Author: Anton Pavlovich Chekhov
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822216452
Category : Drama
Languages : en
Pages : 108
Book Description
THE STORIES: SWAN SONG. An actor wakes up with a hangover, locked in the theater after the evening's performance. He is terrified when he thinks a ghost appears, but it is only the theater's prompter. The actor tells him stories of his life and als
7 Short Farces
Author: Anton Pavlovich Chekhov
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822216452
Category : Drama
Languages : en
Pages : 108
Book Description
THE STORIES: SWAN SONG. An actor wakes up with a hangover, locked in the theater after the evening's performance. He is terrified when he thinks a ghost appears, but it is only the theater's prompter. The actor tells him stories of his life and als
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822216452
Category : Drama
Languages : en
Pages : 108
Book Description
THE STORIES: SWAN SONG. An actor wakes up with a hangover, locked in the theater after the evening's performance. He is terrified when he thinks a ghost appears, but it is only the theater's prompter. The actor tells him stories of his life and als
What Comes After Farce?
Author: Hal Foster
Publisher: Verso Books
ISBN: 1804295930
Category : Art
Languages : en
Pages : 225
Book Description
Surveying the artistic and cultural scene in the era of Trump In a world where truth is cast in doubt and shame has gone missing, what are artists and critics on the left to do? How to demystify a political order that laughs away its own contradictions? How to mock leaders who thrive on the absurd? And why, in any event, offer more outrage to a media economy that feeds on the same? Such questions are grist to the mill of Hal Foster, who, in What Comes after Farce?, delves into recent developments in art, criticism, and fiction under the current regime of war, surveillance, extreme inequality, and media disruption. Concerned first with the cultural politics of emergency since 9/11, including the use and abuse of trauma, conspiracy, and kitsch, he moves on to consider the neoliberal makeover of aesthetic forms and art institutions during the same period. A final section surveys signal transformations in art, film, and writing. Among the phenomena explored are machine vision (images produced by machines for other machines without a human interface), operational images (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information that pervades our everyday lives. If all this sounds dire, it is. In many respects we look out on a world that has moved, not only politically but also technologically, beyond our control. Yet Foster also sees possibility in the current debacle: the possibility to pressure the cracks in this order, to turn emergency into change.
Publisher: Verso Books
ISBN: 1804295930
Category : Art
Languages : en
Pages : 225
Book Description
Surveying the artistic and cultural scene in the era of Trump In a world where truth is cast in doubt and shame has gone missing, what are artists and critics on the left to do? How to demystify a political order that laughs away its own contradictions? How to mock leaders who thrive on the absurd? And why, in any event, offer more outrage to a media economy that feeds on the same? Such questions are grist to the mill of Hal Foster, who, in What Comes after Farce?, delves into recent developments in art, criticism, and fiction under the current regime of war, surveillance, extreme inequality, and media disruption. Concerned first with the cultural politics of emergency since 9/11, including the use and abuse of trauma, conspiracy, and kitsch, he moves on to consider the neoliberal makeover of aesthetic forms and art institutions during the same period. A final section surveys signal transformations in art, film, and writing. Among the phenomena explored are machine vision (images produced by machines for other machines without a human interface), operational images (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information that pervades our everyday lives. If all this sounds dire, it is. In many respects we look out on a world that has moved, not only politically but also technologically, beyond our control. Yet Foster also sees possibility in the current debacle: the possibility to pressure the cracks in this order, to turn emergency into change.
