The New Laokoon

The New Laokoon PDF Author: Irving Babbitt
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 280

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Book Description

The New Laokoon

The New Laokoon PDF Author: Irving Babbitt
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 280

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Book Description


William Aiken Walker, Southern Genre Painter

William Aiken Walker, Southern Genre Painter PDF Author: August P. Trovaioli
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1370

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Old English Clocks (the Wetherfield Collection)

Old English Clocks (the Wetherfield Collection) PDF Author: David Arthur Fasham Wetherfield
Publisher:
ISBN:
Category : Clock and watch makers
Languages : en
Pages : 140

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Nineteenth- and Twentieth-century Paintings

Nineteenth- and Twentieth-century Paintings PDF Author: Richard R. Brettell
Publisher: Metropolitan Museum of Art
ISBN: 1588393496
Category : Painting, Modern
Languages : en
Pages : 482

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Book Description
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.