districts, August Snow is a fast-paced tale of murder, greed, sex, economic cyber-terrorism, race and urban decay. Tough, smart, and struggling to stay alive, August Snow is the embodiment of Detroit. The son of an African-American father and a Mexican-American mother, August grew up in the city’s Mexicantown and joined the police force only to be drummed out by a conspiracy of corrupt cops and politicians. But August fought back; he took on the city and got himself a $12 million wrongful dismissal settlement that left him low on friends. He has just returned to the house he grew up in after a year away, and quickly learns he has many scores to settle. It’s not long before he’s summoned to the palatial Grosse Pointe Estates home of business magnate Eleanore Paget. Powerful and manipulative, Paget wants August to investigate the increasingly unusual happenings at her private wealth management bank. But detective work is no longer August’s beat, and he declines. A day later, Paget is dead of an apparent suicide—which August isn’t buying for a minute. What begins as an inquiry into Eleanore Paget’s death soon drags August into a rat’s nest of Detroit’s most dangerous criminals, from corporate embezzlers to tattooed mercenaries.
Author: Derek B. Scott
Publisher: Oxford University Press
ISBN: 0190294892
Category : Music
Languages : en
Pages : 320
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Book Description
The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. He explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious. A fresh and persuasive consideration of the genesis of popular music on its own terms, Sounds of the Metropolis breaks new ground in the study of music, cultural sociology, and history.
Author: Judith Walkowitz
Publisher: Yale University Press
ISBN: 0300183682
Category : History
Languages : en
Pages : 629
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Book Description
London's Soho district underwent a spectacular transformation between the late Victorian era and the end of the Second World War: its fin-de-siècle buildings and dark streets infamous for sex, crime, political disloyalty, and ethnic diversity became a center of culinary and cultural tourism servicing patrons of nearby shops and theaters. Indulgences for the privileged and the upwardly mobile edged a dangerous, transgressive space imagined to be "outside" the nation. Treating Soho as exceptional, but also representative of London's urban transformation, Judith Walkowitz shows how the area's foreignness, liminality, and porousness were key to the explosion of culture and development of modernity in the first half of the twentieth century. She draws on a vast and unusual range of sources to stitch together a rich patchwork quilt of vivid stories and unforgettable characters, revealing how Soho became a showcase for a new cosmopolitan identity.
Author: Richard Kostelanetz
Publisher: Psychology Press
ISBN: 9780415965729
Category : Art, American
Languages : en
Pages : 272
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Book Description
And New York's one-of-a-kind urban artists' colony was born.".
Author: Christopher Howse
Publisher: Bloomsbury Publishing
ISBN: 1472914813
Category : History
Languages : en
Pages : 297
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Book Description
A fascinating glimpse into 1980s Soho by leading journalist and writer Christopher Howse. In the 1980s Daniel Farson published Soho in the Fifties. This memoir is a sequel from the Eighties, a decade that saw the brilliant flowering of a daily tragi-comedy enacted in pubs like the Coach and Horses or the French and in drinking clubs like the Colony Room. These were places of constant conversation and regular rows fuelled by alcohol. The cast was more improbable than any soap opera. Some were widely known – Jeffrey Bernard, Francis Bacon, Tom Baker or John Hurt. Just as important were the character actors: the Village Postmistress, the Red Baron, Granny Smith. The bite came from the underlying tragedy: lost spouses, lost jobs, pennilessness, homelessness and death. Christopher Howse recaptures the lost Soho he once knew as home, its cellar cafés and butchers' shops, its villains and its generosity. While it lasted, time in those smoky rooms always seemed to be half past ten, not long to closing time. As the author relates, he never laughed so much as he did in Soho in the Eighties.
Author: John G. Brandon
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 183
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Book Description
DigiCat Publishing presents to you this special edition of "A Scream in Soho" by John G. Brandon. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 434
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Book Description
Author: Aaron Shkuda
Publisher: University of Chicago Press
ISBN: 0226833410
Category : Architecture
Languages : en
Pages : 304
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Book Description
A groundbreaking look at the transformation of SoHo. American cities entered a new phase when, beginning in the 1950s, artists and developers looked upon a decaying industrial zone in Lower Manhattan and saw, not blight, but opportunity: cheap rents, lax regulation, and wide open spaces. Thus, SoHo was born. From 1960 to 1980, residents transformed the industrial neighborhood into an artist district, creating the conditions under which it evolved into an upper-income, gentrified area. Introducing the idea—still potent in city planning today—that art could be harnessed to drive municipal prosperity, SoHo was the forerunner of gentrified districts in cities nationwide, spawning the notion of the creative class. In The Lofts of SoHo, Aaron Shkuda studies the transition of the district from industrial space to artists’ enclave to affluent residential area, focusing on the legacy of urban renewal in and around SoHo and the growth of artist-led redevelopment. Shkuda explores conflicts between residents and property owners and analyzes the city’s embrace of the once-illegal loft conversion as an urban development strategy. As Shkuda explains, artists eventually lost control of SoHo’s development, but over several decades they nonetheless forced scholars, policymakers, and the general public to take them seriously as critical actors in the twentieth-century American city.
Author:
Publisher: David Zwirner Books
ISBN: 9781934435410
Category : Art
Languages : en
Pages : 197
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Book Description
112 Greene Street was more than a physical space—it was a locus of energy and ideas that with a combination of genius and chance had a profound impact on the trajectory of contemporary art...its permeable walls became the center of an artistic community that challenged the traditional role of the artist, the gallery, the performer, the audience, and the work of art. — Jessamyn Fiore 112 Greene Street was one of New York’s first alternative, artist-run venues. Started in October 1970 by Jeffrey Lew, Gordon Matta-Clark, and Alan Saret, among others, the building became a focal point for a young generation of artists seeking a substitute for New York’s established gallery circuit, and provided the stage for a singular moment of artistic invention and freedom that was at its peak between 1970 and 1974. 112 Greene Street: The Early Years (1970–1974) is the culmination of an exhibition by the same name that was on view at David Zwirner in New York in 2011. This extensively researched and historically important book brings together a number of works that were exhibited at the seminal space (including works by Gordon Matta-Clark, Vito Acconci, Tina Girouard, Suzanne Harris, Jene Highstein, Larry Miller, Alan Saret, and Richard Serra); extensive interviews with many of the artists involved in the space; a fascinating timeline of all the activity at 112 Greene Street in the early years; and installation views of the 2011 exhibition. The interviews in the book have been prepared by the exhibition’s curator, Jessamyn Fiore, and Louise Sørensen, Head of Research at David Zwirner, has contributed an introductory text that illuminates the space’s significance and critical reception during the prime years of its operation, as well as commentary on individual works in the show.
Author:
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 848
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