Farce
Author: Jessica Milner Davis
Publisher: Routledge
ISBN: 1351520237
Category : Performing Arts
Languages : en
Pages : 274
Book Description
Farce has always been relegated to the lowest rung of the ladder of dramatic genres. Distinctions between farce and more literary comic forms remain clouded, even in the light of contemporary efforts to rehabilitate this type of comedy. Is farce really nothing more than slapstick-the "putting out of candles, kicking down of tables, falling over joynt-stools," as Thomas Shadwell characterized it in the seventeenth century? Or was his contemporary, Nahum Tate correct when he declared triumphantly that "there are no rules to be prescribed for that sort of wit, no patterns to copy; and 'tis altogether the creature of imagination"? Davis shows farce to be an essential component in both the comedic and tragic traditions. Farce sets out to explore the territory of what makes farce distinct as a comic genre. Its lowly origins date back to the classic Graeco-Roman theatre; but when formal drama was reborn by the process of elaboration of ritual within the mediaeval Church, the French term "farce" became synonymous with a recognizable style of comic performance. Taking a wide range of farces from the briefest and most basic of fair-ground mountebank performances to fully-fledged five-act structures from the late nineteenth century, the book reveals the patterns of comic plot and counter-plot that are common to all. The result is a novel classification of farce-plots, which serves to clarify the differences between farce and more literary comic forms and to show how quickly farce can shade into other styles of humor. The key is a careful balance between a revolt against order and propriety, and a kind of Realpolitik which ultimately restores the social conventions under attack. A complex array of devices in such things as framing, plot, characterization, timing and acting style maintain the delicate balance. Contemporary examples from the London stage bring the discussion u
Publisher: Routledge
ISBN: 1351520237
Category : Performing Arts
Languages : en
Pages : 274
Book Description
Farce has always been relegated to the lowest rung of the ladder of dramatic genres. Distinctions between farce and more literary comic forms remain clouded, even in the light of contemporary efforts to rehabilitate this type of comedy. Is farce really nothing more than slapstick-the "putting out of candles, kicking down of tables, falling over joynt-stools," as Thomas Shadwell characterized it in the seventeenth century? Or was his contemporary, Nahum Tate correct when he declared triumphantly that "there are no rules to be prescribed for that sort of wit, no patterns to copy; and 'tis altogether the creature of imagination"? Davis shows farce to be an essential component in both the comedic and tragic traditions. Farce sets out to explore the territory of what makes farce distinct as a comic genre. Its lowly origins date back to the classic Graeco-Roman theatre; but when formal drama was reborn by the process of elaboration of ritual within the mediaeval Church, the French term "farce" became synonymous with a recognizable style of comic performance. Taking a wide range of farces from the briefest and most basic of fair-ground mountebank performances to fully-fledged five-act structures from the late nineteenth century, the book reveals the patterns of comic plot and counter-plot that are common to all. The result is a novel classification of farce-plots, which serves to clarify the differences between farce and more literary comic forms and to show how quickly farce can shade into other styles of humor. The key is a careful balance between a revolt against order and propriety, and a kind of Realpolitik which ultimately restores the social conventions under attack. A complex array of devices in such things as framing, plot, characterization, timing and acting style maintain the delicate balance. Contemporary examples from the London stage bring the discussion u
The Divine Farce (Large Print 16pt)
Author: Lisa M. Graziano
Publisher: ReadHowYouWant.com
ISBN: 145872154X
Category : Fiction
Languages : en
Pages : 98
Book Description
A Dante/Beckett reduction of human struggle to its lowest common denominator. Michael Mirolla' author of The Formal Logic of Emotion and Berlin. One of the most original and thought - provoking stories I have ever read...true literary art...Not a word is wasted in this masterpiece. Yes' I call it that. I have read many classics' and I can tell you that The Divine Farce should be counted among them; the finest in American literature. Geek scribe Three strangers are condemned to live together in darkness' crushed together in a concrete stall so small that they can never sit down. Liquid food drips down from above. Waste drains through a grid on the floor. So begins one of the strangest' most surreal comments on the human experience' on love and hatred and the human ability to find good in any situation' no matter how difficult. Michael S. A. Graziano delights in the macabre and surreal' yet it is his optimism that lifts this little novel. Like The Love Song of Monkey' this book is deeply thought provoking' horrifying' and funny. Praise for The Love Song of Monkey; Imaginative' intelligent narrative. Twin ideas of forgiveness and mercy twist through this strange' moving' patiently wrought novel.
Publisher: ReadHowYouWant.com
ISBN: 145872154X
Category : Fiction
Languages : en
Pages : 98
Book Description
A Dante/Beckett reduction of human struggle to its lowest common denominator. Michael Mirolla' author of The Formal Logic of Emotion and Berlin. One of the most original and thought - provoking stories I have ever read...true literary art...Not a word is wasted in this masterpiece. Yes' I call it that. I have read many classics' and I can tell you that The Divine Farce should be counted among them; the finest in American literature. Geek scribe Three strangers are condemned to live together in darkness' crushed together in a concrete stall so small that they can never sit down. Liquid food drips down from above. Waste drains through a grid on the floor. So begins one of the strangest' most surreal comments on the human experience' on love and hatred and the human ability to find good in any situation' no matter how difficult. Michael S. A. Graziano delights in the macabre and surreal' yet it is his optimism that lifts this little novel. Like The Love Song of Monkey' this book is deeply thought provoking' horrifying' and funny. Praise for The Love Song of Monkey; Imaginative' intelligent narrative. Twin ideas of forgiveness and mercy twist through this strange' moving' patiently wrought novel.
