Author: Ann Sieveking
Publisher: British Museum Press
ISBN:
Category : Art
Languages : en
Pages : 278
Book Description
The British Museum's collection of 'art mobilier' comes almost entirely from Magdalenian sites in Aquitaine. It includes 134 items from the excavations in 1863 of Lartet and Christy at La Madeleine and 68 from those of de Mortillet at Courbet, and 160 excavations at the Abri Montatstruc in the succeeding years. This catalogue provides for the first time, comprehensive descriptions and illustrations of all these pieces.
A Catalogue of Palaeolithic Art in the British Museum
Author: Ann Sieveking
Publisher: British Museum Press
ISBN:
Category : Art
Languages : en
Pages : 278
Book Description
The British Museum's collection of 'art mobilier' comes almost entirely from Magdalenian sites in Aquitaine. It includes 134 items from the excavations in 1863 of Lartet and Christy at La Madeleine and 68 from those of de Mortillet at Courbet, and 160 excavations at the Abri Montatstruc in the succeeding years. This catalogue provides for the first time, comprehensive descriptions and illustrations of all these pieces.
Publisher: British Museum Press
ISBN:
Category : Art
Languages : en
Pages : 278
Book Description
The British Museum's collection of 'art mobilier' comes almost entirely from Magdalenian sites in Aquitaine. It includes 134 items from the excavations in 1863 of Lartet and Christy at La Madeleine and 68 from those of de Mortillet at Courbet, and 160 excavations at the Abri Montatstruc in the succeeding years. This catalogue provides for the first time, comprehensive descriptions and illustrations of all these pieces.
The British Palaeolithic
Author: Paul Pettitt
Publisher: Routledge
ISBN: 1136496777
Category : Social Science
Languages : en
Pages : 616
Book Description
The British Palaeolithic provides the first academic synthesis of the entire British Palaeolithic, from the earliest occupation (currently understood to be around 980,000 years ago) to the end of the Ice Age. Landscape and ecology form the canvas for an explicitly interpretative approach aimed at understanding the how different hominin societies addressed the issues of life at the edge of the Pleistocene world. Commencing with a consideration of the earliest hominin settlement of Europe, the book goes on to examine the behavioural, cultural and adaptive repertoires of the first human occupants of Britain from an ecological perspective. These themes flow throughout the book as it explores subsequent occupational pulses across more than half a million years of Pleistocene prehistory, which saw Homo heidelbergensis, the Neanderthals and ultimately Homo sapiens walk these shores. The British Palaeolithic fills a major gap in teaching resources as well as in research by providing a current synthesis of the latest research on the period. This book represents the culmination of 40 years combined research in this area by two well known experts in the field, and is an important new text for students of British archaeology as well as for students and researchers of the continental Palaeolithic period.
Publisher: Routledge
ISBN: 1136496777
Category : Social Science
Languages : en
Pages : 616
Book Description
The British Palaeolithic provides the first academic synthesis of the entire British Palaeolithic, from the earliest occupation (currently understood to be around 980,000 years ago) to the end of the Ice Age. Landscape and ecology form the canvas for an explicitly interpretative approach aimed at understanding the how different hominin societies addressed the issues of life at the edge of the Pleistocene world. Commencing with a consideration of the earliest hominin settlement of Europe, the book goes on to examine the behavioural, cultural and adaptive repertoires of the first human occupants of Britain from an ecological perspective. These themes flow throughout the book as it explores subsequent occupational pulses across more than half a million years of Pleistocene prehistory, which saw Homo heidelbergensis, the Neanderthals and ultimately Homo sapiens walk these shores. The British Palaeolithic fills a major gap in teaching resources as well as in research by providing a current synthesis of the latest research on the period. This book represents the culmination of 40 years combined research in this area by two well known experts in the field, and is an important new text for students of British archaeology as well as for students and researchers of the continental Palaeolithic period.
Art as Metaphor
Author: Aron D. Mazel
Publisher: Archaeopress
ISBN: 9781905739165
Category : Art
Languages : en
Pages : 272
Book Description
Enigmatic, esoteric and fascinating, the rock-art of the British Isles has for a long time been a well-kept secret. However, over the last few decades hundreds of new rock art panels have been discovered and several regional surveys have been carried out. This volume brings together a carefully selected collection of papers that cover British prehistoric rock-art from over 10000 years ago.
