Author: Falma Fshazi
Publisher:
ISBN: 9789490800451
Category :
Languages : en
Pages : 0
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Book Description
Brussels-based 51N4E deals with matters of architectural design, concept development, and strategic spatial transformations. Headed by Johan Anrys and Freek Persyn, the office was founded in 1998 and aspires to contribute to social and urban transformation. This book - part photo-novel, part real-life journey - tells the story of 51N4E in multiple ways. Combining short stories by Falma Fshazi with photographs by Stefano Graziani, it is a narrative of discovery and embracing otherness, as well as a retrospective look at projects since 2004. It describes the encounters and processes by which the architects learned to operate in a culture and context very different from their own.
Author: Falma Fshazi
Publisher:
ISBN: 9789490800475
Category : Architecture
Languages : en
Pages : 128
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Book Description
"This dual-narrative, part photo-novel, part real-life journey, tells one story in multiple ways. In its first part, the book couples short stories by Falma Fshazi with photographs by Stefano Graziani. The story of a discovery; an encounter with a strange land, beyond East and West, and a city, Tirana. The second part casts a restrospective look at the construction of a tower designed by 51N4E, and on all the projects that followed in its wake, from 2004 onwards. It describes moments, processes and relationships that allowed the architects to come into contact with a culture and a context so different from their own. Overall, this book is a story of embracing otherness, and a contemplation on how things meet"--Back cover.
Author: Freek Persyn
Publisher:
ISBN: 9783944074214
Category : Plazas
Languages : en
Pages : 96
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Book Description
This publication shows the ambitious transformation of Skanderbeg Square, in Tirana, Albania. The project was initiated by the then Mayor of Tirana and current Prime Minister of Albania Edi Rama and realized under current mayor Erion Veliaj. It is the result of a collaboration between Belgian architecture office 51N4E, Albanian artist Anri Sala, Belgian environmental designers Plant en Houtgoed, and Albanian company for project implementation iRI. Transforming the central square of a nation that is founded only in 1912 and that is now a developing young democracy, the project compresses all the hope and tension that come with that transition. With its focus on transition, this publication is a pilot episode of a series called Chapters, a progressive documentation of the work of architecture office 51N4E and its collaborations with related people and practices. Every Chapter combines the presentation of one or more projects with a forward-looking reflection on the key issues that shape them. Produced progressively over the course of the next years, the ambition of the whole series is to outline how 51N4E aims to engage with contemporary society in all of its complexity.
Author: Elidor Mëhilli
Publisher: Cornell University Press
ISBN: 1501712233
Category : History
Languages : en
Pages : 544
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Book Description
Elidor Mëhilli has produced a groundbreaking history of communist Albania that illuminates one of Europe’s longest but least understood dictatorships. From Stalin to Mao, which is informed throughout by Mëhilli’s unprecedented access to previously restricted archives, captures the powerful globalism of post-1945 socialism, as well as the unintended consequences of cross-border exchanges from the Mediterranean to East Asia. After a decade of vigorous borrowing from the Soviet Union—advisers, factories, school textbooks, urban plans—Albania’s party clique switched allegiance to China during the 1960s Sino-Soviet conflict, seeing in Mao’s patronage an opportunity to keep Stalinism alive. Mëhilli shows how socialism created a shared transnational material and mental culture—still evident today around Eurasia—but it failed to generate political unity. Combining an analysis of ideology with a sharp sense of geopolitics, he brings into view Fascist Italy’s involvement in Albania, then explores the country’s Eastern bloc entanglements, the profound fascination with the Soviets, and the contradictions of the dramatic anti-Soviet turn. Richly illustrated with never-before-published photographs, From Stalin to Mao draws on a wealth of Albanian, Russian, German, British, Italian, Czech, and American archival sources, in addition to fiction, interviews, and memoirs. Mëhilli’s fresh perspective on the Soviet-Chinese battle for the soul of revolution in the global Cold War also illuminates the paradoxes of state planning in the twentieth century.
Author: Sharon Macdonald
Publisher: Routledge
ISBN: 1134111053
Category : Business & Economics
Languages : en
Pages : 555
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Book Description
How does a city and a nation deal with a legacy of perpetrating atrocity? How are contemporary identities negotiated and shaped in the face of concrete reminders of a past that most wish they did not have? Difficult Heritage focuses on the case of Nuremberg – a city whose name is indelibly linked with Nazism – to explore these questions and their implications. Using an original in-depth research, using archival, interview and ethnographic sources, it provides not only fascinating new material and perspectives, but also more general original theorizing of the relationship between heritage, identity and material culture. The book looks at how Nuremberg has dealt with its Nazi past post-1945. It focuses especially, but not exclusively, on the city’s architectural heritage, in particular, the former Nazi party rally grounds, on which the Nuremburg rallies were staged. The book draws on original sources, such as city council debates and interviews, to chart a lively picture of debate, action and inaction in relation to this site and significant others, in Nuremberg and elsewhere. In doing so, Difficult Heritage seeks to highlight changes over time in the ways in which the Nazi past has been dealt with in Germany, and the underlying cultural assumptions, motivations and sources of friction involved. Whilst referencing wider debates and giving examples of what was happening elsewhere in Germany and beyond, Difficult Heritage provides a rich in-depth account of this most fascinating of cases. It also engages in comparative reflection on developments underway elsewhere in order to contextualize what was happening in Nuremberg and to show similarities to and differences from the ways in which other ‘difficult heritages’ have been dealt with elsewhere. By doing so, the author offers an informed perspective on ways of dealing with difficult heritage, today and in the future, discussing innovative museological, educational and artistic practice.