Farce of Nature
Author: Jessie Jones
Publisher: Dramatists Play Service, Inc.
ISBN: 082223159X
Category : Performing Arts
Languages : en
Pages : 57
Book Description
The non-stop hilarity of this Southern-fried farce highlights one day in the life of the Wilburn family of Mayhew, Arkansas. Meet D. Gene Wilburn, the owner and proprietor of the Reel 'Em Inn, the finest little fishing lodge in the Ozarks. Well, it used to be, but lately business is down, tourists are few, and the lone guest who's just checked in—an extremely jittery Carmine DeLuca from Chicago—is only there due to a location shift in the Witness Protection Program. Doesn't anybody just want to fish anymore? Certainly not D. Gene's frustrated wife, Wanelle, who's fed up with their lackluster romantic life. She's taken drastic steps to improve it through hypnotic suggestion and, for the life of him, D. Gene cannot understand why his pants keep falling down. D. Gene's feisty sister Maxie has her own problems, chief among them battling ageism to resume her career in law enforcement. She's determined to prove her worth by keeping Carmine DeLuca alive through the weekend—a task that's going to prove to be much harder than she bargained for since she keeps losing both her gun and the bullets. And she never anticipated the gangster Camine's been dodging for the last five years, Sonny Barbosa, is about to walk through the door, in hot pursuit of his sexy wife, Lola. Seems the headstong Lola has driven hundreds of miles to the lodge to follow her boytoy, D. Gene and Wanelle's son Ty. But Lola meets her match in Ty's seemingly innocent girlfriend, Jenna, whose patience has reached the breaking point after months of waiting for Ty to come home. In the deliciously funny romp that ensues, they all hide, lie, disguise themselves, cross-dress, and slam doors chasing one another, while trying to figure out the source of an increasingly awful stench. By then it's too late and the lodge is surrounded by vicious critters and hungry varmints that have followed the odor down from the hills. Yet by the delightfully chaotic climax of this one outrageous day, love blossoms, truths are revealed, and the lives of all—family, guests and gangsters alike—change in incredible and surprising ways. This side-splittingly funny Jones Hope Wooten comedy is guaranteed to win your audiences over—hook, line, and sinker!
Publisher: Dramatists Play Service, Inc.
ISBN: 082223159X
Category : Performing Arts
Languages : en
Pages : 57
Book Description
The non-stop hilarity of this Southern-fried farce highlights one day in the life of the Wilburn family of Mayhew, Arkansas. Meet D. Gene Wilburn, the owner and proprietor of the Reel 'Em Inn, the finest little fishing lodge in the Ozarks. Well, it used to be, but lately business is down, tourists are few, and the lone guest who's just checked in—an extremely jittery Carmine DeLuca from Chicago—is only there due to a location shift in the Witness Protection Program. Doesn't anybody just want to fish anymore? Certainly not D. Gene's frustrated wife, Wanelle, who's fed up with their lackluster romantic life. She's taken drastic steps to improve it through hypnotic suggestion and, for the life of him, D. Gene cannot understand why his pants keep falling down. D. Gene's feisty sister Maxie has her own problems, chief among them battling ageism to resume her career in law enforcement. She's determined to prove her worth by keeping Carmine DeLuca alive through the weekend—a task that's going to prove to be much harder than she bargained for since she keeps losing both her gun and the bullets. And she never anticipated the gangster Camine's been dodging for the last five years, Sonny Barbosa, is about to walk through the door, in hot pursuit of his sexy wife, Lola. Seems the headstong Lola has driven hundreds of miles to the lodge to follow her boytoy, D. Gene and Wanelle's son Ty. But Lola meets her match in Ty's seemingly innocent girlfriend, Jenna, whose patience has reached the breaking point after months of waiting for Ty to come home. In the deliciously funny romp that ensues, they all hide, lie, disguise themselves, cross-dress, and slam doors chasing one another, while trying to figure out the source of an increasingly awful stench. By then it's too late and the lodge is surrounded by vicious critters and hungry varmints that have followed the odor down from the hills. Yet by the delightfully chaotic climax of this one outrageous day, love blossoms, truths are revealed, and the lives of all—family, guests and gangsters alike—change in incredible and surprising ways. This side-splittingly funny Jones Hope Wooten comedy is guaranteed to win your audiences over—hook, line, and sinker!