Publisher: Archaeopress
ISBN: 9781905739165
Category : Art
Languages : en
Pages : 272
Book Description
Enigmatic, esoteric and fascinating, the rock-art of the British Isles has for a long time been a well-kept secret. However, over the last few decades hundreds of new rock art panels have been discovered and several regional surveys have been carried out. This volume brings together a carefully selected collection of papers that cover British prehistoric rock-art from over 10000 years ago.
The British Museum
Author: David Mackenzie Wilson
Publisher: Peoples of the Past
ISBN:
Category : Art
Languages : en
Pages : 454
Book Description
The British Museum is the oldest publicly funded museum in the world. This volume tells the story of the collections, the buildings that house them, and the people who have administered and curated them since its foundation in 1753.
Publisher: Peoples of the Past
ISBN:
Category : Art
Languages : en
Pages : 454
Book Description
The British Museum is the oldest publicly funded museum in the world. This volume tells the story of the collections, the buildings that house them, and the people who have administered and curated them since its foundation in 1753.
Palaeolithic Cave Art at Creswell Crags in European Context
Author: Paul Pettitt
Publisher: OUP Oxford
ISBN: 019153840X
Category : Art
Languages : en
Pages : 312
Book Description
Cave art is a subject of perennial interest among archaeologists. Until recently it was assumed that it was largely restricted to southern France and northern Iberia, although in recent years new discoveries have demonstrated that it originally had a much wider distribution. The discovery in 2003 of the UK's first examples of cave art, in two caves at Creswell Crags on the Derbyshire/Nottinghamshire border, was the most surprising illustration of this. The discoverers (the editors of the book) brought together in 2004 a number of Palaeolithic archaeologists and rock art specialists from across the world to study the Creswell art and debate its significance, and its similarities and contrasts with contemporary Late Pleistocene ('Ice Age') art on the Continent. This comprehensively illustrated book presents the Creswell art itself, the archaeology of the caves and the region, and the wider context of the Upper Palaeolithic era in Britain, as well as a number of up-to-date studies of Palaeolithic cave art in Spain, Portugal, France, and Italy which serve to contextualize the British examples.
Publisher: OUP Oxford
ISBN: 019153840X
Category : Art
Languages : en
Pages : 312
Book Description
Cave art is a subject of perennial interest among archaeologists. Until recently it was assumed that it was largely restricted to southern France and northern Iberia, although in recent years new discoveries have demonstrated that it originally had a much wider distribution. The discovery in 2003 of the UK's first examples of cave art, in two caves at Creswell Crags on the Derbyshire/Nottinghamshire border, was the most surprising illustration of this. The discoverers (the editors of the book) brought together in 2004 a number of Palaeolithic archaeologists and rock art specialists from across the world to study the Creswell art and debate its significance, and its similarities and contrasts with contemporary Late Pleistocene ('Ice Age') art on the Continent. This comprehensively illustrated book presents the Creswell art itself, the archaeology of the caves and the region, and the wider context of the Upper Palaeolithic era in Britain, as well as a number of up-to-date studies of Palaeolithic cave art in Spain, Portugal, France, and Italy which serve to contextualize the British examples.
What Is Paleolithic Art?
