A catalogue of the household furniture, chimney glasses, pictures, prints, books, engravings in the portfolio, forty dozens of wines, plated articles, china, glass, large Turret clock, out-door articles, and numerous effects of the late J. Moore, Esq. [1851]. PDF Download
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![A catalogue of the household furniture, chimney glasses, pictures, prints, books, engravings in the portfolio, forty dozens of wines, plated articles, china, glass, large Turret clock, out-door articles, and numerous effects of the late J. Moore, Esq. [1851]. PDF](https://books.google.com/books/content/images/frontcover/z0V6zwEACAAJ?fife=w150-h200)
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Languages : en
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![A catalogue of the household furniture, chimney glasses, pictures, prints, books, engravings in the portfolio, forty dozens of wines, plated articles, china, glass, large Turret clock, out-door articles, and numerous effects of the late J. Moore, Esq. [1851]. PDF](https://books.google.com/books/content/images/frontcover/z0V6zwEACAAJ?fife=w80-h100)
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Languages : en
Pages : 0
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Author: Peter M. Kenny
Publisher: Metropolitan Museum of Art
ISBN: 1588394425
Category : Cabinetmakers
Languages : en
Pages : 314
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Book Description
"Duncan Phyfe (1770-1854), known during his lifetime as the "United States Rage," to this day remains America's best-known cabinetmaker. Establishing his reputation as a purveyor of luxury by designing high-quality furniture for New York's moneyed elite, Phyfe would come to count among his clients some of the nation's wealthiest and most storied families. This richly illustrated volume covers the full chronological sweep of the craftsman's distinguished career, from his earliest furniture-- which bears the influence of his 18th-century British predecessors Thomas Sheraton and Thomas Hope--to his late simplified designs in the Grecian Plain. More than sixty works by Phyfe and his workshop are highlighted, including rarely seen pieces from private collections and several newly discovered documented works. Additionally, essays by leading scholars bring to light new information on Phyfe's life, his workshop production, and his roster of illustrious patrons. What unfolds is the story of Phyfe's remarkable transformation from a young immigrant craftsman to an accomplished master cabinetmaker and an American icon."--Publisher's website.
Author: Rand McNally and Company
Publisher:
ISBN:
Category : World's Columbian Exposition
Languages : en
Pages : 278
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Author: Elizabeth Robins Pennell
Publisher: London : W. Heinemann ; Philadelphia : J.B. Lippincott Company
ISBN:
Category : Painters
Languages : en
Pages : 502
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Book Description
Author: Arthur Ransome
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 360
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Book Description
Author: National Gallery of Art (U.S.)
Publisher: Cambridge University Press
ISBN: 9780521443012
Category : Art
Languages : en
Pages : 698
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Book Description
One of a series of systematic catalogues of the National Gallery of Art's collection, this comprehensive volume discusses in detail 310 objects that comprise one of the world's outstanding repositories of American naive paintings. Works by renowned folk artists such as Edward Hicks, Erastus Salisbury Field, and Ammi Phillips are represented in depth and placed in stylistic as well as historical context. This catalogue is an indispensable tool for historians of Amerian painting and folk art, and for students of American life and culture. Thorough documentation and commentary are provided for the first time on some of the most intriguing images produced in America in the past two hundred years.
Author: Mrs. Russell Barrington
Publisher:
ISBN:
Category : Art, Victorian
Languages : en
Pages : 642
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Author: Isobel Armstrong
Publisher: OUP Oxford
ISBN: 0191607126
Category : Literary Criticism
Languages : en
Pages : 472
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Book Description
Isobel Armstrong's startlingly original and beautifully illustrated book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period. The mass production of glass in the nineteenth century transformed an ancient material into a modern one, at the same time transforming the environment and the nineteenth-century imagination. It created a new glass culture hitherto inconceivable. Glass culture constituted Victorian modernity. It was made from infinite variations of the prefabricated glass panel, and the lens. The mirror and the window became its formative elements, both the texts and constituents of glass culture. The glassworlds of the century are heterogeneous. They manifest themselves in the technologies of the factory furnace, in the myths of Cinderella and her glass slipper circulated in print media, in the ideologies of the conservatory as building type, in the fantasia of the shopfront, in the production of chandeliers, in the Crystal Palace, and the lens-made images of the magic lantern and microscope. But they were nevertheless governed by two inescapable conditions. First, to look through glass was to look through the residues of the breath of an unknown artisan, because glass was mass produced by incorporating glassblowing into the division of labour. Second, literally a new medium, glass brought the ambiguity of transparency and the problems of mediation into the everyday. It intervened between seer and seen, incorporating a modern philosophical problem into bodily experience. Thus for poets and novelists glass took on material and ontological, political, and aesthetic meanings. Reading glass forwards into Bauhaus modernism, Walter Benjamin overlooked an early phase of glass culture where the languages of glass are different. The book charts this phase in three parts. Factory archives, trade union records, and periodicals document the individual manufacturers and artisans who founded glass culture, the industrial tourists who described it, and the systematic politics of window-breaking. Part Two, culminating in glass under glass at the Crystal Palace, reads the glassing of the environment, including the mirror, the window, and controversy round the conservatory, and their inscription in poems and novels. Part Three explores the lens, from optical toys to 'philosophical' instruments as the telescope and microscope were known. A meditation on its history and phenomenology, Victorian Glassworlds is a poetics of glass for nineteenth-century modernity.
Author: National Gallery of Art (U.S.)
Publisher: Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 454
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Book Description
The energy and optimism of the new nation are abundantly apparent in this catalogue. It features some of the icons of American art, such as John Singleton Copley's The Copley Family and Gilbert Stuart's portraits of the first five presidents. Numerous paintings, including Benjamin West's Colonel Guy Johnson and Karonghyontye (Captain David Hill), are discussed from a new perspective, the result of information culled from letters, wills, and other previously unpublished documents. The author offers new interpretations of some works, among them Charles Willson Peale's portrait of the Baltimore couple Benjamin and Eleanor Ridgely Laming. The volume is richly illustrated, with carefully selected comparative illustrations.
Author: Jacob Larwood
Publisher:
ISBN:
Category : Signs and signboards
Languages : en
Pages : 604
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