Author: Hans den Hartog Jager
Publisher:
ISBN: 9789490800963
Category : Ararat, Mount (Turkey)
Languages : en
Pages : 0
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Book Description
Five years ago, Antoinette Nausikaä decided she wanted to observe mountains. In the middle of her frantic urban life she developed a need for stillness and solitude, and she was convinced that mountains were the place to go. Soon however, she discovered that "pure" silence and solitude were nowhere to be found. Looking for the timeless spirit of the mountains, she found fleeting traces of human existence everywhere. She lived and worked on and around eight ancient mountains in Europe and Asia, each one of them a sacred icon and a pilgrimage destination. She travelled to Mount Fuji (JP), Olympus (GR), Ararat (TR) and the five most sacred mountains in China, the Wŭyuè. She observed them, climbed them, photographed, made drawings and dug in the earth for clay to make small sculptures. And so, almost casually, her quest developed into an investigation and presentation of one of the most pressing philosophical themes of this moment: the Anthropocene. The Anthropocene, as interpreted by many authoritative contemporary philosophers, deals with the idea that man and nature are fundamentally separated. An idea that is a typical product of nineteenth-century Romanticism, but is now considered to be out-of-date. After all, our human presence is omnipresent, visible even in the geographical layers of the Earth.
Author: Jan Philipzen
Publisher:
ISBN: 9789493146525
Category : Art
Languages : en
Pages : 0
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Book Description
Started as a visual diary, 'Ravedeath Convention' soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times. The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker's album 'Ravedeath,1972'.
Author: Keith Moxey
Publisher: Duke University Press
ISBN: 0822395932
Category : Art
Languages : en
Pages : 222
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Book Description
Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorization—demonstrating how each work influences the next as part of a linear sequence—which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.
Author: Camille Vivier
Publisher:
ISBN: 9789493146341
Category : Art
Languages : en
Pages : 0
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Book Description
Vivier met Sophie through a casting agent around four years ago. ?I was looking for a very athletic woman for a photoshoot,? she recounts. ?When I met Sophie, I was not only fascinated by her powerful, sculptural body but I was also drawn to her face which is sweet, feminine and tender. I felt that Sophie had a lot to say through her bodybuilding practice ? it is, or at the time was, a reconstruction of herself in both an allegorical and a physical sense.?00Sophie embodies many of the qualities that the photographer seeks to convey through her work: the architectural nature of the bodybuilder?s form encapsulates both the subject and object dynamic that so intrigues Vivier, while simultaneously blurring the boundaries between preconceived notions of femininity and masculinity. ?I felt that by reshaping herself with a very intimate, strong and personal motivation to feel good and comfortable with her own image, Sophie was reshaping the criteria of what the feminine body is supposed to be.? (Another Magazine).
Author: Martin Germann
Publisher:
ISBN: 9789493146143
Category :
Languages : en
Pages : 152
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Book Description
If we look briefly at what makes good art, it is of course to work with what is in front of us. Inventions are good, but if the point of escape into the unknown is the known, even better. Certainly nothing is more readily available than one?s own family. It is a matrix we will never leave, and if we escape it, we inevitably escape in relation to it. Diana worked with the image material her family generated on many formal and technical layers, visually formulating such larger questions as: who sees whom in which way, and smaller questions, such as: What is one doing when the camera is turned off? To what extent is a skin really our last boundary, and what happens when one dies? Diana exploits every possible representation of (her) family, and transforms it with a sharp eye into an art that is entirely its own. She uses the whole repertoire of the contemporary photo-filmic infrastructure, from the mobile phone to the memory stick of her father?s product palette from the last 10 years, to the dashcam of her truck-driving mother, to email, also in order to fulfill yet subvert every possible cliché about the East one could imagine. We should not forget the proper art historical knowledge sleeping behind her approach, which she luckily applies in a very liberating, un-academic and free manner. You wouldn?t need a reference with the simple function of affirming the position of her work, as it is with a lot of art these days. In the end, Diana uses something as personal as family to say something public, close to a narration on something as large as the European transformations that took place during the last 30 years. (Martin Germann).