Author: Jean Clottes
Publisher: University of Chicago Press
ISBN: 022618806X
Category : Art
Languages : en
Pages : 214
Book Description
The noted archaeologist explores the varieties of prehistoric cave art across the world and offers surprising insights into its purpose and meaning. What drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the likenesses of lions, bison, horses, and aurochs as they flickered by firelight? Was it a creative impulse, a spiritual dawn, a shamanistic conception of the world? In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to the “why” of Paleolithic art. Discussing sites and surveys across the world, Clottes offers personal reflections on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—and what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal surprising insights into how we think, why we create, why we believe, and who we are
Publisher: University of Chicago Press
ISBN: 022618806X
Category : Art
Languages : en
Pages : 214
Book Description
The noted archaeologist explores the varieties of prehistoric cave art across the world and offers surprising insights into its purpose and meaning. What drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the likenesses of lions, bison, horses, and aurochs as they flickered by firelight? Was it a creative impulse, a spiritual dawn, a shamanistic conception of the world? In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to the “why” of Paleolithic art. Discussing sites and surveys across the world, Clottes offers personal reflections on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—and what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal surprising insights into how we think, why we create, why we believe, and who we are
British and Irish Archaeology
Author:
Publisher: Manchester University Press
ISBN: 9780719018756
Category : Reference
Languages : en
Pages : 344
Book Description
Publisher: Manchester University Press
ISBN: 9780719018756
Category : Reference
Languages : en
Pages : 344
Book Description
From These Bare Bones
Author: Alice Choyke
Publisher: Oxbow Books
ISBN: 1782972129
Category : Social Science
Languages : en
Pages : 702
Book Description
A fundamental component of the study of worked osseous objects is the identification of the raw materials chosen to make them. In archaeological contexts many objects become degraded to the point where identification is very difficult and the way in which these materials decay during burial and upon excavation can vary greatly. Correct identification is crucial to the investigation of objects, their conservation and future curation. Above all, understanding raw material selection aids our understanding of human-animal interaction in the past both on pragmatic and symbolic levels since the choices made by artisans vary by cultural tradition as well as availability. The 20 papers presented here explore a wealth of information pertaining to the use of osseous materials over the long period of human craftsmanship and tool manufacture by exploring several key themes: · Raw material selection and curation within tool types · Social aspects of raw material selection · New methods of materials identification It is demonstrated that the issue of raw material identification has numerous implications for conservation work, reproduction of objects, the physical characteristics of the tool or ornament, availability of raw materials, the materials chosen for procurement and the cultural reasons that lie behind the choice of raw materials from particular species and skeletal elements to produce planned tool and ornament types. Together, these papers emphasize the need for confident and correct materials identification and demonstrate that functionality is by no means the only, nor necessarily the most important, factor in the selection of osseous raw materials for the fabrication of tools and other cultural objects.
Publisher: Oxbow Books
ISBN: 1782972129
Category : Social Science
Languages : en
Pages : 702
Book Description
A fundamental component of the study of worked osseous objects is the identification of the raw materials chosen to make them. In archaeological contexts many objects become degraded to the point where identification is very difficult and the way in which these materials decay during burial and upon excavation can vary greatly. Correct identification is crucial to the investigation of objects, their conservation and future curation. Above all, understanding raw material selection aids our understanding of human-animal interaction in the past both on pragmatic and symbolic levels since the choices made by artisans vary by cultural tradition as well as availability. The 20 papers presented here explore a wealth of information pertaining to the use of osseous materials over the long period of human craftsmanship and tool manufacture by exploring several key themes: · Raw material selection and curation within tool types · Social aspects of raw material selection · New methods of materials identification It is demonstrated that the issue of raw material identification has numerous implications for conservation work, reproduction of objects, the physical characteristics of the tool or ornament, availability of raw materials, the materials chosen for procurement and the cultural reasons that lie behind the choice of raw materials from particular species and skeletal elements to produce planned tool and ornament types. Together, these papers emphasize the need for confident and correct materials identification and demonstrate that functionality is by no means the only, nor necessarily the most important, factor in the selection of osseous raw materials for the fabrication of tools and other cultural objects.
The Letters of Philip Webb, Volume III
Author: John Aplin
Publisher: Routledge
ISBN: 1317283392
Category : Architecture
Languages : en
Pages : 343
Book Description
Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris’s first home. Webb's letters will be of interest to art and architecture historians.
Publisher: Routledge
ISBN: 1317283392
Category : Architecture
Languages : en
Pages : 343
Book Description
Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris’s first home. Webb's letters will be of interest to art and architecture historians.
Manual of Curatorship
Author: John M. A. Thompson
Publisher: Routledge
ISBN: 1317791606
Category : Social Science
Languages : en
Pages : 776
Book Description
Based on original contributions by specialists, this manual covers both the theory and the practice required in the management of museums. It is intended for all museum and art gallery profession staff, and includes sections on new technology, marketing, volunteers and museum libraries.
Publisher: Routledge
ISBN: 1317791606
Category : Social Science
Languages : en
Pages : 776
Book Description
Based on original contributions by specialists, this manual covers both the theory and the practice required in the management of museums. It is intended for all museum and art gallery profession staff, and includes sections on new technology, marketing, volunteers and museum libraries.