"Stand by the Flag!"
Author: George Melville Baker
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 20
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 20
Book Description
The Theatre
Author: Clement Scott
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 360
Book Description
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 360
Book Description
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
The Theater
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 376
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 376
Book Description
Outlines of the Life of William Bestow
Author: Ben William Watkins
Publisher:
ISBN:
Category :
Languages : en
Pages : 298
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 298
Book Description
"The Farce of the Fart" and Other Ribaldries
Author: Jody Enders
Publisher: University of Pennsylvania Press
ISBN: 0812205014
Category : Literary Collections
Languages : en
Pages : 495
Book Description
Was there more to medieval and Renaissance comedy than Chaucer and Shakespeare? Bien sûr. For a real taste of saucy early European humor, one must cross the Channel to France. There, in the fifteenth and early sixteenth centuries, the sophisticated met the scatological in popular performances presented by roving troupes in public squares that skewered sex, politics, and religion. For centuries, the scripts for these outrageous, anonymously written shows were available only in French editions gathered from scattered print and manuscript sources. Now prize-winning theater historian Jody Enders brings twelve of the funniest of these farces to contemporary English-speaking audiences in "The Farce of the Fart" and Other Ribaldries. Enders's translation captures the full richness of the colorful characters, irreverent humor, and over-the-top plotlines, all in a refreshingly uncensored American vernacular. Those who have never heard the one about the Cobbler, the Monk, the Wife, and the Gatekeeper should prepare to be shocked and entertained. "The Farce of the Fart" and Other Ribaldries is populated by hilarious characters high and low. For medievalists, theater practitioners, and classic comedy lovers alike, Enders provides a wealth of information about the plays and their history. Helpful details abound for each play about plot, character development, sets, staging, costumes, and props. This performance-friendly collection offers in-depth guidance to actors, directors, dramaturges, teachers, and their students. "The Farce of the Fart" and Other Ribaldries puts fifteenth-century French farce in its rightful place alongside Chaucer, Shakespeare, commedia dell'arte, and Molière—not to mention Monty Python. Vive la Farce!
Publisher: University of Pennsylvania Press
ISBN: 0812205014
Category : Literary Collections
Languages : en
Pages : 495
Book Description
Was there more to medieval and Renaissance comedy than Chaucer and Shakespeare? Bien sûr. For a real taste of saucy early European humor, one must cross the Channel to France. There, in the fifteenth and early sixteenth centuries, the sophisticated met the scatological in popular performances presented by roving troupes in public squares that skewered sex, politics, and religion. For centuries, the scripts for these outrageous, anonymously written shows were available only in French editions gathered from scattered print and manuscript sources. Now prize-winning theater historian Jody Enders brings twelve of the funniest of these farces to contemporary English-speaking audiences in "The Farce of the Fart" and Other Ribaldries. Enders's translation captures the full richness of the colorful characters, irreverent humor, and over-the-top plotlines, all in a refreshingly uncensored American vernacular. Those who have never heard the one about the Cobbler, the Monk, the Wife, and the Gatekeeper should prepare to be shocked and entertained. "The Farce of the Fart" and Other Ribaldries is populated by hilarious characters high and low. For medievalists, theater practitioners, and classic comedy lovers alike, Enders provides a wealth of information about the plays and their history. Helpful details abound for each play about plot, character development, sets, staging, costumes, and props. This performance-friendly collection offers in-depth guidance to actors, directors, dramaturges, teachers, and their students. "The Farce of the Fart" and Other Ribaldries puts fifteenth-century French farce in its rightful place alongside Chaucer, Shakespeare, commedia dell'arte, and Molière—not to mention Monty Python. Vive la Farce!