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Author: Ashley Wood
Publisher:
ISBN: 9781600103421
Category : Art
Languages : en
Pages : 0
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Book Description
The Sparrow series of art books continues with its all-new way of looking at comic book art. Ashley Wood returns with just what the title suggests -- 96 Nude Girls, collected from his previous two 48 Nudes editions.
Author: Ashley Wood
Publisher:
ISBN: 9781600103421
Category : Art
Languages : en
Pages : 0
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Book Description
The Sparrow series of art books continues with its all-new way of looking at comic book art. Ashley Wood returns with just what the title suggests -- 96 Nude Girls, collected from his previous two 48 Nudes editions.
Author: Kenneth Clark
Publisher: Princeton University Press
ISBN: 0691017883
Category : Art
Languages : en
Pages : 480
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Book Description
From the art of the Greeks to that of Renoir and Moore, this work surveys the ever-changing fashions in what has constituted the ideal nude as a basis of humanist form.
Author: Ann O Koloski-Ostrow
Publisher: Routledge
ISBN: 113460386X
Category : History
Languages : en
Pages : 332
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Book Description
Critically up-to-date and theoretically informed Epilogue by Natalie Boymel Kampen - well known specialist Gender/Sexuality/Women are hot research topics Also studied on courses in ancient history and classical art/archaeology Hb reprinted and very well received
Author: Lynda Nead
Publisher: Routledge
ISBN: 1134972768
Category : Art
Languages : en
Pages : 184
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Book Description
Anyone who examines the history of Western art must be struck by the prevalence of images of the female body. More than any other subject, the female nude connotes `art'. The framed image of a female body, hung on the walls of an art gallery, is an icon of Western culture, a symbol of civilization and accomplishment. But how and why did the female nude acquire this status? The Female Nude brings together, in an entirely new way, analysis of the historical tradition of the female nude and discussion of recent feminist art, and by exploring the ways in which acceptable and unacceptable images of the female body are produced and maintained, renews recent debates on high culture and pornography. The Female Nude represents the first feminist survey of the most significant subject in Western art. It reveals how the female nude is now both at the centre and at the margins of high culture. At the centre, and within art historical discourse, the female nude is seen as the visual culmination of enlightenment aesthetics; at the edge, it risks losing its repectability and spilling over into the obscene.
Author: Alison Smith
Publisher: Manchester University Press
ISBN: 9780719044038
Category : Art
Languages : en
Pages : 282
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Book Description
Smith reveals how images of the nude were used at all levels of Victorian culture, from prestigious high-art paintings through to photographs and popular entertainments; and discusses the many views as to whether these were legitimate forms of representation or, in fact, pornography and an incitement to unregulated sexual activity.
Author: Isabelle Cahn
Publisher: Universe Publishing(NY)
ISBN:
Category : Art
Languages : en
Pages : 86
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Book Description
Renoir favored and sought a particular physical type, characterized by round, heart-shaped faces, snub noses, narrow, almond-shaped eyes, blushing cheeks, and wide, rose-colored mouths. Among his preferred models were Aline Charigot, Nini, Gabrielle Renard, a cousin of his wife, and Lise Trehot.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
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Book Description
Author: Emma Wilson
Publisher: Liverpool University Press
ISBN: 178962441X
Category : Art
Languages : en
Pages : 256
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Book Description
This book, a sensuous evocation of images of the reclining nude, claims a female-identified pleasure in looking. Agnès Varda, Catherine Breillat, and Nan Goldin are re-imagining images of female beauty, display, (auto)eroticism, and intimacy. The reclining nude is compelling, for female-identified artists in the ethically adventurous, politically complex feminist issues it engages.
Author: Robert Gluck
Publisher: MIT Press
ISBN: 1584351756
Category : Literary Collections
Languages : en
Pages : 385
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Book Description
The collected essays of the cofounder of the New Narrative movement, on theory, identity, poetry, and muses from Kathy Acker to Georges Bataille. I read and wrote to invoke what seemed impossible—relation itself—in order to take part in a world that ceaselessly makes itself up, to “wake up” to the world, to recognize the world, to be convinced that the world exists, to take revenge on the world for not existing. —from Communal Nude Since cofounding San Francisco's influential New Narrative circle in 1979, Robert Glück has been one of America's finest prose stylists of innovative fiction, bending narrative into the service of autobiography, politics, and gay writing. This collection brings together for the first time Glück's nonfiction, a revelatory body of work that anchors his writing practice. Glück's essays explore the ways that storytelling and selfhood are mutually embedded cultural forms, cohering a fractured social reality where generating narrative means generating identity means generating community. “I'd laugh at (make art from) any version of self,” Glück writes, “I write about these forms—that are myself—to dispense with them, to demonstrate how they disintegrate before the world, the body.” For any body—or text—to know itself, it must first see how it sees the world, and understand itself as writing. Glück's essays affirm this radical narratorial precept in rich spirals of reading, self-reflection, anecdote, escapade, and “metatext.” These texts span the author's career and his creative affinities—from lost manifestos theorizing the poetics of New Narrative; to encomia for literary and philosophic muses (Kathy Acker, the HOW(ever) poets, Frank O'Hara, Georges Bataille, and others); to narrative journalism, book reviews, criticism, and public talks. Many of the texts are culled from obscure little magazines and ephemeral online sources; others have never been published. As lucid as story, as lush as theory, and as irresistible as gossip, Glück's essays are the quintessence of New Narrative theory in practice.
Author: Rob Craig
Publisher: McFarland
ISBN: 0786493186
Category : Performing Arts
Languages : en
Pages : 313
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Book Description
Grindhouse filmmaker Andy Milligan has been the subject of a revealing biography, and boasts a grassroots fan base, but his remarkable work has thus far received no serious critical overview. Working virtually alone, on infinitesimal budgets, often using a used 16mm newsreel camera, Milligan crafted some of the most unique melodramas of the 1960s and 1970s. Often mounted as period pieces, using costumes sewn by the filmmaker, Milligan's gritty, bizarre films come across as inimitable meldings of the avant-garde theater of Jean Genet, the experimental films of Jack Smith, and the random cinema verite of a lunatic with a home movie camera. Yet Milligan's films are anything but random, ruminating at length on profound sociocultural themes of the day, including the emptiness of the sexual revolution. Evident throughout all the films are two pet themes: a rabid deconstruction of the heterosexual paradigm, and a grotesque illumination of the family as breeder of dysfunction.
